In 2014 I had more free time than usual to look through
books I read prior to starting the blog, as well as read fresh books, and write
reviews. (With a new child in the house,
I do not expect this to continue in 2015.)
The result is a review count much higher in 2014, making a large
possible selection for the year-end summary, and in turn a longer ‘best of’ list
than usual. Without further ado, the
best books reviewed on Speculiction in 2014 are:
Novel
Gormenghast cycle by
Mervyn Peake – Not only the best of the year, but Titus Groan, Gormenghast,
and Titus Alone are some of the best
of all time. Peake’s fantasy achieves
the utmost in gothic subtlety (like a sublimely dark Alice in Wonderland). And
don’t let anyone tell you Titus Alone
is the weakest novel; the mode is indeed different, but the imagination is
every bit as rich. Curse the fates that
deprived us of Peake and the completion of Titus’ story.
Star Maker by Olaf
Stapledon – Perhaps the single greatest science fiction novel ever written,
Stapledon takes the human soul to the infinity of the universe and time in a
quest to understand them all. I don’t
think there is a stronger philosophical inquiry in all of genre; the jaw is
truly left hanging.
China Mountain Zhang
by Maureen McHugh – A novel that feels as though it shouldn’t succeed due to the
disparity of its elements, this story of a young man living in a US in the grip
of Chinese power nevertheless engages the reader from page one for McHugh’s
tight minimalist style, and the heartbreak and success that ensue his plight
for identity and place.
Ash: A Secret History
by Mary Gentle – Not only brilliant historical fantasy, this novel is likewise
the greatest statement regarding feminism in Medieval speculative fiction I
have yet to read. Completely re-visioning
and humanizing the idea of the ‘woman warrior’, it makes laughing stock of epic
fantasy. While telling the no-holds-barred
story of a young woman trying to come to terms with herself, it not only circumvents all the familiar tropes but puts to shame the buxom sword-mistress. An intrinsically visceral story, it hits the
reader, and hits hard.
The Light Ages by Ian Macleod – Macleod simply one of the tip-top writers working today, his lush prose, narrative control, precisely defined characters, and desire to write something beyond simple dichotomies and mainstream storylines take this steampunk text on an imaginative journey through the realities of societal evolution/revolution. The Keith Roberts of the modern generation, Macleod is deserving of so much more attention than he receives, and this is a great place to begin discovering his dark talents.
The Handmaid’s Tale
by Margaret Atwood – Though something of a female Nineteen Eighty-four, Atwood goes further than a corrupt system,
making her story both uniquely oppressive and personal. Not satisfied, she likewise
produces an ending that, unlike Orwell, transcends traditional tragedy to
achieve something more.
Shriek by Jeff
VanderMeer – Second Ambergris novel
to appear to date, this character study of a socialite and her historian
brother, while fitting into New Weird in fine, surreal fashion, goes beyond
imaginative imagery to touch upon art, social movements, and the recesses of
the human mind that motivate our quests in life.
Pavane by Keith
Roberts – Heartbreakingly beautiful, lovingly crafted, melancholy imbuing every
scene—this collection of novellas subtly conflates into a conceptual whole
moving to the rhythms of social evolution.
Dark, moody, and bloody brilliant.
Cosmocopia by Paul
Di Filippo – A Weird story that digs at the creative muse in a fashion that
will make the skin crawl, Di Filippo nevertheless strikes a nerve that is fully
human in his story of a convalescing artist taken to dimensions even his
imagination cannot dream of.
Man in a Cage by
Brian Stableford – The most overlooked work of literary science fiction worthy
of being etched into the halls of genre I’ve encuntered to date, Stableford
produces a variegated look at the human psyche as it deals with the limits of
mental and material space, the latter including space travel. At turns poetic and straightforward,
reminiscent and subtly psychotic, the novel is worth mention alongside the
works of Malzberg, Silverberg, Disch and other literary writers of science
fiction.
Novella
“Riders of the Purple Wage” by Philip Jose Farmer – As linguistically
gymnastic as a piece of writing can be, this dystopian vision of a future where
labor is no longer necessary and the masses are free to spend their free time
as they desire has one tongue in its cheek and the other cutting to ribbons the
idea of Modernist utopia. (Yes, it’s so lexically
agile it has two tongues, both sharp.)
For the resulting opacity, it is not everyone’s cup of tea, but
certainly has its rewards for the curious reader.
“Maiden Flight of McCauley’s Bellerophon” by Elizabeth Hand
– The truly poignant story of three men’s gift to their patron who is dying of
cancer, Hand’s deft hand delivers another touching tale. The little touch of the fabulous added makes
this an emotionally sensitive, timeless story impossible not to enjoy.
“The Night We Buried Road Dog” by Jack Cady – A beautiful
piece of Americana, Cady’s novella looks back with nostalgia at the age of the
great American automobile while turning the loneliness of driving the wide open
highway into a touching story of two men dealing with aging in their own way.
“Houston, Houston Do You Read?” by James Tiptree Jr. – Slaying
the glory of man in space—literally, from a gender perspective, this taughtly
told tale takes the piss out of the NASA notion of male superiority beyond
Earth’s atmosphere in fine fashion.
Collection
The Secret of This Book by Brian Aldiss – The most varied
collection by one author I’ve read not only this year but ever, Aldiss shows
that late in his career he continues to age like wine. His talents still capable of taking on more
sublime hues, the collection contains plays, poetry, short stories, and
novelettes in a multitude of styles—essentially becoming a mini-representation of
the spectrum of speculative fiction.
Stories of Your Life and Others by Ted Chiang – Out of any short story collection published in
the 21 st century thus far, I would have to believe Chiang’s is the most
guaranteed to never fall out of public attention. Each story taking months if not years to
germinate and be crafted into final form, quality wins against quantity.
The Rediscovery of Man
by Cordwainer Smith – While the hair of most writers from the Silver Age slowy
achieves the color of the era, Smith’s stories punch through it all, retaining
their youth and vigour. Idiosyncratic
prose, timeless scenarios, and a singular view of genre’s underlying
possibilities, this collection remains as unique today as the time it was
published—something few works from the Silver Age can still say.
The Dragon Griaule
by Lucius Shepard – Ultimately what has become Shepard’s magnum opus since his death earlier this year, this collection of
stories, all centered around the petrifying, hill-sized dragon Griaule, feature
rich prose and by turns touches of horror and humanity exploring the idea of
evil. While quality wanes in the later
years, there remains something at the core of the premise that outlives the
last page.
Believe it or not, above is the pared-down list. There were about ten other titles I wanted to
include, but didn’t—2014 a good year in reading and in revisiting what I’ve
previously read.
Regarding plans for 2015, I seem to forever be in catch-up
mode, and thus have no specific plans.
So many good books sitting on the shelves, so many excellent
recommendations from the community, and, alas, so little time. So I will continue my steady plod, trying to
catch up…
Ash: A Secret History is on my very short list of novels I want to read post-1980 :) Thanks to your review.
ReplyDeleteBook time, it's 1,000+ pages took me a few weeks... (Funny enough, it's the same length as my Silverberg omnibus featuring 5 novels :)
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