Fractals
are the aesthetic that first comes to mind finishing Jonathan Lethem’s 1995 Amnesia Moon. The novel’s seemingly scattered pieces
consisting of something from the schizoid nature of Hunter S. Thompson’s Fear and Loathing in Las Vegas (but
presented in more abstract terms), the lucid dreams of Ursula Le Guin’s The Lathe of Heaven (the continually
shifting flow of narrative), and the post-apocalyptic,
reality-slipping-under-foot of Philip K. Dick’s The Three Stigmata of Palmer Eldritch. From these pieces Lethem creates a blend of
his own that defies easy categorization.
A psychedelic post-apocalyptic realist wish-wash on the surface,
hovering tantalizing just below seems an individual’s misgivings in modern life
worth the scrutiny.
Amnesia Moon is ostensibly the
story of Chaos, a loner living life in the western part of
a
post-apocalyptic US. The cause of the
apocalypse unknown (though there are some wild stabs), Chaos lives off dog food
and the teachings of a dreaming seer calling himself Kellog. His own dreams becoming more powerful and
disturbing, Chaos discovers that Kellog may not hold the sway he once did, and
with a local hairy mutant girl, starts driving toward Los Angeles, hoping to
find something more concrete to build a life on. Encountering all varieties of the bizarre in
what’s left of California, this proves an immense challenge.
Dreams
and reality swimming in and out of one another to create a narrative backdrop
continually revising itself, Amnesia Moon
is not mainstream storytelling. Capable
of being interpreted in a few significant ways, there are elements from the
cautionary novel to the psychological/personal, cultural critique to
environmental discussion—even a road novel is tucked inside. According to wikipedia, the number of facets
comes from the fact Lethem integrated a variety of ideas from his unpublished
short work into a novel. The resulting
effect mosaic (as the cover indicates), holding to ‘reality’ in the novel is a
tough business.
In
the end, Amnesia Moon is a surreal
look at a man trying to find himself in a world both mad and perceived as
mad. Symbolism layered on top of
multiple “realities” (and perhaps vice versa), the abstract nature of the novel
is sure to put off many. For the active
reader, there is a lot of depth to Chaos/Everett’s story. From the social ideals and phenomena that
inform his life to his reaction to them, Lethem critiques both identity and
culture with success. While still generally
a pastiche, Amnesia Moon is certainly
a more substantial novel than his debut, Gun, with Occasional Music.
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