(Please note, this review is for the novella Last Summer at Mars Hill, not the collection of the same name.)
If there
is an earmark to Elizabeth Hand’s career, it is her willingness, no, willful
intention to focus on people having less-than-standard lives and upbringings. Step-children to the incestuous, nerds to the
counter-culture living at the margins of society, Hand’s stories tell of social
outcasts of all degrees. The realism of
the portrayal of these people’s thoughts and emotions foremost in the
narrative, it’s through subtle means she slips in a bit of the fantastic or
science fiction to complement the atypical character arcs. 1994’s Last
Summer at Mars Hill is precisely this kind of story.
The
novella is a well-crafted story about two young people dealing with their
parent’s health problems during a summer holiday in Maine. Not horror or science fiction, it is paranormal
fantasy (sparingly used) which touches upon terminal illness in poignant
fashion. Moony and Jason are atypical eighteen year olds in the last years of
the 20th century. Their hippy parents
still living according to the quirky values of the counter-culture movement, Moony’s
mother Ariel practices mysticism, tarot cards and the like, while Jason’s
father, Martin, is a gay artist whose partner recently died of AIDS. Their life possessing niches and facets that
the majority of teens their age do not due to their parents’ esoteric
worldviews, Moony and Jason are mature beyond their years yet remain part of
the idiosyncratic lifestyle of their parents.
Part of the lifestyle is a yearly summer retreat to Mars Hill—a
gathering of new age mystics and fellow spiritualists who believe the coastal
town in Maine is inhabited by powers beyond description. The story opens at the beginning of one such
summer, the last summer before Moony and Jason will head off to university, and
Moony’s discovery her mother has breast cancer.
Through
the practiced wisdom of Hand’s quality prose, readers learn the details of the
health problems Ariel has been hiding from her daughter. Martin likewise facing severe health issues,
though openly, Jason and Moony commiserate with one another as each of their
parents takes a different approach to dealing with the future. Ariel’s approach is to dig deeper into mysticism
and herbalism. Abandoning doctor’s
treatment and medicine, she seeks cures amongst her friends, in the futurity of
cards, and hoping for relief from Them, the supernatural beings said to inhabit
the town. Martin’s a health problem
without hope for a cure, the man is more open, allowing him a larger space for
honesty in his relationships. But the
story is about the teens, and it is through their eyes that readers feel the
emotions and coming to terms with reality that go hand in hand with aging parents
and health problems. The end of their
story touching, Hand splashes on just enough of the fantastic to leave the skin
tingling.
In the
end, Last Summer at Mars Hill is a
finely written novella that cleaves closer to realism than the fantastic, yet
remains dependent on it. For anyone
looking for a personal story of teens growing up in wholly atypical
circumstances but still relatable at an emotional level, this is a story for
them. Hand’s prose equally strong, it’s
also possible to be read and enjoyed for style alone.
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