Tim Powers is a writer whose development the reader has been
able to track with certainty. A marked maturation
is visible from his fledgling, early efforts that won over more for ideas than
execution to his latest efforts which feature a writer aware and in control of the
craft. 2016 a more productive year than
usual for Powers, it has seen the publication of a major novel, Medusa’s Web, and in June the novella Down and Out in Purgatory (Subterranean).
Tom Holbrook is on a mission of revenge. The love of his life killed by her husband (a
man Holbrook was formerly close with, so close they had tattoos done together),
he scours the American West searching, gun at hand. A hardened man with purpose, when he finds the
object of his revenge in a morgue, a wrench is thrown in the works. But only temporarily. Other, more rash means possible, revenge is still
attainable for Holbrook, just not in this world, it seems.
A story whose premise often threatens to slip too far from
grasp, Powers reins Down and Out in
Purgatory back in every time. Starting
with Yeats’ “Things fall apart, the
center cannot hold,” the story then moves into the gray, human area behind heroism
and virtue. Transcending (at least
mostly) the love triangle character base (i.e., the object of revenge, the
woman in the middle, and the revenger), Powers avoids a trite ending in favor
of a fitting one, proving his talents have only strengthened in time.
Down and Out in
Purgatory is straight-forward, great storytelling. Powers honing his creation down to its
essentials, Holbrook’s search and ultimate fate suit perfectly his character,
reminding the reader of the note on which the story began. Powers may not write many novellas, but when
he does these days, they can be as good as his books, and in the case of his
early novels, even better. Powers far
from over, it will be interesting to see what further subtleties he adds to his
writing.
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