Motherless Brooklyn and Fortress of Solitude are often cited as Jonathan Lethem's best novels. And reasonably so. Motherless is subtle neo-noir with a main character that leaves an impression beyond quirks of personality. Also set in NYC, Fortress is a coming-of-age tale that slips in and out of super-hero fantasy in nostalgic yet socially relevant terms. One might assume a Lethem novel titled Brooklyn Crime Novel (2023) would be in an similar vein. It is, and yet it definitively isn't.
Brooklyn Crime Novel, while not entirely plotless, operates in a mode that feels more like a series of historical vignettes. If it weren't for Lethem's singular diction, the emotion-less presentation of events could have had a textbook feel. By shifting points of view, the book relates the lives of a handful of children, of all shapes, sizes, and colors, growing up in the late 60s and 70s during the gentrification of Brooklyn. None of the children are given names. Instead, they are given identifiers—screamer, millionaire's son, board game boy, slipper, etc., which adds to the distance between reader and character. Their individual stories have arcs, but they are flat, short, and focused on the quotidian details of their lives as they link to Lethem's theme.









