The 19th century was a time of
transmigration for Europe. Thousands left continental shores for lands
abroad, South America, Australia, the US, and beyond. Ship travel the only method to access most of
these destinations, the sea wasn’t always forgiving. Not a few were sent to a watery grave, others
crashing on strange shores. Johann David
Wyss’ 1812 The Swiss Family Robinson is
the fantasy-esque tale of one such shipwreck.
The novel opens with said wreck. The only remaining survivors a family of six,
the group struggles to get ashore and find their bearings. A father, mother, and four sons, what follows
is a narrative recounting exotic survival in the wilds. The group slowly explores the island they now
call home. They build better and safer
homes, fight for life with food and predators, and towards the end of the novel,
have an encounter they’d never dreamed of.
Adventure in the purest form, getting caught up in the family’s
escapades of everyday life is a joy.
Any firm categorization of Swiss Family Robinson as fantasy would
be less than tenable. There is merely a
veneer of the overly-exotic spread thin over the wholly realist foundations of
the book. Massive snakes, onagers,
ostriches, monkeys, gum trees, wild fruits—all manner of the Earth’s flora and
fauna—inhabit the island the family come to call home—Madagascar squared. Google unavailable to check facts, readers of
Wyss’ time could indulge in the otherworldly manner of the family’s survival in
fully escapist fashion and dream of their own overseas trip—or be in horror of
the wilds, depending on perspective.
Suffice to say, the less-than-realist elements of the story make the
family’s adventures all the more engaging.
And adventure Swiss Family Robinson is. No
single element other than survival motivating the plot, the book is essentially
divided into the phases of their adaptation to island life—from the very
beginning when they have only the supplies of the broken ship to their contact
with the outside at the end. And it is
the steps, this progression from wild to domestic, which grounds the story not
only in characters, but brings to life the interest and joy of discovering new
things. Daring Jack, strong Fritz,
cultured Ernest, shy but helpful Franz, stoic Father, and resourceful,
dependable mother, what child hasn’t dreamed of deserted tropical islands for themselves? To build your own treehouse complete with
bedrooms, kitchen, library, etc.? To
have your own pet orangutan? Or to
construct contraptions of wood and leaf to catch animals or sift grain? Perhaps for the younger more than the older,
the novel is a treat of the imagination that brings the inner child to
life.
In the end, Swiss Family Robinson is an old-fashioned shipwreck adventure with
a child’s heart. One of the first and
best examples of the “stranded on a desert island” sub-genre, Wyss endears
readers through warm characters and patient storytelling of exotic
survival. The language in older English
translations perhaps troublesome for some modern readers, it may be worth
investigating whether a more contemporary version has become available. Still capable of inspiring dreams of faraway
lands, Wyss’ is a tale less pointed than the propaganda which inspired the
title.
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