Paul Kearney is a name that flies under most fantasy
radars. It is undeservingly so. Possessing writing skills that move stories
at a good pace, utilizing typical themes of myth (honor, courage, loyalty,
duty, etc.), writing event-focused storylines with realistic action, and having
perhaps the best ability to layout and describe battle scenes in the genre
today, Kearney warrants more attention than many of the so-called greats of 21st
century epic fantasy. With his Monarchies of God series finished and The Sea
Beggars hanging in publishing purgatory, Kearney set off in a fresh
direction, and recently completed the Macht series. The first book in the trilogy is called The Ten Thousand and is the subject of
this review.
The
Ten Thousand is the story of a mercenary army, the
Macht, and the perilous situation they find themselves in far from home when
their benefactor has the rug pulled out from under their feet. The Macht an indefatigable mountain warrior
society, they have more trouble with tribal in-fighting than threats from the
Kufr who live on the plains and valleys below.
Kufr a vast and wealthy kingdom, one of their nobles, named Arkamenes,
seeks to supplant his brother as ruler and hires 10,000 of the best Macht from
the mountains to storm the capital with his Kufr troops. The problem is, they never get there. Tables turned in dramatic fashion, the Macht
find themselves in for a fight of their lives if ever they are to return to their
beloved homeland again. The Kufr
outnumbering them significantly, death comes early and often as the Macht fight
one battle after another, their lives in the hands of fate. Told through the eyes of the young warrior
Rictus and his commander Jason, the battlefield comes alive.
As is obvious, The
Ten Thousand is a take on the Greek epic The Anabasis. The Macht
dutifully filling the role of the Greeks and the Kufr, the Persians, Kearney has done his
homework. As a result, the story’s setup
will feel familiar to history buffs. No history lessons needed, it will also be of interest to those wanting to know more. Most particular are the battle
scenes. Kearney seeming to relish in the era’s style
of fighting, he goes into great detail describing the phalanxes and their
techniques and methods for war. This, in
fact, being main draw of the novel, readers will walk away with a feel of what
war was like for Greek mercenaries defending their honor.
With battle style and historic analog the focus, The Ten Thousand’s fantasy elements are
light, and feel almost non-existent.
Readers looking for a more fantasy-oriented book like the Monarchies of God will have to tone down
their expectations. The tale Kearney
tells is instead grim and cold, the daily life of a Macht/Greek soldier
fighting and surviving taking center stage.
In the same vein, readers looking for characters to latch hold of and
care for should likewise keep expectations low.
Like Greek myth itself, event, plot, and setting take precedence over
characterization and emotional effect.
The result is a story more mythic in tone (think Moorcock’s Elric or Cook’s Black Company) than affective (e.g. Martin’s Song of Ice and Fire or Ruckley’s Godless World). At times
reading more like historical fiction, the book’s “fantasy” categorization
should be taken with a grain of salt.
In the end, The
Ten Thousand is as realistic a look at Greek phalanx fighting as has been
produced in literature. The book categorized
as fantasy primarily because the setting is a land not of our own, its
parallels to The Anabasis are otherwise acknowledged and redolent, historical
fiction a better categorization. The
action gritty and tight, readers should expect an essentially book length
protracted fight, the few chapters at the beginning and end opening and closing
matters in succinct fashion. Fans of the
aforementioned authors, as well as R. Scott Bakker, David Gemmell’s Greek
works, and Steven Erikson will certainly want to take note. In fact, anyone calling themselves a fan of
military fantasy should check out this work or others by Kearney.
His is a name worthy of mention in the same breath as the greats of epic
fantasy these past two decades.
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