Michael Chabon, as editor, met success upon pulling together his first anthology of short stories, Mammoth Treasury of Thrilling Tales. Focusing on plot and storytelling, Chabon solicited an experienced array of authors, asking them to above all entertain, but in sophisticated, perhaps occasionally throwback fashion. The success snowballing, Chabon was commissioned with pulling together a second anthology of likewise engaging, throwback stories. Looking to a new array of authors (save the recurrence of Stephen King), McSweeney's Enchanted Chamber of Astonishing Stories (2004) matches the feat of Thrilling Tales.
Kicking off the anthology in devilish fashion is Margaret Atwood’s “Lusus Naturae”. About a demoness who finds her own sense of peace, Atwood incorporates stories of yore while taking the pitchforks of angry villagers to a new level. Dynamic wordsmithery on display even in short form, “What You Do Not Know You Want’ by David Mitchell tells of a black market merchant in Hawaii trying to track down an obscure Japanese dagger from a man who recently committed suicide from a rooftop. While a relatively standard piece of contemporary noir, Mitchell’s diction elevates this story above the crowd (notwithstanding the ending). The opposite of Mitchell’s story, Jonathan Lethem’s “Vivian Relf” is the subdued tale of a man meeting a woman at two different times in his life, and the differences in perception, as well as subjectivity of memory that result (emphasis on subdued).