There may be no more divisive writer in
science fiction than Robert Heinlein.
Love or hate the majority of opinion I encounter online, his works are
revered by some and castigated by others.
I had read Stranger in a Strange Land, and while finding myself on the detractors’ side of the fence, was
not put off reading the author. More in
style than content, I held hope that perhaps the satirical ranting could be
channeled differently to better effect. The Moon Is a Harsh Mistress the next
novel of the author’s I picked up, I’m glad I held out. A near masterpiece, the book is an inventive
work of subversive science fiction that is focused, linguistically playful,
influential, and, bottom line, well worth the read.
The
Moon Is a Harsh Mistress is the story of Mannie, a computer technician
living in the lunar colony. The year
2075, the colony is only marginally free after operating for years as a penal institution
for Earth’s criminals. Their underground
farms providing food for the teeming billions on Earth, to say the Authority
takes advantage of the moon’s population for cheap labor is an
understatement. Taxed to death while
their depleting resources are literally catapulted Earthside, the future looks
grim for citizens of Luna. The computer
system which governs and manages the infrastructure, economy, and
production—everything—on Luna coming to life one day, Mannie is in the right
place at the right time for the awakening.
Making friends with the child-like AI (who he names Mike), Mannie, along
with a couple of friends, embark on a revolution to shake the Authority to its
knees and gain Luna’s freedom in the process.
Where Stranger in a Strange Land was loose and dynamic, at times
straying from the ideas at hand, The Moon
Is a Harsh Mistress is a more focused effort. Heinlein routes his creative largesse into a
cohesive story that does not digress into satirical tirades. Most often letting the characters and story
speak for themselves, the book—and reader—wholly benefit. The wordsmithing is more often than not
brilliant. Employing a Slavic version of
English, the lack of articles, personal pronouns, and other signifiers takes a
moment to get used to, but after a few pages fits the setting and
characters. Not beautiful, it is rather
the clever manner in which this language is toyed with and meaning altered or
subverted—a delicious sub-text (literally) to an already subversive storyline—that
make the text unique.
And a mouth-watering social setup it
is. Heinlein slowly revealing the lunar
colony all the way through to the conclusion, readers get a feel for what life
on the globe orbiting our own might be like.
Created is a wholly imaginative yet mostly realistic society; from the
afore-mentioned language (which is an agglomeration and evolution of the
ethnicities and cultures who find themselves living together in the underground
caverns and cells) to the sense of independence each of the blue collar
inhabitants possess, the line marriages which account for the 3:1 male to
female ratio, to the anarchic values each person is willing to protect with
their lives. Proudly calling themselves
loonies, societal existence is more plausible (read: ragtag) than Clarke or
Asimov’s visions of life in a lunar colony.
Given that “rational anarchy”,
libertarianism, and anti-capitalism are openly discussed, many believe The Moon
Is a Harsh Mistress has an agenda. I
would disagree (despite such delicious quotes as “I like Greg. I love Greg.
And admire him. But you could never feed theology of his church through
computer and get anything but null.”).
There are too many events and indirect statements dulling the shine of
anarcho-libertarianism for it to be a manifesto. That story structure is identical to the
American Revolution only supports this.
More a thought experiment, the novel reads like a sci-fi realization of
humanity’s innate desire to rebel against oppression, politics and technology
draped over the premise. Humanity as
humanity is the only impetus the story needs to move forward from there.
In the end, The Moon Is a Harsh Mistress is a classic of huge proportions. It
features a strong plot that once it picks up steam doesn’t slow down for
anything; interesting, relevant, and at times laugh-out-loud inventive experimentation
with language; characters that fit the story being told; and, perhaps most
importantly, a depth of perception into socio-political realities that few
writers are able to express with such ease.
Undoubtedly an influence on numerous later writers, the novel appears to
be one of those must-reads in the genre.
I will definitely pick up more of Heinlein.…I’m still smiling and
shaking my head in appreciation of “much skull-sweat” and “make-work guy”…
Yeah, having read all the Heiniein I could get my hands on at around age 12--the so-called "golden age of science fiction", heh heh--I remember walking away from with the clear opinion that this was his best novel. His hefty "Future History" continuity served up as short stories in The Past Through Tomorrow is also full of gems.
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