There are
numerous readers of speculative fiction whose brains are not activated by
horror. I am one of them. Sophisticated interrogations of the human
psyche can be engaging, but the cheap thrills of fear (and let’s be honest,
fear is the foundation stone of the building of horror) are too narrow in aim
for me to engage with as a genre. I
don’t get scared. I don’t even get a feeling of discomfort or lingering sense
of wonder reading such stories. Philip
K. Dick, yes, but Stephen King, no.
Thus, take my review of Richard Matheson’s 1954 I Am Legend with a grain of salt.
A driven story, but oh so empty…
I Am Legend is the story of Robert Neville. The lone survivor of a vampire-zombie
apocalypse, he lives in a barricaded home what remains of
Inglewood's suburbs. Watching the clock each day,
he must be home before sunset. The
unearthly remnants of humanity climbing into the dark to hunt for fresh blood,
they assault his home and conscience throughout the night, threatening to not
only drive him insane, but kill him if they can get their fangs into his
body. Hammering wooden stakes through
the vampires he encounters while collecting food and supplies in the daylight,
the meaning and purpose of life deteriorate with each sunset, moving him to
drink and depression. The arrival of a
mangy dog on his doorstep one day changes everything, however.
Starring a
vampire-zombie apocalypse, I Am Legend
is a simple genre conceit—and never exceeds the outlay. Matheson drives the story with a tightly
focused narrative and tough prose, and never gets bogged down in the tedium of
a zombie apocalypse. But from the
beginning it must be accepted that: the characters (character, actually) will
achieve one, possibly one and a half, dimensions (halfway to empathy!), the
zombies will never achieve anything beyond B-movie status, and the conclusion
will be as cheesy as one expects in horror.
As a simple beach read it works; as sophisticated literature it does
not.
In the
end, I Am Legend is an undemanding
story made entertaining by Matheson’s premise, tight plot, and aggressive
prose. A ‘last man on Earth’ story set
in a vampire apocalypse, the cheapness is partially offset by a focused
narrative that drives steadily to a melodramatic conclusion, but only partially. The novel certainly square in the wheelhouse
of mainstream horror and science fiction fans, for such readers it will be an
exciting piece that delivers in spades.
Those looking for more complex characters and in-depth content, however,
will need to look elsewhere.
This is the first Speculiction review that disappointed me. I don't believe you actually know the history of this book, instead treating it as just one more in the endless sea of "I Am Legend" wannabes. Yes, by current standards much of it can appear less sophisticated than recent stories, but that is because there have been generations of writers following in Matheson's footsteps working to improve on the original. "I Am Legend" was a ground-breaking story; Matheson brought together story elements that had never quite been presented in this way. He pretty much created vampire/zombie/biological catastrophe end of the world story line, with an ending that was both unexpected and shocking at the time. The book should be assessed in its own right, and in terms of its place in history, not as a "a simple genre conceit" characterized by "cheapness."
ReplyDeleteRowan, sorry to disappoint you. Yes, you're right. I missed the (sub)genre significance of I Am Legend: I'll trust you that it was the first of its kind. But I don't think I missed the intent. Let me sidetrack for a moment to make this clear. Gabriel Garcia Marquez is often cited as being the writer who put magic realism on the map. His novel One Hundred Years of Solitude is an artistic representation of Colombian history via a new mode of fiction that spawned more than one text delving into similar ideas of cultural and social significance, all using a similar mode of writing. Point blank: I Am Legend sets only trends related to genre tropes, nothing of cultural or social significance that transcends the text, as Marquez does in his. There may be one out there, but I've yet to read a zombie+horror+post-ap novel that transcends entertainment to achieve a similar caliber of discussion. Don't get me wrong, I Am Legend is an enjoyable read (I did give it 3 stars), but far more style than substance, and why I think it is "empty", "simple", etc.
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ReplyDeleteI don't usually disagree with you, Jesse, but I loved this book. http://www.fantasyliterature.com/reviews/i-am-legend/
ReplyDeleteIf we always agreed, the world would be crazy. :)
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