The
Amber Spyglass is the exciting and subversive conclusion to Philip Pullman’s His Dark Materials… trilogy. Lyra and Will having been turned loose in the
multiverse described in Northern Lights
(The Golden Compass - US) and The Subtle Knife, the time has come to
draw their plight to a close—and does the author ever do it in dramatic,
fantastical fashion. But given the
wealth of symbolism and subtle digs at contemporary dogma embedded in the
underlying narrative of the trilogy, the conclusion is delivered in anything but standard fantasy style.
Of the three books in the series, The Amber Spyglass is the most jam-packed with story. The action detailed and steady from the first page onward, the wheels of event and character never cease revolving. The book opens with Will deciding whether to start a rescue action of Lyra, who was kidnapped by Mrs. Coulture and the golden monkey at the end of The Subtle Knife. But angels visit and try to convince Will to bring the subtle knife to Lord Asriel instead, joining him in his fight with the Authority. Only at a temporary loss for direction, Will soon enough makes a choice and is on his way, marching toward an inevitable climax. Where he goes and who he goes with, not to mention Lyra’s fate, are for the reader to find out. Suffice to say, it’s not always of this world, sees a major revolution unfolding in ways nobody planned, and has moments of happiness and heartbreak to soften the hardest heart.
Of the three books in the series, The Amber Spyglass is the most jam-packed with story. The action detailed and steady from the first page onward, the wheels of event and character never cease revolving. The book opens with Will deciding whether to start a rescue action of Lyra, who was kidnapped by Mrs. Coulture and the golden monkey at the end of The Subtle Knife. But angels visit and try to convince Will to bring the subtle knife to Lord Asriel instead, joining him in his fight with the Authority. Only at a temporary loss for direction, Will soon enough makes a choice and is on his way, marching toward an inevitable climax. Where he goes and who he goes with, not to mention Lyra’s fate, are for the reader to find out. Suffice to say, it’s not always of this world, sees a major revolution unfolding in ways nobody planned, and has moments of happiness and heartbreak to soften the hardest heart.
Intentionally, Pullman
never condescends to readers’ sensitivities.
At times reading more like dark and gritty sword and sorcery than
traditional fantasy, not all fan-favorite characters survive, nor do things tie
nicely together at the end of The Amber
Spyglass. This subversion of stereotypes
may occasionally be a little
heavy-handed (a facet of the trilogy some readers dislike), but if you’ve made
it to the third book and not yet been put off, then the manner in which Pullman
closes out Will and Lyra’s story arcs will be a bittersweet but satisfying
end.
Content rich and full, there is more to The Amber Spyglass than atypical
storytelling, however. The religious,
social, and coming-of-age themes Pullman
hinted at in the opening books are wholly exposed and explained in relatively
clear terms in the finale. The reader
needs only to connect the dots of symbolism to arrive at Pullman’s conception of universal
spiritualism, perennial knowledge, and of adolescence being a rough and rocky
road that must be dealt with realistically.
Practitioners of dogmatic religions will certainly find a lot to take
issue with, and are thus warned that if the symbolism went over your head in
the first two books, Pullman makes it all the more obvious in the conclusion,
probably much to your chagrin.
Putting aside subject matter for the moment, perhaps
the most interesting facet of The Amber
Spyglass is the coup de grace of
imagination Pullman
pulls on the novel. As if saving his
best for last from a visual perspective, the scenes and settings take the
reader to new places that will stick in the mind long after they’ve
finished. The showdown with Metatron (a
great name, by the way), the Underworld, the fight of the Gallivespians, the
world of the wheeled Mulefa (read to find out), and many other moments and
places are described in a fashion that brings the world’s visuals fully to the
mind’s eye. Though getting a lot of
attention for the subversive elements, Pullman
should also be noted as a quality scribe capable of putting on paper the ideas
of his imagination in a way many writers of fantasy cannot. The book is at times truly a visual feast.
In the end, The
Amber Spyglass is a fitting conclusion to the His Dark Material… trilogy that satisfies on all fronts. Not quite matching Northern Lights for the best of the series, it is
nevertheless a highly satisfying conclusion.
The caveat to this is: don’t bring any expectations regarding how the
plot will play out or in what circumstances the characters will find themselves
at the end. Pullman defies all. Action at times intense, and at others more
symbolic, the tale never stops moving.
Involving every one of the major characters introduced thus far, the
stories of Iorek, Scoresby, Serafina, Mary Malone, Mrs. Coulture, Lord Asriel,
and of course Will and Lyra, are all resolved, just not always in
happily-ever-after fashion. The story
balanced, ‘bittersweet’ would be a better term to describe the feel of the book
and series. Theme more overt, readers
can likewise expect answers to all of their questions regarding Dust, the
Authority, and the nature of the multiverse.
A great conclusion to an ambitious fantasy series.
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