The
best works of a sub-genre are most often those which come to light in
hindsight. Unaware they were/are part of
a groundswell, there is no overt implementation of particular tropes or themes
in order to be part of a specific literary or cultural movement. Steampunk stories, for example, while billowing
in popularity after 2009-2010, have not since seen as many truly unique works
as the decades prior. The best novels
and stories produced before it became a cultural phenomenon, James Blaylock’s Homunculus (1986) is one such novel, and
indeed one of the sub-genre’s charming, capering, and unwitting cornerstones.
A
strange dirigible circling the rainy gray skies of England, the inventor
Langdon St. Ives works oblivious on his space rocket at the outset of Homunculus. But a late night burglary attempt on a
perpetual motion device brings St. Ives closer to the gyres of the dirigible’s
haunting significance. Snagging him and
dragging him into the proverbial machine, however, is his possession of the
memoirs of Sebastien Owlesby and its account of a magical little man trapped in
a box. With the dirigible’s orbit
decaying toward London, it isn’t long before it’s up to St. Ives and his Royal
Society fellows to attempt to bring down a scheme that no one seem to have a
firm handle on, right down to the very men perpetuating the scheme.








