The
Dragon’s Path, first book in
Daniel Abraham’s The Dagger & the Coin series, was a slow burn.
Perhaps too slow, the novel took its time, building a foundation of
characters and setting for the four books to come, that may have put
off would-be readers. It wasn’t until roughly the two-thirds’
point that the plot’s gears started to bite into one another, and
the wider picture started to come into focus. Building off this, the
second book in the series, The
King’s Blood (2012), carries
the momentum forward into a novel that is likely more to the liking
of readers with a preference for pace and conflict.
The King’s
Blood returns to the viewpoints
of the same handful of characters. Geder, now regent to the king,
continues his arcane studies under the watchful eye of the spider
cult, all the while watching over Astor, heir to the kingdom. Ever
faithful and honorable, Dawson attempts to clean up the mess of the
failed assassination attempt, even as he sees King Simeon’s health
failing. And Cithrin, despite her rise in power in the Medean bank,
is now subject to a new line of notary authority, a line that is
entirely to her disliking, forcing her to find creative ways of
getting done the things done that she knows are good for her and the
bank.
As mentioned,
The King’s Blood
moves at a faster clip than The
Dragon’s Path. Abraham
having set the stage in the first novel, events are now set in motion
in the second act. While Cithrin’s story line sees her working
primarily independent of the other characters, Dawson and Geder’s
comes into a very interesting point of conflict. Proving that the
time spent laying the groundwork was worth it, the two men receive
equal sympathy from readers, knowing what each have gone through to
get where they are. And yet they have become at odds. The tension
that springs from this point, in fact, carries the lion’s share of
the novel with a degree of engagement and interest that was
impossible in The Dragon’s
Path.
I won’t go
into more detail. If you have read The
Dragon’s Path and are not
interested in more, you wouldn’t be here. Thus, in short, The
King’s Blood sees the series
start to deliver on its expectations, most of its cylinders firing.
It is uncertain what value the twelve races bring to the story (they
seem like unnecessary window dressing considering they all act human
despite their physical differences), but the bottom line remains that
the novel generates more satisfaction and engagement than the first.
I leave the more interesting details of plot and story for you to
discover.
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