Coyote, Allen Steele’s 2002 novel describing
humanity’s first attempt at colonizing the stars, was a solidly written story
of planetary exploration. Mankind’s
first steps awkward and uncertain on the new world, the narrative unfolded in
terms of discovery and adaptation. It
also ended on a major surprise: the Collectivists on Earth had arrived to
implement socialism on the desperately libertarian people who remained
alive. Working with the idea humanity
has settled Coyote to the point day-to-day survival is ensured, the follow-up, Coyote Rising (2004), unfolds in terms
of the political interplay between the two groups: the original colonists,
headed by Robert E. Lee, and the Collectivists who landed after, lead by the
imperious Louisa Hernandez. Fireworks
literally and figuratively closing the show, it’s an equally enjoyable if not more
cohesive novel than Coyote that takes
the freshly colonized planet to its next cycle of human existence.
Using the
same narrative style as Coyote, Coyote Rising is, to its benefit, a
series of short stories, novelettes, and novellas conjoined at plot to tell the
story of the first colonizers fight against the oppression of the second wave.
Starting small with the story of a middle-aged woman newly arrived on Coyote
who must eke out existence on the outskirts of a dirty, fragmented society,
afterwards minor events and seemingly small scale happenings escalate the
situation on the planet to the point both sides end up in open war—the
penultimate story a politically simplistic yet gripping telling of Coyote’s
socio-political fate that features viewpoints representing all sides of the
overarching story. It pays off
nicely. Almost Keith Roberts-esque in
his vectoring of these stories toward the underlying plot, Steele shows superb
narrative control, allowing the character details, setting, and plot of each
story to be individual yet ultimately focused on larger issues at stake on the
planet, culminating in a satisfying conclusion.
Sustaining
a wild-west/frontier feel, among the individual stories of Coyote Rising are a showdown at a river ferry, the construction of
a bridge which has much deeper political implications than its simple wood and
stone design would seem to allow, and the plight of a cybernetic man with a
bizarre cult following who harbors a dark secret. Playing out the suspense nicely of each
story, the reader knows the shoe will drop, but when and how forever hovers
just beyond prescience—much to Steele’s credit.
Where Coyote was reeled out in linear,
episodic fashion, no clear end goal, the joy found in discovery, Coyote Rising takes a different
approach. Steele indirectly setting up a
revolution in the opening chapter, as the pages turn, the stakes get larger and
larger until the entirety of the colony is caught up in the proceedings, the
fate of humanity on Coyote stuck in limbo. Steele works toward this known goal
in interest-building fashion. Offering
change of pace,it also provides a welcome sense of variety to the standard
planetary revolution novel.
In the
end, Coyote Rising is a good, quality
follow up to Coyote, and in some
sense is a more satisfying effort given the story setup it has by comparison;
where Coyote offered stories of
varying condition, Coyote Rising
offers stories of more consistent, escalating quality. That the story is told from a revolving set
of interesting viewpoints that catalyze the underlying plot yet keeps things
varied, in turn making for a more enjoyable book. Rather than a single stream, there are
multiple streams, all flowing to create a course that seems broader and more
colorful to the eye. Classic science
fiction fare, it tells of communist vs. democratic/libertarian ideals in simple
terms—but in engaging terms from an entertainment, storytelling
perspective. Steele will not be winning
any awards for examining the cultural issues surrounding the politics, but what
he does present is realistic and believable enough, and as such the Coyote series remains an unrecognized
but worthy addition to the space opera field.
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