Few names in fiction are more iconic
than Frankenstein. Story, character, and
premise borrowed, bent, and twisted in the near 200 years that have passed
since the idea’s conception, what is perhaps the seminal work of science
fiction has become an image of Halloween, the original story by and large lost
to time. In fact the tragedy of an
ordinary doctor with extra-ordinary skills, Mary Shelley’s 1818 novel Frankenstein: The Modern Prometheus is a
powerful examination of the meaning of being human as told through the eyes of
a man who created one, and if Brian Aldiss is to be believed, it is the first work
of science fiction.
A frame story, Frankenstein is bookended by the notes of an Arctic sailor who has
the experience of talking with a dying man found wandering the frozen
north. The dying man named Dr. Victor
Frankenstein, the story of his youth up until his delirious expedition in the
north forms the main narrative. Born
into a rich Swiss family, from an early age Frankenstein showed interest in not
only biology and chemistry, but “old science”—the study of supernatural
wonders. After finishing a medical
degree at university, he secretly puts his skills as a doctor and arcane
knowledge of the unknown into action, creating the now famous monster on a
stormy night. Hideous beyond hope, the
monster’s ugliness scares Frankenstein, and he flees the room, allowing his
creation to escape. Twisted together in
desire and loathing, the creator and the created’s lives are never the same thereafter,
their tragedies unfolding in the telling.
Contrary to most modern perception of
the name Frankenstein, the monster’s conception and fabrication is only the
first part of the story. The majority of
the novel is in fact the guilt, the fear, the shame, the desire for
retribution, and the torrent of struggles the Doctor has trying to come to
terms with his creation. The hideous
being prey to the most base of emotions, the monster is also an integral part
of the story, his growth and maturation not something the Doctor was prepared
to take responsibility for when initially plotting his scientific
endeavors. The interaction of the two
and the development of their relationship, for better and worse, is the
affective side of the story and what makes it such a powerful narrative.
The thematic side is one open to a
variety of analyses. From the novel’s
subtitle (A Modern Prometheus) to pontification
upon its possible symbolism, numerous interpretations are available. Beginning with humanity’s short-sightedness,
i.e. its general tendency to ignore costs in the future in favor of hopes for
the present, Frankenstein’s reaction to the monster indicates little
forethought was given to its potential.
This kind of “ignorant creation”, or “created with unintended purpose” presents
the novel possibly as a cautionary. The
irreversible yet permanent changes brought about by the doctor’s tinkering with
powers beyond his comprehension run strong parallels to many negative
technological changes man has brought upon himself—the gun, nuclear weaponry,
and cable television shows (ha!) among them.
Another (and for this review, last) potential take on the novel is a simultaneous
distance and imminence in which mankind experiences life. Throughout the evolution of their minds and
hearts, the doctor and the monster never seem to come to peace. One waltzing while the other rumbas, the
difference is sometimes intentional, and at others a consequence only of
circumstances. In short, Shelley seems
to say man has the power to create; but understanding what has been created is
perhaps beyond its capabilities.
In the end, Frankenstein has stood the test of time for reasons far beyond Hollywood horror.
Socially, scientifically, and personally relevant beyond the novel’s
age, a number of challenging inferences can be drawn from its pages. Anything from classicism to cautionary,
commentary to exposition, it’s an intelligent story with multiple layers of
meaning. An engaging, touching story binding
these ideas into a cohesive whole, the tragedy of the good doctor is as
affective as it is thought-provoking. A
classic still on the shelves to this day, it’s best to have a read and see its value
for yourself.
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