Road
cycling, like many hobbies and enthusiasms, is one of those niche
human interests that incites a hardcore passion in many, but whose
details and inner workings remain a mystery to outsiders. We may see
riders getting the yellow jersey in the Tour de France and may even
know the word ‘peloton’
references an amorphous blob of riders hurtling along in a pack. But
for most, the intricacies of gear size and diet, the strategies of
team cycling, and the grueling devotion the world’s top riders have
to compete in events thousands of kilometers in length is a whole
other world. Giving the reader a glimpse of this world through the
eyes of a Dutch cyclist in the 1970s, building a beautiful metaphor
for the confidences, inferiorities, motivation, suffering, etc. we
all feel along with our fellow ‘competitors’ in the process, is
Tim Krabbe’s 1978 The Rider.
The
Rider tells the story of one Tim
Krabbe. Professional by day and road cyclist by weekend, he has some
experience and success under his belt, devoting all of his free time
to the sport, training and competing in events around Europe. While
mixing in bits and pieces of Krabbe’s backstory as it relates to
this experience and success, The
Rider is the story of one
particular 150km race in the Swiss Alps. Winning is important to
Krabbe (the rider) as he struggles that day along with his fellow
competitors, but of greater importance to Krabbe (the writer*) is
Krabbe the rider’s psyche—the way the phases of physical effort
changes his mindset, his opinions and feelings about the other riders
as they evolve throughout the race, his ego direct and his ego as
viewed by himself, his understanding of his own and others’
weaknesses and strengths, the meaning of competition, and other
relative ideas.
Due to how
close rider is to writer, The
Rider is a book that many are
likely to call autobiography given both are Krabbe. But that would
do the novel, for it is a novel, a disservice. Part biography and
part fiction, The Rider
is all art. In the simplest, most deceivingly incisive of terms,
Krabbe captures the psyche of a man who by turns is running the rat
race and taking the leisurely stroll we call life, believing and
giving up—situation and circumstance determining where in that
spectrum our minds actually rest. It’s cliché to say it’s the
journey not the destination, and one may be tempted to say that about
The Rider,
but again, each of us are motivated by different things to achieve
the destination, and that is something The
Rider examines in brilliantly
human terms.
The
metaphor of a long-distance cyclist in the race of life so pure, it
may be tempting to dismiss The
Rider as simple fiction. But
the purity is such that it etches itself in the reader’s mind to be
remembered after. Each of us has the same feelings and thoughts as
Krabbe’s rider, subsequently building a personal understanding with
the book’s race as something transient. The pack of riders with a
purpose is just the quietly powerful symbol in this short but
impacting novel.
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