Even Adam Smith knew, the market is not kind. And when you have a market saturated by minimum
viable products (i.e. easily accessible, watered down slush), then it’s likely
the more subtle, intelligent material for sale will be overlooked. In short, I thought the market had chewed up
and spit out David Marusek years ago.
His stories “The Wedding Album”, Counting
Heads, and the like were just too niche, too sophisticated to be
appreciated by a wider, paying audience which typically supports writers’ careers. And then last month in NetGalley I find his return. More than fifteen years since his last
published effort, David Marusek is back with the first in a planned trilogy of
science fiction novels: Upon this Rock
(2017, Stack
of Firewood Press).
Set on the very edges of civilization in the Alaskan wilderness,
Upon this Rock opens at the border of
a national park where the park service and a fundamentalist Christian cult are
at odds over land ownership. Poppy
Prophecy, tyrannical leader of the cultists, exerts control over every aspect
of his family’s lives, from clothes to punishments, daily activities to
prayer. Preaching the apocalypse is nigh,
he prepares them for nuclear winter in an abandoned mine that may or may not be
on park property. Jace Kuliak is one of
the park rangers caught up in the feud.
A hard-working, pot-smoking young man, he finds himself not as passionate
about irritating Poppy’s family as some of his fellow rangers, and is content
enjoying the beauty and peace of the park and his daily work. But one evening both Jace and Poppy witness a
strange light in the sky that seems to descend onto the park. The object eventually found, nothing is the
same for the rangers in the aftermath—Poppy’s cult family, Jace, or the world.
With Upon this Rock
Marusek does something interesting: he takes a hyper-Christian cult leader and
a laid-back, west coast millennial and confronts them with something
otherworldy. Poppy assigns the foreign object
a mythical Christian value while Jace runs with implications stemming from the
numerous science fiction stories he has read.
On one hand indicative of the subconscious power of superimposed
perception, on the other it rings true to something deeper within each of us,
namely the delicate balance between objective observation and the desire to
have our worldview substantiated.
Marusek himself living in Alaska, it’s obvious he is all too
aware of the antics many fundamentalist groups and the state’s blue-collar
leaders get up to, not to mention accurately describing the details of setting
and climate of the largely wilderness state.
Pacing and structuring the novel well, he steadily draws the reader
deeper into the bizarre world of extreme Christianity frozen by Alaskan winter,
all the while putting a strong focus on setting, scene and character to prevent
the novel from blending in with the rest of the market. The story spiced up by the ‘alien’ element, it
generates an escalating mystery begging for explanation. With its all too many real-world parallels to
contemporary doomsday cults, the next novel in the series cannot come soon
enough for me.
Nothing new has appeared from Marusek in print since 2009,
which makes Upon this Rock a very
pleasant surprise. One of many
non-commercial voices in the science fiction field deserving of wider
recognition and readership, there’s a strong chance that readers put off by his
earlier, more experimental work will find this most recent novel a more
accessible page-turner, as purely in terms of relaxing, reading enjoyment, this
is the best of 2017 I’ve read thus far.
Welcome back Mr. Marusek.
Wow. I though Marusek was gone for good. Thanks for this.
ReplyDeleteI daresay this novel is slightly more commercial than Marusek's previous efforts. That being said, it's still a damn unique, enjoyable read. If you read it, hope you like it, too.
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