I once
taught a Business Ethics course at a Chinese university (not that the West is
any better). One of the exercises
I did with the students is to ask them to list the things they would do if they
could be invisible. I did it enough
times that the answers were generally predictable. There was always the tiny number who had
wildly imaginative ideas, followed by the minority who thought to become
superheroes or super-policeman of some variety to stop evil doers. But inevitably, the majority thought to use
it for material gain or personal interest, usually involving robbing a
bank. Thus reading The Invisible Man (1897), it was a intriguing to discover H.G. Wells examined the mindset behind the desire.
Though Wells
thought to use chemistry and biology to make a man corporeally transparent in
order to test his limits, it was in fact the Greeks who first came up with the
moral barometer. Called Gyges Ring, the wearer was rendered invisible—in pure
fantasy terms. Both triggers for ethical
discussion, Wells uses the device in his story of Griffin, a man who has discovered
the formula for invisibility. Shifting
immediately into reverse, he seeks to escape his fate by isolating himself
to research the antidote. Arriving at an
inn in the small English village of Iping at the beginning of the story, the
curious owner is mollified by Griffin’s willingness to pay without haggling in
advance, and asks no questions why he is covered head to toe in cloth. Baggage arriving shortly thereafter with all
manner of bottles and vials inside, the owners believe they have a scientist as
a lodger—a strangely accoutered scientist, but a scientist nonetheless. But when strange events begin happening in
the small village, most noticeably a burglary under near impossible
circumstances, more and more questions start coming Griffin’s way. The questions becoming drama, the little town
is never the same after.
The Invisible Man is thus a character
study of a man who, in effect, wears Gyges Ring 24/7. Trying to do right and remain as normal as he
can given his bizarre situation, Griffin’s initial forays into what would
commonly be held as ‘anti-social behavior’ are for a cause many would deem
justified: to return to normal human opacity.
But as his plight worsens, and the situation around him becomes more
tense, the behavior shifts to occupy not only the gray area of morality, but
the dark side, as well. As one expects
with Wells, the novel has an agenda. The
conclusion clearly spelling it out, I will leave it for the reader to discover,
but suffice at saying the Greeks would have welcomed it into their discussions.
Robert
Louis Stevenson’s Dr. Jekyll and Mr. Hyde
is a brilliantly written character study of a man plagued by the constraints of
civilized society and desiring something more from life. His transformation accomplished by ingesting
a chemical slurry, the effects are temporary, however. He is able to return to normal life and
maintain appearances regardless of what strange things may go bump in his
night. Given this choice, Stevenson’s
novel makes for interesting comparison to Wells’. While one suffers from a single poor choice
and the other from regular poor choices, both authors strike at the heart of something
in the human condition. Self-destructive
behavior resulting from the desire to achieve goals via the unnatural,
something inhuman as it were, each author recognizes the demons working within
each soul as something normal, and not easily controlled. I don’t think either author intended
commentary on science, i.e. the chemistry Griffin and Jekyll work up are plot
devices leading to larger ideas, but there remains the idea that science, in
particular applied science, is opening the range of possibilities and
circumstances in which humanity’s inner turmoil can be expressed, or, for lack
of a better word, turned loose.
Before
closing the review, it’s worth mentioning one of the interesting secondary
aspects of The Invisble Man. The story taking place almost entirely in the
small English town of Iping, Wells captures the feel of such close social
environs. Janny Hall and Mr. Hall, the
inn owner and her husband, fit the small town character profile perfectly, as
does the constable Mr. Jaffers—a man associated with far less unusual
circumstances than those Griffin brings to his peaceful little village. Digging into the social fabric, Wells goes
the Dicken’s route to include society’s less privileged. One of the people Griffin colludes with is a
tramp, Thomas Marvel, a man whose fate is drastically changed by his
experiences with Griffin. Wells
sympathizing rather than downgrading Marvel as many writers of higher social
standing in Wells’ time indirectly would, it remains a sure sign of the author
overriding such social concerns for humanity, and is a small but positive
aspect to the novel.
In the
end, The Invisible Man is a science
fictional take on Gyges Ring that, like Stevenson’s Dr. Jekyll and Mr. Hyde, depicts the downfall of a man who pushes
his desires too far and must cope with the consequences. Griffin’s mummy wrapped face with big glasses
now the classic image of the invisible man, the story has had an influence on
culture as humanity battles with the use of its creations, since.
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