The
scene at the end of the film Ghost in the
Shell depicts the main character integrating herself with the global
network. Her personality subsumed, the
assumption is that the meeting of the ‘minds’ results in a dilution, an
absorption, the individual personality effectively vanishing into the uber-mind
of the net. Joan D. Vinge, in her 1979 novella Fireship, takes the idea of combining personalities in a different
direction: schizophrenia.
Michael
Yarrow is an ordinary man living on Earth, that is, until agreeing to have a
jack installed in his lower spine and AI attached that interfaces with his
mind. The AI named ETHANAC 500, the decision
results in three personalities: Yarrow, the AI, and a combination of the two, a
personality which calls itself Ethan Ring.
Dominance of one over the others dynamic, the man wanders through life
in a semi-spastic state as each personality pushes and pulls at control. Able to maintain the appearance of sanity,
Ring commits a crime to escape his situation and lands on Mars to elude the
law. Staying at the luxury casino
Khorram Kabir, his singularity is all too quickly discovered. Threatened with being revealed to the police,
Ring is blackmailed into helping a mysterious organization dig into the
casinos’ inner workings, particularly its secretive owner. Putting his personalities to the test, what
results is a suspense-filled story that threatens to tear Ring into his three
different selves.
An
amalgam of modes and styles, Fireship
is part cyberpunk, part mystery, part planetary adventure, part crime caper,
part love story, and all suspense.
Yarrow betraying Ring at inopportune moments, Vinge challenges herself:
how to write a story where the person who wants to create subterfuge keeps
giving key information to those he is infiltrating. Yarrow sabotaging the plans he is supposed to
be masterminding, his relationships take on different colors as his mission
moves beyond the hotel and into the Martian wilderness seeking an Arab man.
Vinge
looking to entertainment, Fireship
keeps its focus on story. Tension
maintained, the novella’s biggest draw is the unraveling of the mystery Yarrow
uncovers and the identity of those involved.
Delving into three his personalities at times and developing the plot at
others, the ‘soft science fiction’ side of the story is light, the personality
split used as a tool to overcome the obstacles encountered rather than an issue
to be resolved.
In
the end, Fireship is a science
fiction novella that incorporates sci-fi motifs into an action/suspense
plot. Reminiscent of Larry Niven and
Roger Zelazny, the story features Silver Age and cyberpunk elements mixed into
a mystery/crime caper. The style plain
yet competent, there are holes in the plot, but the unique Mars setting and
Vinge’s play with Yarrow/ETHANAC 500/Ring’s personality set the story slightly
above its mainstream elements.
Jesse, I just read this and reviewed it a month or so ago. Do you have the book pictured or did you read it separately? I found the other novella, Mother and Child, in the edition pictured far superior. It's more social in purpose -- feels like Le Guin with slightly less verve.
ReplyDeleteForgive me, I'm slowly getting around to catching up on all of the blog posts I missed while away... I see you were busy buying and reviewing... :)
DeleteI did not read the version you did, only the novella. I just checked out your review, and, as is obvious, we have the exact same opinion. Thus, it becomes important that I find out what the 'other side' holds; Mother and Child does indeed seem more humanist in import than Fireship, which, as you rightfully pointed out, is proto-cyberpunk.
And cheers for the shout out to Speculiction in your review of Fireship! :)