You’re
here. You want to know: has Daniel Abraham carried forward the
momentum of The King’s Blood
into The Tyrant’s Law
(2013)? Has he maintained—or enhanced —the quality of The Dagger
& Coin series? Does the series continue getting more and more
interesting? Answer to all: yes. Where The
King’s Blood upped the ante on
The Dragon’s Path,
The Tyrant’s Law
pushes more chips on the table. The stakes, and subsequently reader
engagement, grow.
The prologue
of The Tyrant’s Law
opens on a scene readers have been wondering about throughout the
first two books of the series. As is Abraham’s style, it features
a non-main character who is witness to something hinted at, but never
revealed, until now. From there, the novel switches back into the
cycle of viewpoints readers are now very familiar with.
Manifesting
himself in a variety of directions, for better and worse, Geder
remains one of the most complex characters in the series, by turns
sympathetic and despicable. His decisions and behavior in The
Tyrant’s Law (as the title
hints), only ramp up the understanding he has serious mommy issues.
Still in disgrace, Clara starts work from the bottom up, building
relationships and enacting plans to get revenge for her husband’s
killing. Marcus continues his journeys with Kit, discovering the
netherreaches of the known world, and all the fantastical thigns that
await. And Cithrin. Cithrin, Cithrin, lady who gets in her own way
as much as she helps herself. Her earlier decision to befriend Geder
coming back to haunt her, she faces yet another decision that gives
her a chance to prove whether she’s learned anything about herself.
Unlike a lot
of middle books in fantasy series, The
Tyrant’s Law is not a lull in
the proverbial storm. Abraham has slowly but methodically been
building backstory into the character viewpoints. Another way of
saying this is, he has not spent all the series’ energy in
individual moments or scenes. The approach balanced, major moments
and scenes have gotten their due, but not at the expense of the
larger picture, which is slowly taking shape. With The
Tyrant’s Law, the larger
picture even starts to evolve. Game-changing elements from history
are introduced, all the while the tyrant makes decisions that shape
the direction of the peoples who populate world.
But
with The Tyrant’s Law, Abraham still has not put his cache
of chips on the table. We’re not all-in yet. Stronger threads of
backstory, combined with more defined directions for the main
characters, means a major climax for The Dagger & Coin looms all
the larger. Can’t wait to get into the next, The Widow’s
House.
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