One of America’s best kept literary secrets (Little, Big may just be the great American novel), John Crowley
returns to the printed page in 2017 with what is truly a fan’s collection in Totalitopia. Reprinting a few shorts stories, two-and-a-half
essays (I don’t know whether to call the review of Paul Park’s oeuvre an essay,
paper, article, etc.), as well as a new, in-depth author interview, it makes for
an excellent sampler platter that includes fiction but likewise goes beyond to offer
a behind the scenes look at some of the realities behind said fiction—a fan’s
collection.
Looking at the fiction in Totalitopia, “This Is Our Town” is a nostalgic piece, and opens the
collection with one man’s reminiscences of his upbringing during America’s
Golden Age, particularly his relationship with the Catholic church and how it
relates to his present day life. An
open-ended story rather than a definitive view on religion, Crowley uses his
subtle powers of prose to ask personal questions that touch upon the larger, social
realm. “Gone” is one Crowley’s most well
known and reprinted stories. A moody,
minimalist piece, it is about a woman whose partner has run away with their
children on an Earth where a space ship orbits, sending peace-loving Elmer
robots do housework and common chores. A
bizarre story for the robot premise, it nevertheless manages to draw strong yet
mysterious emotional resonance through the portrayal of the woman’s life. Proving flash fiction is also in Crowley’s
bag of tricks, “In the Tom Mix Museum” is shows the power of excellent writing
technique in the process of relaying a vignette of a person’s visit to the
museum. More happening in its three
pages than some writers can pack into a story ten times as long, the “story” is
interesting as a specimen and as fiction.
What I would call a one-off conceit, “And Go Like This” takes a Buckminster
Fuller quote and runs with it. The
entire population of the world migrates to New York City, and answers the
question, once there, what to do?
Among the essays in Totalitopia,
the title essay works with the idea that all sf ideas of the future will
someday come true, just a matter of when.
In doing so, Crowley ruminates on the nature of science fiction’s lack
of ability to predilect, yet its strong potential when said futuristic ideas
are made relevant to the era. In “Everything That Rises”, an essay that at once feels
both curious yet skeptical, it looks at the absurdity yet importance of
futurism—the study, hyperbole, and often irrelevance associated with decrying
the future. Though including some womferful examples (e.g. Mormon
transhumanism), Crowley keeps his distance from assaying a truth on the sbject,
which, when it comes right down to it, is a nice metaphor for his approach to
fiction.
Not quite an essay rather like a book introduction (the
collection’s bibliography states it is reprinted from the Boston Review, a
‘political and literary forum’), “Paul Park’s Hidden Worlds” provides a
high-level overview of Park’s novels, particularly what makes Paul Park so unique,
as well as an elegant admonishment for readers who have not partaken of the
author’s books, to go do so. Crowley
praises Park’s willingness to eschew formula and write stories which are
unpredictably human despite the non-mimetic settings. In what I believe is the longest piece in the
collection, “I Did Crash a Few Parties”, the interview with Crowley performed by
the collection’s editor Terry Bisson, is chock full of intelligent questions
that are much more than “What are your inspirations?”, How do you write so
well?”, and most other common inquiries.
Bisson pushing Crowley in atypical directions, the result is a candid
Crowley with views on literature as a whole, careers in writing, his own path
into literature and teaching, and a variety of other topics.
In the end, Totalitopia
is a Crowley sampler platter that amounts to a meal. Presenting the author from a variety of
perspectives, fiction to non-fiction, it should be of primary interest to
readers who are familiar with Crowley’s work but want the opportunity to have a
deeper look at the author. Alongside a
handful of quality short stories and three essays, a personal interview rounds
out the collection. Though brief, it is still
one of the best single-author collections of 2017.
The following are the four stories (one previously
unpublished), three essays, and one interview collected in Totalitopia:
This Is Our Town
Totalitopia
Everything That Rises
Gone
In the Tom Mix Museum
And Go Like This
Paul Park’s Hidden Worlds
“I Did Crash a Few Parties” (interview)
Hmm, you splendid review makes me reassess whether I should get this collection. When I first saw that it had been published this summer, I was aghast how it could have escaped me--John Crowley is one of my five or so favorite authors after all, and I can hardly await the publication of his new novel later this month. But when I saw that it contained only four pieces of fiction--one of which I already own in the collection, Novelties & Souvenirs--plus essays and an interview, I thought maybe I pass on this one. Especially since it's a rather slim volume (and I'm not a completist any longer).
ReplyDeleteBut now ... I think I'll get it, convinced by your words.
Cheers,
Klaas
Given your comment, I don't know whether you'll enjoy the collection. For sure you've already read "Gone", and of the remaining fiction, there is nothing truly substantial - enjoyable yes, but not major work. The real reason to get the collection is the non-fiction, which I would assume is mostly for completionists... :)
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