Every
reader an individual with specific tastes and preferences, it’s natural that
what appeals to one may leave a bad taste in the mouth of another. Vernor Vinge is one such author for me. I see how popular he is, and I know he has a
firm following, but in the two pieces of fiction I’ve read, A Fire upon the Deep and The Cookie Monster, I’ve been left with
serious doubts as to the integrity of his work.
I will not reiterate upon the reasons (you can read those in the
reviews), except to say I decided to let the rule of three determine whether
there was any value to continue investing in the author. Though it was the best of the three, after
reading Fast Times at Fairmont High (the
2001 novella), I have to say I’m done unless a compelling reason appears in the
future. Imaginative
usage of technology: yes. Intelligent
use of ideas: partially (there are some interestingly plausible visions of life
in middle schools of the future). Entertaining,
evaporatingly so. Mature in style,
no. Cohesive, more so than The Cookie Monster. Literary, anything but.
Fast Times at Fairmont High is the story of
Juan Orozco, a middle school student at Fairmont High—a school for gifted and
talented teens in San Diego,
save one. That one is Bertie, Juan’s
best friend, who lives in Chicago
and attends class virtually. A
high-speed, nodal wi-fi net blanketing San
Diego, there are few places the boys cannot go
together. But ‘snips and snails, and puppy
dog tails’ are far from their minds.
Final exams upcoming, there are two projects they must pass: a research
project, and a “naked” project: one without the web. When Bertie suggests that Juan team up with a
girl in their class named Miri, Juan starts to get suspicious. When Bertie actually interferes with dung
pellets (yes, you read correctly), however, things turn strange.
The
opening of Fast Times at Fairmont High
is promising; an engaging scene is set despite Vinge’s one-dimensional
style. The web omnipresent, middle
school, home, and numerous other places (including people) are overlain with a
skein of digitized imagery and data, leaving Juan and his pals living in two
dimensions: the real and the virtualized.
Keeping up with the class’s top students never more difficult, homework,
exams, cheating, data gathering, and collaboration take on whole new meanings
in this environment, and Juan, afraid of falling behind, has been resorting to
“little blue pills” to better retain info in class. Neither condemning or supportive, Vinge’s
vision of the future classroom, where everything is an eye-blink, virtual click
away, is intriguing.
Not
wanting to sound like a broken record, I will leave the novella’s shortcomings
be. Suffice to say, the issues which exist in the two other works by Vinge I
have read, exist to varying degrees in Fast
Times at Fairmont High. Regarding
plot, well, everything goes so-so until turds and mice enter the scene. With technology, the manner in which it
affects teenage relationships, and the implications of a visionary classroom
environment, why throw dungballs and sentient rodents into the mix? Instead of resolving the story around the
lines of tension initially strung, Vinge abandons the framework in favor of a
network of mouse tunnels, undermining what is a rather nice story to that
point. Though the denouement does tie
back in to the premise, something is lost prior.
This
being my last post on Vinge, I would like to add a caveat to my criticism. Had I encountered Vinge at an earlier age, I
think my response would be more positive.
The same as my perspective has evolved over the years of Kevin J.
Anderson’s Star Wars novels, I can’t
help but feel Vinge is best appreciated by the crowd who does not look for a
writer to engage them, rather pacify them.
The stories featuring simple premises written in wholly transparent
style, one can simply relax and let Vinge take them where he will, zero effort
required. Moreover, Vinge writes with a
spark of youth. One can almost see the
man grinning as he comes up with a wild idea and slaps it into the story. And there is something to be said for this
joy of writing. Thus it is perhaps I who
am over-prepared for Vinge, rather than Vinge possessing any faults truly worth
moaning about.
Interesting and fair. As a Vinge fan overall, I appreciate the clear reasons for you not being crazy about him.
ReplyDeleteIf you can decide to give him another try, I have a couple suggestions, as a SF reader who discovered Vernor Vinge at about age 30 on a recommendation.
What I found compelling re the technology, the implications, and the storytelling, were his novels about Bobbles (spacetime bubble entities), re "The Peace War" and "Marooned in Realtime". If you read a hundred pages or so of either of those novels ("The Peace War" comes first, but either can be read independently, and I read "Marooned" first and thoroughly enjoyed it) and aren't hooked re the story, then Vernor Vinge simply isn't for you.
Also, some of his short stories (which are often a little long, but shorter than novellas for sure) are quite good. So stories like "The Blabber" and "Conquest by Default" are both interesting and compelling, IMO, re both the stories and the philosophical ideas behind them.
And yes, I think your idea re age of reading author X and your enjoyment / perception has lots of merit. I found reading most of Heinlein's novels for teens compelling, both the ones I read in middle school, AND the ones I only discovered 40ish years later.
As a 12 year old, for example, I found "Have Space Suit Will Travel" amazing, and a "big and complex" book. Rereading that 20, 30, 50 years later, I still enjoy it a lot, but now it's just a light romp -- both SF and my brain changed across the decades and with maturity).
I didn't like "Fire Upon the Deep" either, after having read a bunch of his earlier work. That may be partially laziness on my part, or expectations of his work, but I read a LOT of SF over time, and just couldn't get into that.
I hope readers will be willing to give "Across Realtime" (a book with both "The Peace War" and "Marooned in Realtime", and connected with a bridging short story (which wasn't great, IMO), in one volume, which is often more reasonably priced used from places like Abebooks.com, than either of the original novels.) If readers don't like those or the two short stories I mentioned, THEN, Vernor Vinge isn't worth their time.
Firstly, thanks for the comment. Perhaps someday I will get around to Vinge again. To be fair, I hadn't heard of the books you recommend. But there is a looooooooong list of other books I'd rather read first. We'll see. :)
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