Biting wit, a well-told tale, and a
spiritual truth perfectly outlaid, these are the hallmarks of Oscar Wilde’s one
and only excursion into novel land. The Picture of Dorian Gray initially
published in 1890, Wilde played off the Faust legend to write his own tale of
moral decay, beauty, and vice.
Controversial upon its release, the book is bland by today’s publishing
standards. Its message, however, remains
as timeless as word itself.
Set at the time of the novel’s
publication, the story opens with Dorian Gray posing for the artist Basil
Hallward at the home of Lord Henry Wotton.
Basil’s tongue sharper than any knife, the conversation he has with Lord
Wotton intrigues Dorian. Coming to
believe that beauty and sensuality are the only virtues worth pursuing, Dorian
swears by the portrait Hallward produces that it will grow old, not
himself. Emerging into society a
different person, Dorian proceeds to live the life he’d sworn by, indulging in
women and the excesses of luxury at will.
The end of his hedonistic endeavors, however, is not the product of his
dreams.
An exposition on the pitfalls of
following too closely the ideology of aestheticism, The Picture of Dorian Gray examines the life of a man living as an
aristocratic hedonist. His beliefs
focused on what is sensual and beautiful and the behavior necessary to
cultivate such a lifestyle, the tragedies around him take on a variety of
abstract hues, from utter dispassion to beautiful disaster. Wilde examining the
inhuman side of the concept, Gray exists at an eerie yet earthly distance to
the reader, his actions at times ghoulish but always relatable. Rewards compounding the punishments, the
price Gray pays for his immoderation is invaluable.
Superbly written, half the pleasure of
reading The Picture of Dorian Gray is
the dialogue. Conversations,
particularly those involving Basil, are filled with maxims and epigrams of
Wilde’s own design. Bursting with wit
and charm, they make for delicious wordplay in a well-structured
narrative. Wilde bringing his skills as
a playwright to full bear in novel form, the story entertaining as much as it
is exposes the human condition, character interaction nicely balanced with
story movement. Faust the general model
on which things are shaped, the end turns out as readers might expect, but not
in the manner expected.
In the end, The Picture of Dorian Gray is a book that takes complete advantage
of a fantasy trope to tell a cautionary tale of human frailty, and inversely,
of the value of setting quality standards for one’s own personal growth. Dorian’s story is at all times remote yet
empathetic, and gains a sense of anxiety with each step he takes deeper into
self-indulgence. Faust applauding on the
wings, the novel has stood the test of time for good reasons. The narrative presenting some of the wittiest
English yet produced (moments of dialogue just sparkle) and plot complementary
in engaging fashion, Wilde’s book will undoubtedly exist for another century.
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