The current generation of sci-fi fans will
undoubtedly be familiar with Alastair Reynolds’ Conjoiners and Ultras. Two
groups of post-humans inhabiting his universe, the former have augmented
consciousness toward intra-communities, while the latter have undergone major
biomechanical reconstructive work to enhance capabilities. Original ideas, yes? Unfortunately, no. Acknowledging the debt in his outro to Galactic North, Reynolds admits if it
weren’t for Bruce Sterling’s Schismatrix
Shaper/Mechanist universe, Revelation
Space’s trans-humanism may have never taken shape. A work of truly unique imagination, Sterling deserves
far more exposure than acknowledged homage or footnotes to cyberpunk he has
been given in the three decades since this novel’s publishing.
Schismatrix
opens with one of the most bizarrely sublime assassination attempts ever
depicted in literature—the possibilities of sci-fi used to full effect. The main character, Abelard Lindsay, escapes
but is subsequently exiled to a lunar colony where he must rebuild the social
and political network cut off by his would-be assassins. Though born a Mechanist (people who alter
their bodies with software and biomechanics), he trains as a Shaper (genetically
modified people with special mental capabilities), and is thus an asset to
both, a fact he attempts to spin for his own benefit in exile. As the decades and centuries pass, the
political situation evolves, and reverts back on itself time and again,
bringing Lindsay to face a final decision that transcends the cracked,
post-human world he is immersed in.
Schismatrix
more a pastiche of novellas than linear storytelling, tension builds in the
setting rather than over the course of the narrative. The events and circumstances of Lindsay’s
life find him in a handful of locales and situations, each more imaginative and
peculiar than the next. Arthur C. Clarke
nowhere to be seen, Sterling
never paints these scenes in beautiful colors.
The colony Lindsay is exiled to suffers from severe atmosphere problems,
while a pirate ship he later finds himself on clanks and clutters its way
across the universe, the crew never quite predictable in their twitchy
addictions and edgy compulsions.
Given the extreme lack of similarity between
Shapers/Mechanists and humanity today, Sterling’s
narrative appropriately keeps the reader at a distance from the
characters. Lindsay is not a hero to
exalt or cheer for, but is a man whose life is for observation in comparison to
our own, for better and worse. After
all, how can one properly empathize with a person who has been alive for
centuries and no longer exists in the body they were born with? Soldiers returning from war often alienating
themselves due to their experience of being so far removed from normal life, Sterling is correct to
detach readers from Lindsay. What
results is both an interesting read and social statement.
More politically overt than Gibson’s brand of
cyberpunk, Schismatrix focuses on the
interaction of various factions throughout his created universe. Shapers and Mechanists have their agendas, as
do a variety of other groups, including aliens calling themselves the
Investors. Groups within each of these
associations likewise have goals that don’t always agree with their
peers’. This makes for some occasionally
confusing shifts in plot, but shifts that well reflect background realpolitik. Attentive readers will not have a problem
with these transitions, while those accustomed to Lois McMaster-Bujold, John Scalzi, or Vernor Vinge’s brand of sci-fi may feel lost upon occasion.
In the end, Schismatrix
is an underrated work deserving of wider acclaim. More than the realist tone of its politics,
the book is filled with original ideas, from setting to technology. Not a novel in the standard sense, the book
is more a collection of vignettes welded together by Sterling’s fertile imagination. A great examination of post-humanism, readers
of William Gibson, Ian McDonald, John Brunner and cyberpunk in general will
want to check it out. If interested,
buyers may want to seek out Schismatrix
Plus, a book containing not only the novel but also all the short stories
from the Shaper/Mechanist universe. Sterling a better writer
of short fiction, these stories cap what is a great book in itself.
For those interested in Schismatrix, please check the music of Lost Systems. The latest album, Schismatrix Redux is a follow up to their 2014 release, Schismatrix. Both works are approached as a possible soundtrack for the imagined film based on Bruce Sterlings classic space saga. Listen to it here: https://itunes.apple.com/us/album/schismatrix-redux/id1234772315
ReplyDeleteRead about 3/4 of this book on vacation once. Loved it.. They need to make a movie
ReplyDeleteThanks for the comment. Forgive me for being attentive to details, but if you loved it, why didn't you finish it? Curious...
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