With Hawkwood, Bardolin, and Murad
arriving back on Normandian shores in the epilogue of The Iron Wars, Kearney hinted the next book is ready to shift back
into a continent-scope story. Like Hawkwood’s Voyage and The Heretic Kings, The Second Empire does precisely that. With Abrusio still uncertain
over the state of their king, the Merduks preparing for a final assault,
matters in the West still unexplained, and Corfe’s newfound role anything but
trusted by the nobility he usurped, the series is back in full swing.
The
Second Empire
opens by going back in time to explain exactly how the trio of voyagers were
able to get their way back to Hebrian shores—a tale that Gondolfin, Abeleyn,
and Isolda scarcely believe as Abrusio starts to rebuild itself from the tatters
of civil war. Corfe, now general of the
Torunnian armies, continues to face opposition from not only the Merduks, but
also his own countrymen, in particular a nobility who hate to see non-blue
blood take power. And though the Sultan
himself is softening with his Torunnian wife Heria, he continues to push
military matters, commanding a direct and final assault be laid upon the
capital, Torunn. Events in the interior
continue to develop as word reaches the provinces that Charibon is starting to
prepare an army of its own. And through
it all, the mysterious Aruan, the shape-shifting mage, continues to ply for
influence and collaboration from those he considers able—taking and giving as
he sees fit.
To his credit, Kearney continues to show his master plan for the series, works. Unlike many other writers of epic fantasy, the stage he set at the beginning continues to be the stage upon which the actors play. Minor characters come and go, but focus remains on the main characters, locations, and scenarios readers are familiar with. For those who hate to see epic fantasy wander (looking at you George R.R. Martin), Kearney sticks to his initial outline to the benefit of the series.
To his credit, Kearney continues to show his master plan for the series, works. Unlike many other writers of epic fantasy, the stage he set at the beginning continues to be the stage upon which the actors play. Minor characters come and go, but focus remains on the main characters, locations, and scenarios readers are familiar with. For those who hate to see epic fantasy wander (looking at you George R.R. Martin), Kearney sticks to his initial outline to the benefit of the series.
This is not to say some problems do not
arise, however. The plot running full
speed ahead, straining at its lead, there are moments Kearney sacrifices
character integrity for plot development.
And so while the story remains enjoyable for pace and action, there are
a few “what the?” moments when characters act out of hand.
In the end, The Second Empire is a consistent entry into the series that will
have readers wondering: what could possibly happen next given the result of the
climax? The kingdom changed forever, the realist aspects play well to the
tragedy side, assuring Monarchies of God
remains as unpredictable as it ever was.
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