In an afterword that reads like an epitaph, Philip
K. Dick explains the impetus behind A Scanner Darkly. He tells the reader that, having witnessed
the death and onset of senility of many of his drug-abusing friends, the novel
is a reminder to himself and others that the euphoria of narcotics has a flip
side. Largely autobiographical, Dick
openly admits some of the characters—Barris, Luckman, and Arctor—are based on
people who exist or existed in real life.
A tragedy in the Greek sense, A Scanner Darkly is as such a brilliant,
drug addled story of the counter-culture in an anachronistic future, flower
power not everything it was cracked up to be.
(Sorry for the pun.)
A Scanner Darkly is the story of Bob Arctor and his
duel life. One half narcotics agent, one
half drug dealer, he is a user as well as dealer of Substance D, and all
confusion as a result. And Arctor’s
friends don’t help. Barris is either an intelligent man solving
the world one riddle at a time or a complete crackhead. The more the story
progresses, the faster the reader oscillates between the two possibilities, his
antics like a puzzle piece that fits in two different places at once. No such discernment is needed with the
luckless Luckman whose brand of sentience has its area code in another
dimension. And Donna, Arctor’s would be
lover/always dealer, forever hangs on the fringes, teasing and haunting just as
he’s ready to give up on her.
Captured as only Hunter S. Thompson can, Dick
perfectly portrays the rigid paranoia, dementia, and eccentricity of the drug riddled
mind. The dialogue, while surveying the
stratosphere for looniness, never loses touch with reality. Dick guides the deranged banter with an
unfailing hand, into wonderland and back, shaping a wholly unpredictable yet
highly readable narrative in the process.
Trusting that conversation amongst the main characters is based on objective
message is truly the most interesting aspect of the novel.
A Scanner
Darkly is one of Dick’s more realist works.
There are a few sci-fi elements, e.g. scrambler suits which disguise
people’s identities, holoscanning, and synthetic drugs, however, the remainder
is as real as apple pie--even out-dated
to some extent. The cassette tapes and rattletrap cars the characters drive (Arctor has a boat of an Oldsmobile) lend
the story a strong retro feel. Not a sterile,
clean future, the grittier, dystopian side of America is portrayed. Sagging porches in run down suburbia, poorly
mown lawns beside old shopping malls, and people living under the threat of
petty theft are redolent throughout the story.
Sadly, it is the realist elements which highlight the
only real fault of the novel. The grand
reveals of Now Wait for Last Year, Ubik, and especially The Three Stigmata of Palmer Eldritch all fit their
respective stories despite stretching the imagination, . Dick is, after all,
read to expand the mind. The conspiracy
theory denouement of A Scanner Darkly, however, fails slightly. The main reason for this is because of its contrast
with the message Dick was trying to drive home.
Without spoiling anything, the larger forces at work give the characters
an escape route from the responsibility of drug use—the theme Dick was trying
to cultivate in the first place. That
being said, the softened ending does not fully dilute the social agenda,
various other points in the novel portraying the negative effects of extended drug
use as good as any novel has.
In the end, A Scanner Darkly is one of Philip K.
Dick’s greatest achievements. Poignant
to a culture still dealing with drug problems, Dick’s imagination on the nature
of narcotics induced mental health issues, government watchdoggery, and general
discontent amongst an otherwise functioning group of people is social commentary
not to be ignored. That Dick is able to
focus what few writing abilities he possesses into a consistent, enlightening and
a well-paced narrative is also to be lauded, the opportunities rare. The scrambler suit, for example, is an
amazing literary parallel to the identity problems Arctor faces. The conspiracy theory ending unnecessary,
readers will forgive Dick his whims given the powerful statement that is the
afterword. Simply put, readers cannot
call themselves a Dick fan without having read A Scanner Darkly. Of all his novels, perhaps this has the
greatest chance of standing the test of time.
(The opportunities to applaud a film adaptation of a
novel rare, the following note should be made.
Richard Linklater’s film version of A Scanner Darkly is superb. Perhaps the best adaptation of any Dick
story, Linklater omits only a few minor details while clinging tightly to the
novel’s characterization, dialogue, plot and theme. Keanu Reeves the weakest point, Robert Downey
Jr. is a perfect Barris, however, just as Woody Harrelson and Wynona Ryder
portray Luckman and Donna as I imagined them while reading. The rotoscoping effect of the film serves to
make the film not only unique in appearance but it also more vibrantly displays
the hallucinogenic aspects of the story, the scrambler suits especially.)
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