As of 2011, A Small Price to Pay for Birdsong was the only awarded title in K.J. Parker’s fast growing
ouevre. A simple yet fluid and engaging
piece, the author stayed with the groove (setting, style, story set up, etc.) and
produced another solid novella Let Maps
to Others (2012) one year later. Bearing
much, much in common with Birdsong, music
is not the central device, however; Parker delves into the value of historical
documents, trade, and tells an engaging tale of a ruse gone bad in the process. It became the second award winner for Parker.
Let
Maps to Others is the story of an unnamed scholar
and his quest to discover the lost coordinates of Essecuvio—a place “where the
soil and climate are the best in the world, the people are gentle,
sophisticated, wealthy beyond measure and wildly generous, and where they’d
never seen a lemon.”. Discovered by the
intrepid Aeneas Peregrinus three centuries prior, the sea captain died unexpectedly
soon thereafter, taking the knowledge of its whereabouts with him to the grave
and leaving generations of scholars, dukes, and merchants to speculate on its
location. His main rival Carchedonius requesting
a meeting one day, the narrator is delighted to discover that a manuscript
thought lost to time has been recovered, but is disappointed to learn the
document does not contain the long sought after coordinates. But it is watching what Carchedonius does
with the document after he finished readig it that sets the story alight, and casts
the narrator into unexpected waters.
And that is just the beginning of the story. About halfway through Let Maps to Others is an invisible hinge. It flips the story from Medieval-esque realism
to fantasy/magic realism without missing a beat; the reader is simply
transported to a new (metaphorical) stage with no fanfare. The story so compelling, in fact, many
readers will miss the commentary tucked neatly beneath the change. The hinge converts a simple rivalry of
scholars into a discussion on the value and authenticity of historical records,
and likewise the intents backing documents which survive to this day. The fact the novella operates at these two
levels is part of its success.
But one
still has to wonder about the similarities to A Small Price to Pay for Birdsong. Both novellas feature main characters who
have the following in common: renowned personages of learning (in one case a scholar, the
other a musician), both are experts and masters of their subjects, a love/hate
relationship exists with their 'enemy', each are unnamed, each speak in the exact same character voice, both are first-person
narrators, each is the youngest ever to hold their (preeminent) post, both have
fathers who died not long ago, and both participate in the simulation of a
piece of realia for personal benefit. It
is thus nice that halfway through Let
Maps to Others Parker abandons Birdsong’s
storyline, which had been pitch perfect parallel to that point, also.
In the end, Let Maps
to Others is a lucidly written Atlantis story with a hint of sub-text. While the narrator’s voice does not belie his
position (it is throughout the speech of a common man, not that of a scholar), the
story he tells grabs the reader attention, leading them on an interesting
journey of cheating and discovery. As
Parker has been wont to include in other works, there is notable content on
merchants, trade, and the economic system backing the characters’ decisions and
behavior. All in all a story to chew
over for a moment or two.
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