Liberace
revived, a neural net guillotine, robot brain builders, designer illnesses
(like perfume!), endorphin drought, lunar Kafka—Adam Roberts is one of the most
dynamic figures in science fiction at the moment, and his 2015 collection Saint Rebor (NewCon Press), which this list of ideas is
a partial representation of, proves precisely why.
Containing
eleven stories (and one poem), three of which have never before been published,
Saint Rebor is a brisk, vibrant
collection that highlights the elasticity of Roberts’ imagination. “Gerusalemme
Liberace” is the story of that flamboyant pianist, brought back to life and parading the streets of the
ancient city. Preaching universal love
in an awkward manner, Islamic and American governments join forces to put an
end to the ‘threat’ in witty, relevant fashion.
Wikipedia defines ‘anhedonia’ as “the
inability to experience pleasure from activities usually found enjoyable”. After aliens arrive in the solar system,
humanity experience the phenomenon in the story of the same name. Begging aliens for the secret to interstellar
travel, what are they willing to pay?
With
Stanislaw Lem whispering in Roberts’ ear, “Mocputer”, one of the stories
original to the collection, is about robots who build a brain that can “intuit and imagine” in an attempt to
learn what came before Year Zero. A larf
from Roberts, the robots get what they wanted. “A Distillation of Grace” tells of the
potential pitfalls and opportunities of gene control. An ambitious far-future patriarch attempting
to create the Unique (the distillation of 12 generations of single children,
evenly balanced between boys and girls, down to one child) a person has to
appreciate the time needed in order to see whether or not the idea may come to
fruition. A single concept stretched
thin—almost to the point of snapping, “What Did Tessimond Tell You?” is science fiction as it once was: a grand
idea populated by two dimensional characters.
Roberts builds suspense admirably, and the ultimate payoff will cause
every reader to pause and think. But it
is not enough to prevent proceedings from being an idea indelicately injected
into the lives of standby characters.
Tucked
in near the beginning is the charming little “Moon Poem”. An ode to Earth’s major satellite, Roberts
achieves both a sentiment of romanticism and science fiction—not an easy thing
to pull off. Another very brief piece,
and likewise original to the collection is “The Sixth Star." A vignette of what’s left after humanity has
exited Earth, it forms a nice segue into “Noose”. Borrowing an idea for Robert Charles Wilson’s
novel Spin but ratcheting up the
tension, an inexplicable sphere of energy has settled around the Earth and is
drawing tighter every day. Killing every
human it touches as it descends, one lovelorn man wallowing in a lost
relationship barely notices as humanity flees high altitudes.
Defying
categorization is “Trademark Bugs: A Legal History”. Reading like a university essay (including a
finely humorous bibliography), this paper—ahem, story—about the future of
designer diseases highlights a lot of ugly truths about modern civilization
from legal, financial, and pharmaceutical perspectives. Wonderful satire. “Metametamorphosis,” as the title implies, is
Kafkian—just Kafka never imagined his creation taken beyond the Earth. The final story, and the last original to the
collection, is “Saint Rebor.” A fictional
biography written in playful tone, perhaps the editor knows the reference?
Nina
Allan, Tanith Lee, Stephen Baxter, and Tony Ballantyne are just some of the
authors collected thus far in NewCon Press’s Imaginings series of short story collections. Roberts makes for a ninth author to be
included and is a nice addition to the indie series. While I was disappointed not to see
“Baedeker's Fermi” or “Thing and Sick”, both quality Roberts’ shorts from 2014
anthologies (Paradox and Solaris Rising 3, respectively), what is
collected is more than interesting enough to warrant reading.
In
the end, Saint Rebor, is a dynamic,
unpredictable collection of science fiction shorts (and a charming little poem)
that displays the imagination of one
of the field’s most interesting writers currently writing. Difficult to trace threads of commonality
throughout the pieces, the variety will make the reader smile and think,
sometimes at the same time, and always off kilter as to what will come
next. The prose may not be as tight as
Roberts is capable of, but science fiction is, after all, a language of ideas.
The
following is the table of contents of Saint
Rebor:
Introduction
(by Adam Roberts)
What
Did Tessimond Tell You?
Mocputer
Moon
Poem
Gerusalemme
Liberace
Anhedonia
The
Sixth Star
Noose
Trademark
Bugs
A
Distillation of Grace
Metametamorphosis
Saint
Rebor
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