Kim Stanley Robinson’s 1986 The Blind Geometer is an interesting thought experiment at the
intersection of blindness and spatial geometry.
Told through the eyes Carlos Oleg Nevsky, Robinson presents the life of
a sightless person working for the government as a mathametician. Helping an office mate with a confidential
situation that Nevsky and his cutting edge knowledge may be able to assist
with, the story quickly becomes intriguing.
And when introduced to the enigmatic Mary to help carry on the
investigation, not everything is as his senses would tell him, a deeper
examination needed.
Presenting the life of a handicapped person from a sensual
perspective, Robinson should be commended for putting himself, and as a result
the reader, in the shoes of a blind man with the aim of realism. Olevsky happening to be a brilliant geometer
who loves modern classical music (not an oxymoron) and baseball—or at least
beepball, the story is full of references to be followed up on. Everything from philosophy (Husserl and
Derrida) to mathematics, to the fictional blind detective Max Carrado; Robinson
has done his homework. But what else does
one expect from the author...
Essentially a one-off, The
Blind Geometer is no more complex than the title. More a springboard for further inquiry,
reader who enjoy the theory and science behind things will enjoy the novella
most. All else will have to settle for a simple yet engaging story of a blind
man’s mystery. The sex scene is a bit…
conical (and as a result, comical), but the remainder suits matters admirably.
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