Josiah
Bancroft’s Senlin Ascends was a delightful debut novel.
Full of warmth and adventure, it borrowed a few tropes from steampunk
but made its own world: a massive, bizarre tower featuring ringdoms
of differing cultures and peoples. Bancroft generating the warmth
through one man’s quest to find his lost wife amid the tower’s
ringdoms, as well as the simple yet charming sense of the surreal
imbuing the search, getting swallowed in Thomas Senlin’s quest was
easy enough. Ending with his wife Marya still out of reach, Arm
of the Sphinx (2015) picks up where the first left off,
continuing Senlin’s search.
Now
Thomas Mudd, captain of the stolen ship the Stone Cloud,
and surrounded by a small but multi-talented crew, Arm of the
Sphinx starts in the skies. Tensions among the crew spilling
over from the climax of Senlin Ascends, Thomas must put to use
all the skills from his days as a schoolmaster to attempt to bring
harmony among them. Chased by tower officials, he and his crew are
pirates as needs may require, fight when the odds are good, and flee
when there is nothing to be had. But one encounter with the
government’s mothership puts Thomas on his heels. It might also
have put him on the right path to his beloved Marya…
The
opening section of Arm of the Sphinx is a bit concerning.
Seeming to descend into run-of-the-mill steampunk aerial combat,
there was potential the novel would abandon the fresh air of Senlin
Ascends and descend into something all too familiar and
derivative. It takes Bancroft the length of the novel to recapture
the mysterious, almost magic-realist feel of Senlin, but he
does eventually, steering the ship (har har) back into the blue skies
of imagination that made the first novel unique. Capt. Mudd and his
motley crew end up aground, traversing a bizarre garden of animals
that don’t quite seem real, and meet with a band of hods who,
despite their courtesies, clearly have some ulterior motive. Mudd’s
mind torn between the desire to protect the crew who has been with
him through hell and high air and find his wife, it’s a tough
choice, but a choice that puts the novel’s plot back on firm
ground. It’s worth noting that Bancroft’s buoyant, delicate
prose likewise returns to highly positive influence and effect on
these events.
Retro
fiction with a gentle, modern touch and unique vision, Arm of the
Sphinx does a lot of things well. For readers craving continued
adventures in Bancroft’s Tower of Babel, the novel delivers in ways
readers hope a follow-up novel will, though it takes some time
getting moving and retains as much flavor as piece-shifting as in
chess as it does Jules Verne adventure. New sights, new imaginings,
new peoples, new ringdoms, and new escapades and mysteries await
Thomas Senlin. The mode may be more straight-forward adventure than
the semi-surreal approach of Senlin Ascends, but overall it
remains satisfying reading that begs for more in the upcoming The
Hod King.
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