Journey to the West,
one of the ‘four great novels of the Chinese canon’, is most often attributed
to Wu Chengen. Author and title
requisite for fiction these days, most take for granted that indeed, he is the
one who penned the story. Wu is, in
fact, the person who collected, collated, fit, polished, and presented in
finished form the myriad pieces of the magnificent tale of Sun Wukong, Sanzang, and
their quest for the holy sutras. The
original story having undergone thousands of iterations by street corner
storytellers, the result is a narrative that holds its history in episodic rather
than escalating form.
But this simple transition in the evolution of storytelling
in China, from oral to written tradition, is but one minor—and late—step in the
history of storytelling as a whole.
Before street corner storytellers were bards, and before bards, shamans,
and before shamans simple gossip over the campfire—thousands and thousands of
years of human culture and existence covered in this simple statement. Tracing story and myth all the way back to its
roots, another observation can be made in the manner in the evolution of stories:
humanity’s subservience, or lack thereof, to nature. From the Paleolithic to the Mesolithic,
Neolithic to the Bronze, Iron to the Information Age, humanity, an idea in this
context identified by the West, has shifted its stance on the power of the
Earth and its inherent forces. Where
once gods inhabited every rock and shadow, it was whittled down to a pantheon,
and from the pantheon, distilled into one ruling god, and from one god to the
belief mankind holds its fate in its own hands.
Science fiction the mode of discourse which most obviously represents
the latter, we are left with scraps and tatters of what remains of the
former. Enter Sean Kane’s Wisdom of the Mythtellers (1998).
Researching a limited sample but researching it
in depth, Wisdom of the Mythtellers
brings (back) to light an age of storytelling that ebooks, audiobooks, and
printed stories threaten to extinguish.
Working with what material survives, Kane surveys the stories and myths
of the Australian Aborigines, Native Americans (mostly Pacific Northwest),
Greeks, and Celts to identify what distinguishes their mode and mindset from
the modern. A rash of perennial
knowledge arising as a result, Kane makes the argument that despite advances in
technology and knowledge, mankind’s relationship with nature should remain
fundamentally the same, including the respect inherent to any egalitarian
relationship and imbuing the sacredness necessary to preserve this cultural
ideal through time.
At one point Kane notes that the eras humans and
proto-humans have seen “serve to affirm
the distinctiveness of the mythtelling traditions they frame, reminding us that
human dialogues with the earth and sky vary with the relationship humanity has
with its environment.” (24) Thus,
along with presenting the real material the ideas are based on, Kane makes a
case for re-impregnating mankind’s thoughts with a certain sense of
spirituality—not in any faith-based sense, rather in the importance and power
of nature in our lives. A
re-sacralization, it takes the research of Eliade, et al and adds an agenda. Most
modern media approaching this area from an angle of environmentalism (it is,
after all, the easiest to quantify), Kane’s work strikes from a unique side, in
turn not only reminding us of our past, but creating a picture that includes
the future, as well.
In the end, Wisdom
of the Mythtellers is superb material that balances extended excerpts from
Greek, Celtic, Australian Aboriginal, and Native American myth with a
post-modern mindset regarding the value and significance of nature in the
individual and society. The importance
of perennial wisdom perhaps the concept with the strongest guiding hand, what
Kane presents is a touching view of the past that engenders significant
discussion . (If any post-graduate student of literature
is writing a thesis on contemporary fiction attempting to re-sacralize nature,
this text would make excellent reference material.)
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