John Laurence, a young television reporter for CBS news, was sent to the
front to cover the Vietnam War in 1965. Though barely surviving some
situations, Laurence would go on to serve two additional “tours of
duty”. It is this experience, along with personal reflection and
commentary on the social and political arenas of Vietnam and the US that
would later be collected in The Cat from Hue. Interesting reading,
those wishing to look deeper into life on the front lines in America’s
war in Vietnam and media in the US should have a read.
A devil-may-care attitude is not precisely the mindset with which
Laurence arrived in the southeast Asian country at war. It’s fair to
say, however, his relative youth played a hand in repressing his fears
and being somewhat innocent regarding American political interests in
the region. The more time he spends at the front, however, interacting
with soldiers and dealing with the contradictions and propaganda
produced by not only the government but his own news agency, slowly
drives Laurence to take his opinion of the war in the direction of much
of America’s counter-culture, though naturally with a higher degree of
sympathy for the soldiers and veterans and the clashing expectation from
each side.
Showing posts with label vietnam. Show all posts
Showing posts with label vietnam. Show all posts
Sunday, February 10, 2013
Wednesday, August 15, 2012
Review of "The Quiet American" by Graham Greene
Graham Greene may be one of the godfathers of the
modern international spy novel. But beyond
entertainment, what allows his work to still be read today is the degree to
which the personal and spiritual are tied into real-world political
situations. Prophetic beyond perhaps
even he imagined, Greene’s 1955 The Quiet
American is the story of the United States government poking its nose into
the political affairs of Vietnam—a situation already fraught with French
occupancy. Many Americans were incensed
upon the book’s publishing in the US, but Greene’s crystal ball
vision has only come into sharper focus in the time since. His portrayal of a flawed individual involved
in this circumstance only makes the affair more poignant.
The
Quiet American is the story of an ageing British
journalist, named Thomas Fowler, living in Saigon
and covering the war between the French and Vietnamese. Despite being dedicated to his job, he is an
opium user and keeps a young Vietnamese woman named Phuong as a lover
unbeknownst to his wife in Britain. In the course of reporting, Fowler runs
across a young American living in the city.
An upper-class intellectual, Pyle seems innocent enough on the surface,
but mysterious events soon begin taking shape, and when Pyle lays claim to
Phuong, Fowler decides to use his credentials to dig deeper into the deepening
political tension surrounding the man.
What he finds does not make the decisions that come any easier.
Though the novel operates in the mode of international
thriller, Greene keeps the story at a personal level. Fowler’s life is not easy, and his personal choices
don’t help. The uncertainty of having a job,
drug use, adultery, and the chaos of war hanging on the fringes serve to weight
his shoulders more than the average man’s—even basking in his own dark mood at
times. The novel’s conclusion nothing of
the happy-go-lucky type, Fowler does find a measure of peace, but not without
the addition of new problems. Greene’s
ability to mix this personal with the political has rightfully kept the novel’s
head above water in the half-century that has passed since its publishing and
is ultimately the reason its political commentary impresses both the reader’s
heart and brain.
Greene’s portrayal of Pyle is not exactly the
aristocratic, Harvard-educated person the average American envisions. His motives set at a fundamentally
ideological level, the reasons behind his existence in Vietnam
exemplify the idea of morally gray.
Fowler himself not the most virtuous of people, the two characters’
storylines intertwine and evolve in wholly realistic fashion. Knowing their exploits have not been
idealized to manipulate reader’s emotions, the reading thus becomes a more
engaging experience.
In the end, The
Quiet American, though short, has everything a good novel should. Realistic main characters motivated by an
equally realistic plot (especially given the history that has transpired
since), all in lean, focused, well-written prose. That Greene is able to effectively mix
personal values with commentary upon the political motivation of an ambitious
government pushes the novel toward being one of the best of the 20th
century. It is Vietnam War discussion
before there was a war, and commentary on every major war in the Middle East that has occurred since, and worth a read.
Labels:
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Monday, December 26, 2011
Culture Corner: Vietnam
This
past winter break I decided to take a trip to southwest China, Vietnam,
and Laos. Laos was easily the highlight of the trip, but as it was
perhaps only touching on a personal level, the experience is difficult
to describe in a way you may find interesting. This is not the case
with Vietnam, however. With the warmth of hearts and
severity of greed constantly tugged me in opposite directions, my final
opinion is left sitting on a fence. Unable to say whether
or not the country deserves the blessings of the gods, I will
nevertheless pass along one experience that exemplified my time there
and let you be the judge.
As
some of you know, my father was in the Vietnam War (or the American War
as the Vietnamese call it), and while I did not travel to Vietnam on
some soul searching, Hallmark quest for spiritual salvation on his
behalf, I did think amongst my travels it would be interesting to visit
where he was stationed amongst the other things I had planned to see
while in country. And so it was one morning that I rented a motorbike
and headed for a place called Chu Lai.
A
mere speck on the squiggles and dashes I'd somehow wrangled from the
internet (Vietnamese road maps not as readily available on Google as
airport security plans), Chu Lai proved to be more of an area rather
than a town. An extremely rural location, the land was a former
military base, runways now roads, bunkers drifted over with sand dunes,
grasslands now rice paddies, and palm trees and little villages
occupying what was once undoubtedly a more active place. As a result, It took me some time to figure out the layout as I wound my way on gravel drives and dirt paths. Though
feeling lost, in fact I was where I wanted to be. While riding in
Vietnam, it had become my habit to stop for a break and have a beer or a
smoke, and upon coming to the realization the fields, villages, and
palm trees were as civilized as Chu Lai was going to get, I pulled over
at a Vietnamese "café" to see what it was like. This is where the real
story begins.
The
café was beachside, waves rolling steadily in, a couple cows wandering
through the sand, and warm sun shining all around. (It in fact turned
out to be the most pristine section of beach I've encountered in some
time, miles and miles of white sand, village huts and children playing,
the area completely unknown to tourism.) As I put down the kickstand
and brushed the dust from my t-shirt and shorts, what
should walk out from beneath the thatched roof of the café but the most
beautiful girl I'd seen in Vietnam. Not the least afraid, she smiled
and invited me to sit down and served what I pointed at in the little
glass counter. The choices were: one kind of beer, two brands of
cigarette, one water, and two kinds of soda. As I drank my beer and
rolled a smoke, I was completely amazed at how unabashed this girl was,
even the Vietnamese I met in Hanoi (a city of four or five million with
thousands of tourists) were often shy and embarrassed at the sight of a
foreigner. But she in her country comfort was not the least concerned,
sitting down beside me in her café's rickety, homemade chair, eager for
contact. As I spoke no Vietnamese and she no English, everything
between us was smiles and finger pointing. I had a guidebook with a few
phrases in Vietnamese, but since "Does your restaurant have baby
seats?" had little practical usage, the only real pieces of information I
could get was that her name was Tao and she was 19. As there were no
other customers, for an hour we had the ocean breeze and cool shade of
the café to ourselves, nothing but fun and laughter in our outlandish
attempts at communication.
After
a while her mother appeared to relieve her for noon break, and so Tao
invited me to her house for lunch. Getting to her house we rode amongst
the most pastoral scenery I'd seen in Vietnam, lazy rice paddies, dirt
paths hardened by bare feet and the simplest of square concrete homes
open to the warm sun, dogs and ducks sitting in the shade. Her father
greeted me enthusiastically (the little devil), and after taking off our
shoes, brought me inside to sit down and eat.
Myself
already three beers deep, her old man pulled out the booze after we
began eating, and soon enough, shot after shot of rice wine was burning
its way down my throat. A half hour later, our meal finished, his
literal 50 pound frame, unable to handle the bottle we'd knocked back,
began its propositioning: I should marry his daughter. Tao seemed a
little hopeful about this, but I had to disappoint and answer 'no.' He
repeated his offer, but I held firm, causing him to shake his head
disappointedly at my answer.
This is where the story takes a drastic turn. Tao’s father upped the ante: I didn't have to marry his daughter, I could just have her for money. Tao got up and left the table. I'm
quite certain she was afraid her father's bid might be taken, men in
their traditional culture having such power over women. But I refused
these repeated offers as well. There was a period of silence in which I
tried to change the subject, but the father was still focused.
Wavering and red faced in intoxication, he then propositioned killing
one of the dogs nearby, miming slitting its throat and taking a big bite
out of its hindquarter. As I'd already seen that kind of dog used as
food (and eaten some!), I'm 99% certain he was serious. Certainly he
viewed it as the cherry on the cake in exchange for his oldest. I
refused this as well. More shots, and things deteriorated further: he
asked directly for money, the hand gestures for this universal
throughout the world. I asked him why, pointing at the food we'd eaten
with a shrug. But the only reply he could come up with was to continue
to rub his thumb and forefinger together. He simply wanted me to give
him money. Quite a guy, huh? Well, he gets better.
After
seeing I wasn't going to marry his daughter, sleep with her for money,
or give in to his begging, Tao’s father drunkenly figured he was down to
one last hope to take advantage of this exceedingly rich foreigner
who'd magically landed in his lap that afternoon: he proposed we go to a
local brothel (the sign language for this equally well known around the
world). I'll be the first to support the traditional cultures of this
world, but as I cannot combine them, I simply got up from the table and
went off to find Tao, uttering a simple 'goodbye' and 'thank you' to the
man for his food and wine.
Saddened
at her prospects for the future, I found Tao with her mother back at
the beachside café. We sat around in silence for a while. What do you
say after such bargaining ended with bitter feelings on both sides? I
had a little chocolate with me, so I gave it to her and wrote a note in
English that said something to the effect she needed to somehow
continue her education and escape her father's clutches if she were to
have any hope of enjoying life. I hung around for a bit more, wandering
on the beach and thinking of various possibilities, but after a while I
just got back on the motorbike and puttered off, leaving nothing but
confused, opposing ideas behind.
So,
that's what Vietnam was in a nutshell: moments of extreme beauty, the
mountains and hill tribes in the northwest, Halong Bay, and the children
playing amongst the noodle stalls in the quiet back alleys of Hanoi,
mixed with moments of extreme ugliness, the rapacious manner in which
money is sought, the dust and grime covering everything urbanized, and
the lack of self respect so many of them had in their mannerisms towards
tourists. I don't know what to think of it all. Maybe you should go
to make up your own mind?
Monday, November 28, 2011
Culture Corner: Vietnam Part II
This is Part II of my photos from Vietnam. (For Part I, click here.)
The End
From the ocean I headed inland to Vietnam's
mountains, the Tonkinese Alps, of which the tallest at 3143m (10,300 ft.
for the metric impaired), Fansipan, is pictured above.
Amongst
the hills and mountains live numerous ethnic minorities, many of which
congregate daily in a little hilltop town called Bac Ha for market.
Here are some of the local women relaxing in their very colorful dress.
After sharing a smoke, these men insisted I take a photo of them at work.
Haircuts are all part of the daily market.
In
order to get around this beautiful area and to the village markets, I
rented one of their little motorbikes (when in Rome…) and was treated to
some wonderful experiences, including the most delicious dog meat I've
ever eaten. (I guarantee you also would have thought so.) Above is
yours truly with his trusty turquoise steed.
After
exploring the mountainous northwest, I headed south along the coast,
visiting cities like Hue, pictured above. Yes, those are house boats on
a canal to the right. (If you're interested in the Vietnam War, there
is a wonderful book called The Cat From Hue that I recommend.)
After
Hue, I visited Hoi An, which is home to many colonial style buildings, a
relaxed atmosphere, and this temple decked out for Tet Festival.
For
those of you who read my last culture corner about my visit to my father's old army base, Chu Lai, pictured above is a portion of its
remains, not to mention a handsome young lad who asked me to take his
photo.
And
this is the wonderfully secluded beach I found there – secluded from
tourists, that is. Behind me are some village huts and children
playing, idyllic down to the warm water and ripples in the sand. Sorry,
I don't have any photos of the beautiful young girl who was offered to
me here, her beachside cafe, nor her bastard of a father. Photos just
triggers, that is an experience I keep in my memory. If you want
something like this, go make your own adventure.
The End
Culture Corner: Vietnam Part I
Considering I've just returned from a month's
holiday in Xinjiang/East Turkestan (my first in an occupied country, I
might add), I should probably pass along some photos from this past
winter's holiday in Vietnam before I get too far behind.
I
arrived in Vietnam just as they were preparing for Tet, the Vietnamese
New Year. Above is the capital, Hanoi, and as you see, the streets are
constantly abuzz with motorbikes. Even as you read and I write, I'm
sure the city grid is zipping crazily with motorists and pedestrians.
Though never able to live there, this created a sense of life Western
cities, with their wide streets and multitude of cars, can never
realize.
This is the Red River flowing through the middle of Hanoi, its sweat rising over the city.
These are some of the street vendors selling flowers for Tet. (Useless caption...)
This is just one corner of a much larger fruit and vegetable market in the city.
Again, the chaos known as street life in Hanoi. Trying to cross the street sets something alive inside you.
Riding shotgun!!
And one last photo from Hanoi's streets.
This
is a place very close to Hanoi called Halong Bay. (I apologize for the
defects in the photo. It is the result of the Chinese definition of
'quality'.) I spent two beautiful days boating amongst these islands,
exploring caves and kayaking. Along the side of the island to the right
you see a small floating village - complete with dogs (as pets you
crazy people, they don't eat everything that moves.)
Another photo of Halong Bay, an absolutely beautiful place.
Next, Part II here…
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