While I posted fewer books this year than
recent years, there was still a good selection of quality books that stuck out,
regardless of year published. (See here
for the best books published only in 2017.) Regardless fiction or non-fiction, novel or anthology, the following are personal favorites read in 2017:
Remainder
by Tom McCarthy – While some go so far as to describe McCarthy’s
debut as ‘avant garde’, I can say in the least it’s a unique piece of fiction
that has no peer I’m aware of. About a
man who becomes strangely obsessed with re-creating images and scenes from his
memories, coming into a huge sum of money allows him to realize his desires in
the most unexpected ways. From staging
an entire apartment building, complete with actors as residents, to a murder
scene on the street, McCarthy uncovers something bizarrely, simply, truly human
in essence, yet very literary form.
Boxer,
Beetle by Ned Beauman – One of those novels so colorfully delivered
as to wedge itself permanently in the brain, this tale of a feisty,
foul-mouthed, 5-foot Jewish boxer caught up in Nazi affairs beyond his ken is
nothing but matchless. Beauman having a
way with words, the dynamic prose etches the story in the reader’s mind as much
as its color sweeps the reader up into its inimitable plot.
The
Summer Isles by Ian Macleod –
Ian Macleod is a master-class writer, and The
Summer Isles may be his best. Where
George Orwell’s brand of totalitarian oppression strikes a chord in readers for
the fear it instills, Macleod delves into the more subtle, realistic side of
political tyranny through the story of a disgraced professor in an alternate history
England. Brilliant story—and one that
holds numerous parallels to current political practice compared to Nineteen Eighty-four.
Dimension
of Miracles by Robert Sheckley – Subjective, I know, I know… but I
consider Dimension of Miracles the
best of Sheckley’s novels I’ve read to date.
Quintessential Sheckley, it possesses all of the existentialist wit,
nihilism couched discreetly in humor, and wildly plotted ideas possessing fully
human foundations that readers might expect from Sheckley, all in one tight,
highly imaginative package.
The
Moon and the Other by John Kessell – Likely the most realistic
matriarchy ever created in fiction, Kessell’s story is, in fact, focused on the
male reaction to it. Set on the moon,
one female-led society attempts to retain its independence as one of the multiple
patriarchies surrounding it attempts to bring it in line. Primarily featuring two men, one an agent of
the patriarchy who is sent to the matriarchy to soften it up and the other a
playboy living the good life among the matriarchs, Kessell does a great job
avoiding utopianism all the while examining men, power, and the desire for it.
Hull
Zero Three by Greg Bear – A surprise considering the author (i.e. I
expected the novel to be more hard sf in space), Hull Three Zero is technically a generation starship story, but
Weird or dark fantasy would, on the surface, seem better descriptors. Bear effortlessly combining these areas of
fiction into a story with human depth, it is likely the best things he’s ever
written. I listened to the audio version
of this book, and to this day certain images and scenes pop into my head when I
happen to be in the places where I was listening.
Methland:
The Death and Life of an American Small Town by Nick Reding –
Combining research and onsite journalism, author Nick Reding looked to a
typical Midwestern American town and available to attempt tom come to a broader
understanding of the meth epidemic that plagues rural, working class
areas. Speaking with everyone, from
junkies to dealers, the town’s mayor to its police, the spectrum of
perspectives gets page time for as unsettling the ultimate conclusions and
reasons may be.
Good
Morning, Midnight by Lily Brooks-Dalton – For whatever reason
(perhaps blindness considering many others think of the novel as just average),
Brooks-Dalton’s novel debut about two people, one an Antarctic astronomer left
alone on the Earth after a major catastrophe and the other an astronaut on her
way back to Earth after a successful Jupiter mission, struck a chord in me,
particularly the downplay of typical sf elements (e.g. science minutiae, wallowing
in catastrophe, space ship porn, etc.) and the stronger focus on the elements
of humanity that both transcend yet react to these circumstances. Have a read and decide for yourself…
Stargazer’s
Embassy by Eleanor Lerman – A bizarre story that constantly has the
reader’s mind turning, wondering what the ‘real story’ is, Stargazer’s Embassy is about a woman who is able to see aliens
lurking in dark corners. She accepts
them as normal until learning that the peculiar tattoo on her wrist is the same
symbol the aliens use. Not a wild bit of
science fiction escapism, Lerman’s ultimate intent in the story is wholly
relevant, meaning that once the ‘real story’ is finally revealed, a layer of
meaning is exposed that makes the wondering worthwhile.
The
Book of Joan by Lidia Yuknavitch – A work of eco-feminism (not an
area of fiction I jump to read), Yuknavitch uses a typical science fiction
scenario (the affluent orbit Earth in a space station while the wretched live
in a nuclear wasteland below) but focuses on humanity’s most basic,
physiological aspects in telling the story of a Joan of Arc-type character’s
defiance below of an oppressive tyrant above.
Rendered in affected, poetic prose, Yunavitch lays bare an idea that,
perhaps, is more idea than story, but at least does so in disturbing, aware
fashion.
Glimpses
by Lewis Shiner – I’m a music lover.
A wide variety graces my collection, including classic rock, which is
likely why Shiner’s novel about a man who discovers a way to record the great
lost albums of the 60s—rumored recordings like The Doors’ Celebration of the Lizard, The Beach Boys’ Smile, or Jimi Hendrix’s Last
Rays of the New Rising Sun—had such an impact on me. The man’s issues resolved through the music,
it’s a domestic, emotionally charged rollercoaster worth every page.
Barkskins
by Annie Proulx – Perhaps
for its length, or the fact significant portions are set in the part of the
world I grew up in, or just because it’s a good book, for whatever reason,
Annie Proulx’s historical saga of the world’s logging industry Barkskins made a strong impression. Equal parts history and character drama,
beneath these aspects lies a layer of commentary on the greedy, short-sighted usage of
the world’s timber and other resources.
The
Unholy Consult by R. Scott Bakker – The final chapter in the
Aspect-Emperor series, this is the type of story ending that most if not all
writers of epic fantasy aim for but oh so often fail to achieve. Everything readers of the series have been hoping
for, The Unholy Consult is the clash
of all clashes that sees all the spinning gears achieve cognition (get it?).
Bears
Discover Fire and Other Stories by Terry Bisson – The first
collection by Bisson I’ve read, it won’t be the last. Each story typically possessing a purpose or
intelligence that only reveals itself upon the final page or paragraph, it’s a
rewarding, satisfying assortment of stories that, while technically science
fiction or fantasy, are, in fact, more high-brow. From the nostalgic title story that somehow
manages to be both figurative and literal to the dialogue-only stories, faux
lawns to toxic donuts, I’m beginning to believe Bisson is secret of speculative
fiction deserving of a wider readership.
Requiem
for the American Dream by Noel Chomsky – Putting its finger square
on the primary cause of America and the world’s ills, Requiem for the American Dream is a distilled version of Chomsky’s
worldview. Highlighting the manner in
which the elite and powerful look out for their own interests more than that of
the people they rule or employ, Chomsky takes to task a number of sacred
ideals, including the illusion of democracy, ‘the audacity of hope’, the
failings of liberal capitalism, and the historical framework upon which it is
all built and perpetuates. For anyone
seeking answers to questions regarding the ills of the American system (or just
a gateway into Chomsky), this book is it.
The
Bone Clocks by David Mitchell – If I had to choose a best novel
from among those listed here, it would have to be Mitchell’s The Bone Clocks (or Macleod’s The Summer Isles). The
Bone Clocks has everything a masterpiece requires. Brilliant prose, an atypical structure that
suits the story—stories, actually—being told, and an agenda that is worthwhile
yesterday, today, and tomorrow.
Exit
West by Mohsin Hamid – Grapes
of Wrath for the early 21st century, Hamid’s story of two ordinary people
fleeing an unnamed conflict in an unnamed Middle Eastern country highlights the
current refugee and immigration issue in a very human fashion. Giving faces to what is often perceived as a
faceless horde by the west, it’s a book shortlisted for the Man Booker with good
reason, and was my book of the year for 2017.
Honorable Mentions
The Thing Itself
by Adam Roberts, The Bottoms by Joe
Lansdale, The Red Tree by Caitlin
Kiernan, Moonglow by Michael Chabon, Pirate Freedom by Gene Wolfe, Cosmology of the Wider World by Jeffrey
Ford, Satin Island by Tom McCarthy, New York 2140 by Kim Stanley Robinson, Daughter of Eden by Chris Beckett, Moskva by Jack Grimwood, 2084: The Anthology ed. by George
Sandison, The Malacia Tapestry by
Brian Aldiss, Nod by Adrian Barnes, and
The Cosmic Rape by Theodore Sturgeon.
Not quite sure what to say, as I've read two of these books. They being The Bottoms and the other being Hull Zero Three. Honestly, I liked Lansdale's book, but I usually end up liking almost everything Lansdale writes, while I found Bear's novel to be quite disappointing. Been awhile, but despite liking this type of space opera, I really found it to be second rate. By the novel's end nothing was ever really accomplished, lots of moody set pieces that eventually went nowhere. As both a mystery and an sf fan I would recommend Lansdale's novel as Lansdale once again deconstructs the type of nostalgia that is always so popular with readers. - MLB
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