Allen Steele’s Coyote trilogy was something of a mild surprise for me. It is not the most literary
of science fiction, but that was not Steele’s aim. Presenting a reasonable scenario wherein
humanity colonizes another planet with a cast of characters that hover between
2D and 3D experiencing drama that was not off the charts, it makes for enjoyable
enough reading within the hard/soft sf field.
The canvas of the trilogy broad enough to accommodate a variety of
spinoffs and even outright continuation of the main storyline, it was likely to
no one’s surprise that in 2007 Steele published another novel in the Coyote
universe, Spindrift.
A frame story, Spindrift
opens with three astronauts, Theodore Harker, Emily Collins, and Jared Ramirez,
returning unexpectedly to Earth in a strange space vessel after having
disappeared fifty years ago on a space mission nobody knew the fate of. The mystery of the fifty-year gap explained
in the main story, things begin with the USS
Galileo, lead by an incompetent but well connected captain, setting off to
investigate a strange alien signal eminating from a BDO, nicknamed Spindrift,
in a nearby galaxy. A big secret discovered
by Harker, Collins, and Ramirez en route to the BDO—a secret the captain would
rather the crew have not known, the open-minded nature of the trip takes a hit,
and comes full face upon arrival at Spindrift.
Events spiraling out of control, the mystery of the BDO is answered even
as the veil of sentient life in the universe is peeled back.
Spindrift is a lot
rolled into one: first contact, BDO, and hard sf space opera. While the story material is such that it
oozes out of the cracks in characterization, Steele manages to keep the lot contained
by maintaining a steady focus on the mission.
The events and circumstances of Harker, Collins, and Ramirez’s flight to
Spindrift, exploration of it, and the aftermath are front and center the entire
novel. This story causing me to question
events at the end of Coyote Frontier,
it nevertheless keeps the attention (at least mine) via good tempo and
well-spaced setting/plot reveals, which, when you come right down to it, are
the techniques which keep asses in the seats for first contact/BDO/hard sf
space opera—that elusive sensawunda.
In the end, Spindrift
is tried and true science fiction that does nothing more, but, nothing less. The
characters are relatively consistent, hovering much closer to 2D than 3D, and
the plot arc is nothing the field has not seen before. Steele does unravel the story at a wonderful
pace and keeps the suspense up. Where a
lot of other sf writers get bogged down in bouts of exposition, Spindrift keeps a steady rhythm, collectedly
answering the mystery of what happened to the three astronauts while escalating
the urgency of their situation. I would
argue Spindrift is only loosely
Coyote material (it could have been written in most any sf universe and does not require reading of the original trilogy), but does
serve to blow its doors wide open—as the several additional novels in the
Coyote universe prove, I guess.
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