Showing posts with label Taj Mahal. Show all posts
Showing posts with label Taj Mahal. Show all posts

Monday, August 20, 2012

Review of "Shah Jahan: The Rise and Fall of the Mughal Emperor" by Fergus Nicoll


The vast majority of human history is a relatively monotonous affair and does not make for interesting reading for most people.  Hunting and gathering, living in smoky wooden huts, even going to work day-in and day-out at a company simply can’t get antennas buzzing.  There are brief flashes in history, however, which are quite the opposite.  Aflame with drama and social pyrotechnics to the point events seem surreal, the life of Shah Jahan is one such existence.  Fergus Nicoll captures all of its fleeting glory in his 2009 Shah Jahan: The Rise and Fall of the Mughal Emperor.

Existing at a time when bloodline was only the starting point for determining monarchial ascendance, Shah Jahan warred for the throne amongst his brothers like his, and his father’s fathers, before him.  Primogeniture acquired by force, the Mughal era was a constant bloody feud at the top.  It was also an era of unprecedented wealth in Indian history.  Europe’s kings and queens of the time living in poverty by comparison, the amounts of silks, women, jewels, gold, elephants, lands, etc. available to a Mughal lord was lavish to say the least, the limits of mortality seemingly the only thing separating them from gods.  Mix luxurious parades, palaces, and harems with assassination attempts, court intrigue, and a tumultuous political scene, and the flickering flame that was Shah Jahan’s life takes on a dramatic hue few men in history can boast of.

Riding the fence between the dry lands of formal report and the greener lands of infotainment, Fergus Nichol’s biography of the Mughal emperor is approachable by all.  Fully supported by facts and documentation (there is a 18 page ‘works cited’ section), the narrative is nevertheless structured to focus on the less docile aspects of Jahan’s life.   Using the larger social and political context of the time, all of the major events of the Shah’s life are foreshadowed in appropriate detail, followed by active description.  The book only 250 pages, Nichol does not describe the day to day life of the emperor, his family, or his kingdom except when necessary.  Events and story the focus, readers seeking a detailed account of the Mughals should look elsewhere.  With its beautiful packaging, including color imagery, family trees, and textual excerpts from historical documents, the book is intended to be perused for enjoyment, not studied.

Nichol first sets the scene with the history of Jahan’s forefathers and the bloodshed and vice that accompanied their rises to power up to the time of Jahan’s birth.  The young man’s life is then traced from being anointed next-in-line to patricidal outcast.  Eventually taking the throne, the amount of wealth at Jahan’s disposal not only shapes the Taj Mahal and Peacock Throne, but ultimately leads to his downfall, all facts related in appropriate stages by Nichol.  Gaps do exist, but again, the book is intended to be read for pleasure not as a complete survey.

Prince, general, chosen one, outcast, father, rebel, husband, emperor, and prisoner are only some of the titles Kharrum Shah Jahan held in his life.  Wholly human despite the extra-ordinary position he occupied, his virtues and vices are all relayed in an objective tone that leaves the reader with an appropriate measure of empathy reading his fate.  Jahan’s love for his second wife capable of being as warm as his blood was cold toward his brothers, Shah Jahan’s life is markedly human despite the supermarket tabloid surface.

In the end, Fergus Nichol’s Shah Jahan: The Rise and Fall of the Mughal Emperor is an epic-styled biography that covers the important landmarks of Shah Jahan’s life, rebel to the throne to prisoner of the throne.  Given the position Jahan occupied and the social mores of the era regarding royal ascendancy, his story is anything but boring.  The blood and betrayal, honor and love, all set against the backdrop of one of the most gaudy and extravagant dynasties to rule India, makes for imaginative reading not unlike a novel.  Knowing, however, that the story is taken from history and not daytime television only renders the tale all the more powerful; lessons remain to be learned.

Sunday, May 20, 2012

Culture Corner: The Architecture of Agra

While the Taj Mahal rightfully hogs Agra’s glory, there are more worthwhile sites in the area to be seen.   The city itself forgettable, Shah Jahan and other moghuls before and after erected not only the Taj, but several other glorious tombs, as well as a huge fort, later converted into a palace.  But I'll let the photos speak for themselves.
Its real name Itimad-ud-Daulah, most people just call it the “Baby Taj”.  The details of its stonework often more intricate than the father’s, this 'little' tomb was blessedly void of tourists and could be examined at leisure.
Some of those details.  Truly sublime.
 A carved marble screen.
Another detail.  The stonework is phenomenal, each little piece having to be hand carved and fit into place.
Yours truly standing in front of the Baby Taj, ready to compare it to the granddaddy.
This is a portion of the Red Fort, another Unesco World Heritage site in Agra well worth the distinction.
Called a palace by most, the Red Fort was also a prison for Shah Jahan in the final years of his life.  Though unable to be seen here, his view from the windows was of his home after death: the Taj Mahal.  I suppose his immediate surrounds--the harem, menagerie of exotic animals, dried fruits and nuts, etc.--were enough to ignore that little constant reminder...
Only dreams can be more exotic...
Even the gratuitous postcard view is almost surreal.
The Taj is worth every word of praise heaped upon it.
The colors of women’s saris against the white marble was fantastic--the only place in India such a clean contrast could be made!
Sorry, couldn’t resist one more--the sunset view!
THE END