Review of Under the Wave at Waimea by Paul Theroux

Regardless whether you loved him or hated him, there is no doubt after finishing Paul Theroux’s The Mosquito Coast that the main character Allie Fox has burned a place in the reader’s memory. Brought to life on the page, his inflammatory character, his petty emotions, his raw intelligence, his dauntless can-do attitude, his sheer humanity are so utterly convincing that he becomes real in the reader’s mind. While I doubt Theroux was attempting to scale that precise mountain again, he nevertheless has succeeded in creating another memorable character portrait in 2021’s Under the Wave at Waimea.

Readers are introduced to ageing surf star Joe Sharkey on a typical day-in-the-life-of. Aged 62, he no longer competes in big surfing events but still looks forward to hitting the waves on the Hawaiian coastline every time the surf’s up. Mango salad for a late breakfast, a day under the sun and in the water, sunset on the beach, and a beer for a nightcap—it’s a good life. But this does not prevent the world from weighing on him. Getting a little tipsy with his girlfriend one evening at a restaurant, the drive home proves to have a surprise. While the impact is not immediately apparent, slowly but surely it whittles away at his psyche. Laid bare is when the real story takes off.

Review of Hollywood Fantasies: Ten Surreal Visions of Tinsel Town

When looking at purchasing yesteryear anthologies, I almost always look to the contributing authors rather than theme. Theme a fluid, relative thing, it’s more about the authors’ treatments of it than any central idea that might transcend their efforts. Otherwise, I can’t think of any other way an anthology like Hollywood Fantasies: Ten Surreal Visions of Tinsel Town (1997) makes its way into my reading list. Several of the authors also known to me, was it worth it?

Addressing the Daoist wheel of Hollywood actors through the lens of westerns, Hollywood Fantasies kicks off with “The Never-Ending Western Movie” by Robert Sheckley. It features an ageing western star named Washburn (John Wayne, no?). Recently remarried to a much younger woman, he has signed up for his last big show, his last Western on the silver screen, and so heads on set. Slightly slipstream and wholly western, Sheckley’s sharp, intelligent style exposes one of the darker yet human aspects of Hollywood ego. More a vignette than a story, “Reality Unlimited’ by Robert Silverberg sees a couple attending a new virtual reality exhibition. Proving itself to be ultra-real, it’s so real in fact that it affects the couple. But like a train wreck, can they look away? A story that film connoisseurs will likely appreciate more than casual watchers, “One For The Horrors” by David Schow tells of a small, down-on-its-luck cinema which plays “lost” movies—movies which fell into development hell and were never made. Schow’s effort is a short but erudite piece that has passion and verve.

Review of Cities of the Plain by Cormac McCarthy

I know the meaning of belles-lettres; but there are times I encounter stories which make me want to translate the phrase literally, “beautiful letters”. Cormac McCarthy’s All the Pretty Horses was one such story. Romantic in both sentiment and plot, it evoked strong images of the American west while telling the story of a young cowboy learning how warm the tongue yet sharp the teeth of the world can be. It was a pleasure to read. McCarthy’s authorial voice smooth and impeccable, he changed things up a little, however, in the follow up novel, The Crossing, by adding a little grit and worldly wisdom. Bringing these two novels together into a third is 1998’s Cities of the Plain. Does it evoke belles-lettres, add grit, or choose its own path?

John Grady Cole and Billy Parham were the main characters of All the Pretty Horses and The Crossing, respectively. In Cities of the Plain, readers discover their ultimate fates. At the outset, it’s post-WWII 1952 and the two young men work as cowboys on a small farm in New Mexico raising horses. Their industry dying, rumors loom of the government taking their ranch via eminent domain to build an army base. A pall of uncertainty exists over the pair’s lives. Getting by as they can, however, they live simply in their bunkhouse, occasionally going out for a glass of whiskey or horse rides. Things kick off when Cole falls in love with a Mexican prostitute at a brothel just across the border named Magdalena. Trying to fill a void in his life, Cole pursues Magdalena with the help of Parham. It’s a decision which has consequences for everyone involved.

Review of The Spy Who Came in from the Cold by John le Carre

John le Carre is today (almost) a household name. Even if the millions of books sold has not raised awareness, then it’s likely people are familiar with the several film and television adaptions of his books (The Constant Gardner being the most recognized?). Point blank: you cannot talk about spy novels without mentioning le Carre. The Spy Who Came in from the Cold (1963) is the novel that put his name on the map.

Alec Leaman is a down-on-his-luck British intelligence agent working in Berlin post-WWII, the Cold War in full swing. All of his contacts and potential informants turning up dead, he and his boss eventually decide it’s a good time to return to England and start something new. Blurring the line between reality and playing a role, Leaman is “kicked out” of the agency and forced to enter normal society in an effort to lure certain foreign agents out of the woodwork. The ploy eventually works, but at what cost? And what effect does it have on Cold War politics?

Review of The Summer Thieves by Paul Di Filippo

That thimbleful of readers who regularly visit this blog (fist bump!) know that Speculiction is bosom buds with Jack Vance’s fiction. Having completed his oeuvre, there is good, local knowledge of what qualifies as a ‘Jack Vance story’. That thimbleful will also know of the praise often lofted the way of Paul Di Filippo. One of the great chameleons in fantastika (able to change colors but also imitate), hearing he was publishing a Vance-esque novel in 2021, I was all ears.

I was all ears because, Di Filippo’s tribute to Stanislaw Lem “The New Cyberiad” is brilliant. Capturing all the glory of Lem’s robot stories while spinning a worthy, parallel tale, I was hoping Di Filippo would be able to capture the essence of a Vance story in his own way. Let’s see if The Summer Thieves (2021) does as such.

Review of The Summer Tree by Guy Gavriel Kay

C.S. Lewis’ Narnia and J.R.R. Tolkien’s Middle Earth are two of the great high fantasy settings of all time. Known by most Western readers even outside the genre, the books play a large role in helping define what high fantasy is—a chicken and egg thing. Looking to combine the look and feel evoked by those worlds and stories is Guy Gavriel Kay in his debut novel, and first in the Fionavar trilogy, The Summer Tree (1986).

What Farah Medelsohn would classify as portal fantasy, The Summer Tree begins in our world but soon enough moves to a world in another dimension, Fionavar. The portal not a clothes closet a la Narnia, it is instead a magical transportation performed by high mage Loren Silvercloak. Known to people on Earth as Professor Lorenzo Marcus, it’s in a Canadian academic setting he convinces five people to travel with him back to Fionavar to celebrate the 50th anniversary of his king’s rule. The group transported to Fionavar with only a minor hiccough, they discover a kingdom in despair. The ruling king refusing to sacrifice himself at the summer tree, a new era of fertile lands and good weather lies in waiting. Seers, mages, dwarves, and elves coming out Fionavar’s woodwork as the group gets into the dire situation, bringing stability back to the land proves an adventuresome task, even as their own potentials are unleashed.

Review of More of the Best of Science Fiction & Fantasy (ed. by unknown)

After thousands of books and stories, and almost ten years reading exclusively fantastika, there are a few things I've become aware of. One is that The Magazine of Fantasy & Science Fiction is likely the best venue for quality short fiction. Hardcore readers will have their own favorites, and within specific niches there are likely better venues available. But when looked at across the scope of fantastika, the magazine is consistently able to commission the best short fiction. Naturally, this means they are able to pull together the best anthologies. An overflow of riches, in 1995 the magazine published More of the Best of Science Fiction & Fantasy.

Things kick off with an oldie but a goodie. Precursor to 2001: A Space Odyssey, “The Sentinel” by Arthur C. Clarke channels a mysterious sense of wonder after a scientist discovers a strange artifact on the moon. Clarke really gets all he can from mood—not something you can often say about Clarke. While the story doesn't fit in very well to the rest of the collection in terms of era and style, it remains one of Clarke's absolute best shorts. A story with a dim view to human evolution, “Fat Farm” by Orson Scott Card tells of an obese businessman who checks himself into a futuristic fat clinic. They clone his sentience into a slimmer version, send it back into the real world, then give his fat self a choice: die or labor. The end of this story, while indeed dim, has more than a whim of truth to it.

Non-fiction: Review of Twelve Rules for Life: An Antidote to Chaos by Jordan Peterson

Full disclosure: I am one of many politically moderate people who +/-10 years ago became aware of burgeoning social movements, and with more trust than thought, supported them. Fairness, equal rights, justice, all are good things to get behind, right? Looking at early reviews on this blog, undoubtedly you will find a wildly sympathetic ear to many concerns—feminism, racism, sexism, and other types of discrimination. The female characters in this book are treated like trash... But as time went on, and many of these movements came to the forefront of the media, I began to question my blind support. Despite knowing there were real issues and livelihoods at stake, and despite knowing justice was not being served in every case, I also knew not everything I was witnessing was cohesive. I needed to look in more detail.

It became clear there were no common agendas. Unlike the social justice movements of the 19th and 20th centuries, today there are no “movements” per se, just individuals or smaller groups pushing varying degrees of viewpoints, conservative to extreme, all from differing places and platforms. It’s a shotgun blast of feelings and facts. And so I started to put more thought into it, and look into what experts, and people who had more time than me to invest, had to say. What, after all, can we look to as a baseline in the modern world when reality and opinion are so spread?

Review of Billy Summers by Stephen King

Stephen King, Stephen King, Stephen King. After dozens and dozens and dozens of novels, as well as more dozens of short stories, how to contextualize his latest novel, 2021’s Billy Summers, in an intriguing intro? If you’re a Stephen King fan, it’s likely you’re not even reading this; you’ve already read the book. If you’re not a Stephen King fan, how to convince you Billy Summers is worth it—something that pokes out from King’s massive oeuvre and your impressions of it? Guess I have to dive in…

Billy Summers is the story of Dalton Smith, David Lockridge, dumb Billy Summers, and smart Billy Summers—all the same person. Smart Summers is an orphan turned marine sniper. After the Iraq War, he turned his killing talents to the mafia, particularly a Vegas kingpin named Nicky Majerian. To this underworld, smart Summers has played himself off as dumb Summers—a man of limited intelligence capable of cold assassination. At the outset of the novel, Majerian offers him one last job: 2 million to snipe a rat informant in custody. David Lockridge is the persona Majerian and dumb Summers create while preparing the hit. Ostensibly a writer, Lockridge befriends the office workers in the building where they are setting up shot a la Lee Harvey Oswald. Smart Summers constantly wary of how ‘one last job’ can go wrong, he sets up yet another persona, one that Majerian knows nothing about, called Dalton Smith. These multiple guises setting Summers’ head spinning in the days leading up to the hit, his mental stability is no guarantee even if the hit goes off as planned.

Non-fiction: Review of Dinosaurs Rediscovered by Michael Benton

Dinosaurs are one of the most fascinating aspects of life on Earth. Massive animals that dominated our planet for millions upon millions of years, humanity is but a drop in the bucket, comparatively. It’s thus inevitable that lessons learned from their existence might help humanity understand our own. But the related science seems to be constantly in flux. Looking at portrayals of dinosaurs forty years ago compared to today is different in significant points. Satisfying the inner child while bringing together the largest pieces of confirmed/discovered science as of 2019 is Dinosaurs Rediscovered: How a Scientific Revolution is Rewriting History.

Science being one of the most ubiquitous aspects of life in the 21st century, there are likely others, like me, who cannot keep up with all these latest findings and speculations on interesting subjects, like dinosaurs. Where research is ongoing and new things are being regularly confirmed or learned, Dinosaurs Rediscovered summarizes what is known to date, in turn creating the latest knowledge as to what, why, where, and how dinosaurs lived. It’s amazing the knowledge modern technology can unlock from old bones and rocks.

Cardboard Corner: Arkham Horror: The Card Game: Ranked Content Overview

The following is a ranked overview of the official long-play campaigns and the stand-alone scenarios released to date for Arkham Horror: The Card Game. I hope it may offer people getting into the game a rough idea of the quality of content, as well as veterans something to chew over.   It's also a live page.  I will be keeping it up-to-date with the completion of each new campaign and stand-alone. Warning: opinions ahead, but no spoilers. Feel free to chime in if you agree, disagree, or both.

Let's start with the campaigns, last to first:

10. The Scarlet Keys - "The Scarlet Keys" is rocking - at least on first playthrough.  Given the open world (literally) and the fact most scenarios have a minimum of two setups, it feels big and expansive.  The potential of FFG's new, big box business model (at least at the time) is fully realized here.  Story drips 'noir detective', and a vibe of Illuminati-meets-Where in the World Is Carmen Sandiego? is redolent throughout this globetrotting adventure.   But subsequent playthroughs are not as strong as the blind playthrough.  The main mechanism is based on RNG, which gets old, particularly in the final boss, and there is a lot or reading which really stretches table time.

9. The Circle Undone – I imagine this campaign ranks higher for players who like haunted house stories, witch's covens, Masonic conspiracies, and the like.  I fully appreciate the new mechanisms, the intro mini-story, the subtle commentary on gender, as well as the healthy quantity of story. It's only that this sub-genre of horror is not my wheelhouse.  Maybe it's in yours?

8. The Drowned City - Despite being the tength campaign, "The Drowned City" is something both progressive and retro.  The plot possesses the pulp simplicity of "The Dunwich Legacy", telling how a group of small town investigators find themselves faced with a massive green something trying to godzilla-stomp Arkham.  But the individual scenarios leading to this showdown demonstrate the rich lessons of nearly a decade's worth of Arkham Horror.  Each is refined, structured, and thematic, and drives players toward the inevitable faceoff with Cthulhu himself (itself? zirself? a%j&l#?).  

7. The Dunwich Legacy – The first full-length Arkham Horror campaign, it still stands tall.  While linear in nature, there is variety among the scenarios—from casino capers to train adventures, village sacrifices to the horror of the cosmos.  It offers a little bit of everything with wonderfully supportive mechanisms and still has the best final boss/scenario released to date, making it a must-play even for players coming to the game recently. 

6. The Innsmouth Conspiracy – A murky, claustrophobic campaign, "The Innsmouth Conspiracy" throws players into the deep end (pun intended) then lets them figure out, one watery scenario after another, their backstory.  For the first time the chaos bag has some new friends (and foes) that work wonderfully within the game's first principles. Tidal shifts, underwater labyrinths, car chases, and awakening krakens—it's got a lot going for it.

5. Feast of Hemlock Vale - This campaign returns to the roots of Arkham Horror but offers something evolutionary.  NPCs come to life like no campaign to date as a group of investigators try to sort out the origins of some odd happenings on a lonely island in Maine.  Family feuds mixing with the pagan supernatural and beyond, the campaign's semi-open world format gives players choices and options that do not have to be repeated on subsequent playthroughs.

4. The Edge of the Earth – An ally-focused campaign, "Edge of the Earth" allows players to bond with their helpers as they journey through the frozen Antarctic.  With the Freeze mechanic and emphasis on the power of nature, this campaign is an expedition of Weird though an ice cold wasteland.  FFG changed up the final boss formula, making for a fresh, new climactic experience.  If any campaign has a chance of rising on this list with re-play, it's this one.

3. The Forgotten Age – From the internet's perspective, this is the love/hate campaign of Arkham Horror. I love it. Where some people find the difficulty too dynamic, I find it wonderfully thematic. Do you expect to explore a Lovecraftian jungle thinking you've come prepared for everything?  Think again; shit happens in the wild. The Explore mechanism, again, nicely thematic. You can't always expect to find what you want in the jungle, but you can certainly expect some pitfalls, figurative and literal, along the way. And the “twist” scenario, awesome. The story is pulpy, yes, but it's easier to forgive for its recognizable Indiana Jones/Tomb Raider motif than some of the other pulp Lovecraft dished out.

2. The Dream-Eaters – The Dreamlands is a delightful and dreadful place to explore in this integration of two four-part campaigns. It does a great job exploring dreams and nightmares through the lens of fiction and the act of writing . This meta-aspect of the campaign underrated in most commentary, the designers do a superb job structuring two interlinked story arcs that have meaning to one another plot-wise, and beyond the game. The fact there are two good final bosses/scenarios are the cherries on top.

1. Path to Carcosa – The reason this is number one is simple: I struggle to read pulpy horror, and when I read horror at all, it's always the psychological/existential variety that makes me nod in appreciation. “Path to Carcosa” is psychological/existential horror, in a game, with agency.  Add to this the fact the mechanisms wonderfully fit the story, as well as the existence of two of the best individual scenarios the game offers to date (“The Unspeakable Oath” and “The Pallid Mask”), and you've got a recipe for the best.

And that is the campaigns to date. On to the stand-alone expansions, same order:

11. War of the Outer Gods – This scenario, like “Labyrinths of Lunacy”, is best with epic multi-player.  In other words, it's tough to compare apples to apples with the scenarios higher on this list. The idea is interesting, however. Rather than player vs game, it's player vs game vs game. Enemies attack each other (when played correctly), meaning players need to find ways to make the factions war among one another if the objectives are to be completed. Interesting, but still an orange in an apple world—at least the way we typically play.

10. Labyrinths of Lunacy - This scenario can be summed up in one phrase: the film Saw in Arkham Horror form. Stuck in various death traps, players must figure their way out of situations with more than just clues and guns. While there are three phases to the scenario, which makes for a longer than usual experience, it's difficult to play again once each trick is known. This one is likely best played epic multi-player.

9. Film Fatale - Technically this is one scenario, but in reality "Film Fatale" is three mini-scenarios framed by a pulp days of Hollywood prelogue.  It features (har har) three different film sets: one science fiction, one horror, and one dinosaurs, and players are tasked with investigating and hunting their way through them, trying to get to the bottom of the strange occurrences on each.  The success of the scenario on your table will likely be a matter of quality vs. quantity.

8. The Night of the Zealot – Many of you are probably wondering why “Night of the Zealot” is here and not in the campaign list above. Simple: length. It contains three scenarios, which is four or five less than any of the full-length campaigns, and only one or two more than the stand-alones here.  Moreover, it intentionally truncates the Arkham Horror campaign experience.  Only one of its three scenarios, “Midnight Masks”, is comparable to anything in the other campaigns.  (The first scenario “The Gathering” is purely a teaching game, as is the last “The Devourer Below”, i.e. teaching you how to get your ass kicked many, many times in a row.)   As such, it's unfair to compare it to the full campaigns. It feels more at home among the stand-alones.

7. Barkham Horror - This is one of the most notoriously difficult scenarios for players to get their paws on.  Is it worth spilling the bones?  The answer to that question will likely depend on how much cat & dog humor you appreciate.  FFG digs into a parallel, anthropomorphised (B)arkham scenario - Skids O'Droole, old shoe assets, eye monocles, and Duke and Ashcan Pete switch places (natch).  Locations and cards often have effects that spin furry.  Enemies and investigating, however, are straight forward - a tough straight-forward - but straight forward nonetheless.  Treachery cards hand out damage and horror by the fistful and the boss is a "rat king" that takes sustained effort.  

6. The Curse of the Rougarou – The first act is a too fast and going true solo is extremely difficult.  Beyond that, this spot of werewolf hunting offers an excellent Cajun bayou vibe. Shapeshifting and following tracks is hound dog fun, and one of the possible endings is thematically superb.  The chase through the swamps is on!

5. Midnight at the Excelsior Hotel – The most 1920s' detective story released to date, players truly feel like investigators in this whodunnit of Agatha Christie meets H.P. Lovecraft. Some people point to the ten possible endings (i.e. replay value) as its most positive aspect, but I would argue the endings are more the result of mechanical necessity than organic story. (They are dictated by random card shuffles, that is, rather than endings tying off developed story threads). The real value of the scenario is, I feel, its noir mood—interrogating hotel guests, the arrival of the police, the midnight rain, the Agatha Christie-esque mystery.  All are combined to great effect.

4. Carnevale of Horrors – Venice is not the typical scene of otherworldy horror, but this scenario manages to squeeze a spot of Lovecraft fun from parade-goers, mask-wearers, and canals. It feels fully fleshed out. The developers had a solid parade idea and they implemented it well.  It's atypical resolution should also be noted.  Where most scenarios steadily ramp into a grand finale, this chooses a different course - which I won't spoil here - that is simple but cathartic.

3. Fortune & Folly - Ocean's Eleven in Arkham Horror form, "Fortune & Folly" asks players to perform a bank heist.  Separated into two acts, players need to case the joint to collect information in Act I before trying to pull off the heist in Act II.  And what are they stealing?  Something numinous and something mysterious, naturally - no stinkin' money here.  This bit feels mashed in, but the scenario itself is proper rich <wink>.  There is just the right amount of mechanisms to give players replayable options while keeping them on their toes for potential enemies.

2. The Midwinter Gala - There are a lot of things to like about this overlooked scenario.  Replayability that is narrative-based, achievements-based, and class-based. Well-staged agendas and acts that give atmosphere a palpable pace.  A simple but effective location layout that keeps size in check but gives substance.  An effective story - chasing a jewel as evil creeps into a mansion gala.  And an optional multi-player format.  There is a lot to love. In time perhaps this stand-alone will get the love it deserves.

1. Guardians of the Abyss - Of all the stand-alone scenarios, this is the one which immediately pops into mind each time I ask myself which is the best. The Egyptian setting begs for a full-length campaign, but this two-part mini-campaign still packs a punch—the bazaars of Cairo, a sphinx, and an ever darkening abyss. The scenario rewards are also richly thematic.  If I could only own one, this would be it.

As a final note regarding the stand-alones, clearly my bias is toward 2-4 players.  (I typically play two-player.)  This is relevant given some of the stand-alone scenarios have been specifically designed for larger groups, and thus are not entirely fairly judged here given I have never tried epic multi-player.  Please bear that in mind if you are thnking of large groups.

And there you have it.  One person's ranked overview to Arkham Horror: The Card Game. As mentioned, this will be a live page, updated as new campaigns and stand-alones are released.  For example, I own “The Blob that Ate Everything” or "Machinations through Time", and once played a couple times, they will find their places on the list above.

Review of Eye of Cat by Roger Zelazny

Roger Zelazny is a hit or miss writer. When he's on, he's on—a multi-layered, colorful pleasure to read. When he's off, it's an awkward, disappointing experience that seems like it could have been more. There were also ups and downs in his career—success early on, followed by periods of struggle to achieve the same success. Some books achieved kudos from critics, and others sold serious copy. But through it all, there were three common motifs to Zelazny's fiction: myth, psychology, and the gruff, cigarette smoking, tough-skinned man. In 1982's Eye of the Cat, Zelazny takes this formula through far future Navajo.

The gruff, cigarette smoking, tough-skinned man this time around is Billy Singer. Humans have gone to the stars, but Billy, a Navajo Indian, is one of few people to have been raised apart from technology and society. As a result, he has a special set of skills as tracker and hunter, skills which allowed him to capture one of the most dangerous aliens humanity has come in contact with, the shapeshifting, evil Cat. But when an extra-terrestrial terrorist threatens to assassinate a leading political figure, Billy is called into action again.  Trouble is, he may need Cat's help to take down the assassin.

Review of Big Dark Hole: Stories by Jeffrey Ford

If by chance this is your first visit to this blog, be aware Jeffrey Ford is on the short list of writers whose work I will buy and read sight unseen. His last collection A Natural History of Hell, combined with his more commercial releases the past couple of years, however, have not tickled my fancy as delicately and nicely as so many other Ford efforts. In no way did this prevent me from picking the latest Ford collection, 2021's Big Dark Hole: Stories. Why did I ever doubt him? Let's get into the goodness.

Big Dark Hole kicks off with “The Thousand Eyes”. About a remote New Jersey bar, it draws a young painter for a famed Wednesday evening show. Crossing the line from ghost story into artistic reflection, the show turns out to be life changing for the painter. “Hibbler’s Minions” is a good ol' fashioned, traveling circus story. The narrator a man with two faces: one in front and one behind, the circus' freak show is healthy even as the show falters. That is, until the day the circus gets a present: a dust demon. And that’s how the flea circus is born. Classic horror.

Cardboard Corner: Review of Arkham Horror: The Card Game expansion "Guardians of the Abyss"

Note: As always, reviews of Arkham Horror expansions on this blog are spoiler-free and assume you are familiar with the base game.

To date, the Arkham Horror: The Card Game standalone expansions (“Curse of the Rougarou” and “Carnevale of Horrors”) have provided interesting side trips from the main campaigns. The former a werewolf story through the swamps of the American south and the latter a Venetian parade gone amuck, the third, “Guardians of the Abyss”, sees investigators traveling to the deserts of Egypt, and the mysteries of the Sphinx (and beyond) which remain to be uncovered.

At the outset of “Guardians of the Abyss”, investigators find themselves called to Cairo at the behest of a friend named Jessie. Her husband, along with an ever-growing number of city dwellers, have fallen into perpetual slumber. None have awoken, and she needs your help to get to the bottom of the mystery. While the dark streets of Cairo lead to a number of clues, getting into the wilds of the desert reveals the real threat—and it’s one that will require all of your talent—ahem, deck building skills—to eliminate.

Cardboard Corner: Review of Arkham Horror: The Card Game expansion "Carnevale of Horrors"

Note: As always, reviews of Arkham Horror expansions on this blog are spoiler-free and assume you are familiar with the base game.

In a (successful) attempt to keep content in the Arkham Horror: the Card Game universe fresh, Fantasy Flight have steadily released an ever-widening variety of products. On top of the deluxe campaigns and mythos packs, we have seen investigator packs, April Fool’s jokes come to life, as well as a series of stand-alone scenarios that can be played independently or as side-trips within the larger campaigns. A horrific trip to Venice, “Carnevale of Horrors” is second of these stand-alones to be released, and one of the most thematic.

Mimicking a Venetian parade, the layout of “Carnevale of Horrors” sees players moving in a clockwise circle, location to location, unmasking parade-goers in an attempt to find cultists who need questioning. Something dark and sinister hanging over the festive events, your only friend seems to be a friendly nun offering sanctuary for innocent bystanders. Evil ultimately unmasked, the colorful streamers and mysterious masks prove to be the least of your concerns.

Cardboard Corner: Review of Arkham Horror: The Card Game expansion "Murder at the Excelsior Hotel"

Note: As always, reviews of Arkham Horror expansions on this blog are spoiler-free and assume you are familiar with the base game.

The term “investigator” is so redolent to Arkham Horror: The Card Game that it has evolved to simply “‘gator” in online discussion. (Who’s your favorite ‘gator?!?!) But in terms of P.I.-type private investigation, there hasn’t been a major focus on delivering such a specific noir-esque experience. Certainly strong elements of the detective motif exist throughout the scenarios and campaigns released thus far, particularly the Path to Carcosa campaign, but a true murder mystery with a dark and stormy night, bloody murder weapon, corrupt police, damsels in distress, and the like has not been done. “Murder at the Excelsior Hotel”, a standalone scenario, fits that niche, however.

Action beginning in situ, investigators in “Murder at the Excelsior Hotel” start the scenario in the awkward position of holding what seems to be a murder weapon in a blood-spattered hotel room. Putting the knife away and moving out into the corridor, the guests and hotel staff give you strange looks, and it isn’t long before the police arrive. In the course of your investigation, it becomes apparent that something strange is afoot, and you’ll have to use all of your gumshoe cleverness to get to the bottom of the crime scene, even if it means implicating yourself. The story which involves from here is Agatha Christie… and more.