If there is any common ground to reviews and discussion on Stephen
Donaldson’s Thomas Covenant series
(and Gap Cycle, for that matter), it
is their divisiveness. Opinion is split
along many lines. Some readers are
turned off by Covenant’s personality, while others are intrigued by his
atypical qualities as an epic fantasy (anti-)hero. There are bold statements to the effect Covenant is just a Tolkien rip off,
while other commentary believes the series is a fresh view on epic
fantasy. And still others are turned on
or off by Donaldson’s worldbuilding. The
consistency with which The Power that
Preserves, the third book in the Thomas
Covenant the Unbeliever series, is delivered will probably not have these
people changing their minds.
Covenant thrown back in the real world at the end of The Illearth War, the opening of The Power that Preserves finds him still in our reality. Also still
battling his leprosy, his memories of the Land confuse his perspective of
home. Repercussions of his trip to the
bar in The Illearth War arising, a claim
is placed on his property by local authorities, causing him to leave his home
once again, trailing anger and disillusion at the people who contact him. But walking through the woods one day and
seeing a girl about to be bitten by a snake, Covenant is distracted and goes to
the rescue. Before he can save the girl,
however, he finds himself back with the Council, summoned to eliminate the icy
hold Foul has placed on the Land with his great armies. At a crossroads, Covenant must decide whether
to return to the real world to help the girl about to be bitten, or stay, and
with the power of his ring, drive back the assault of Lord Foul.
For those who have hung on every word of the first two books of the
series, The Power that Preserves will
probably be the most satisfying yet. Though the plot moves by contrived turns,
Donaldson drives Covenant’s dilemma to a point it must break. And indeed, it does. His character developing in the process,
readers have been waiting for this moment.
It goes without saying that those who have enjoyed the series do not
expect a good vs. evil showdown with Foul (Covenant is himself no lamb, and
Donaldson does not disappoint.
Through this development, The Power
that Preserves confirms Covenant’s experiences in the land are symbolic
representation of the fears and struggles of the man’s life in the real world;
more complex matters are represented in simpler images or elements—something,
Donaldson seems to attest, that is necessary if a life changing disease such as
leprosy is to be confronted with relevance.
And nothing could be less-sophisticated than the Land. Satansfist an overt name for a bad guy (as
opposed to Dave or Bob or Joseph [Stalin]), what Covenant encounters in the
fantasy realm is an abstract parallel to the reality of his situation in the
real world. Donaldson outlaying all of
the man’s doubts and fears, the worries and problems in both realms, it
remains, however, for our world to resolve them. Accordingly, the novel sees Covenant visiting
“reality” more than once in his quest, with the denouement entirely dependent
on said relationship between the two places.
Lord Foul’s Bane, on top of being one of the greatest book titles in epic fantasy
history, was more than pretentious about its position within the field. Though the personal struggles of a diseased
man was its focus, a traditional good vs. evil storyline overrides his
problems, leading the reader to believe the novel, and by inference series,
will be likewise predictable. Lord Foul’s Bane, and to some extent The Illearth War, indeed not exceedingly
experimental within the sub-genre, The
Power that Preserves is the most atypical of the books, yet. This is not to say Donaldson has gone
grimdark, rather that he produces a story that engages the reader for its lack
of obviousness more than the previous books.
The ending, in particular, is the strongest point of the series, and may
indeed salvage it from the depths of stereotype.
In the end, The Power that
Preserves, while not resolving all of Covenant’s issues, is an adequate conclusion
to the first Unbeliever trilogy that
resolves the major ones. Covenant comes
to a higher plateau of understanding, while events in the Land, as
larger-than-life as they are, also see the curtain finally come down. The best book in the series for its
highlighting of atypical epic fantasy elements, the story nevertheless remains
wholly in line with the first two books from the larger genre view. Assuming the reader has come this far without
flinching at the divisive nature of the series, Covenant’s redemption, or at least
partially so, will reward.
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