Joy and
anger flash like a fire, burning one moment, subsiding the next. Regret, however, is a feeling that can stay
with a person the length of their days.
Each person dealing with the pain and frustration it brings differently,
Ted Chiang’s 2007 "The Merchant and the
Alchemist’s Gate" would have the last word.
The novelette
is the story of one Fuwaad ibn Abbas, a merchant of yesteryear Baghdad. At the beginning of the story he sits before
a caliph, recounting the story of his life.
One day he had been perusing a market when he came upon a strange new
shop. Selling items he had never seen
before, the proprietor asks him into the back room to see the alchemy which
produced the oddities. The source a strange,
rigid arch, what passes through one side has its time scale interrupted before
passing out the other. The proprietor
possessing two such gates, one is seconds in length, the other two
decades. Having encountered many people
in his lifetime, the man proceeds to tell the tales of a handful who have
chosen to pass through the gate, both into the past and the future. Hearing their tales, ibn Abbas is unable to
resist stepping through himself. What he
finds on the other side, however, is not what he expected.
Seeming in
many ways an homage, "The Merchant and the
Alchemist’s Gate" bears a lot in common with 1,001 Arabian Nights. There
are desert treks, tales of love and betrayal, wealth and poverty, stories
nested within stories, accounts delivered to caliphs, and above all a moral
upon the conclusion of each. The
merchant’s story could snuggle in beside Sinbad or Alibaba’s with none the
wiser, that is, if it weren’t for the time travel motif. Though playing with the idea in both classic
and clever fashion, it’s best if the reader does not dwell on the quandaries
and potential conflicts of rationality that the time travel introduces, but
instead focuses on the underlying message.
In the
end, "The Merchant and the Alchemist’s
Gate" is parables wrapped in a parable on the value of knowledge and the
path to attaining knowledge, particularly the mindset regarding the passage of
time. Written in a strong, smooth hand,
the story of the merchant who tries to right the past is both touching and
profound. Like Steinbeck’s The Pearl, Chiang piquantly uses a
culture foreign to his own in making perennial wisdom feel fresh again. Great
short fiction.
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