At cloud level, the Hollywood adaptation follows the formula and journey of Lansdale's The Thicket. A gang kidnaps a sister, triggering the brother to hunt them down. On their trail he forms an unlikley posse: a dwarf, black man, and prostitute. Things get hairier and hairier, leading to a showdown at the titular thicket. At the ground level, however, the film departs from Lansdale's story at a couple key points, points critical to the film's success.
It's worthwhile taking a step back to consider how quietly and quickly cameras have become an everyday part of private life. How many photos do you take of quotidian, personal things—per day? More broadly, what percentage of online content is based around private lives published in the public space? Regardless the actual percent, the underlying message seems: intentional voyeurism sells. There is something that wants to both present and consume private lives—the more dramatic the better, we animals us. Riffing off this atavistic aspect of human nature is D.G. Compton's quiet masterpiece The Unsleeping Eye (1974).
The Unsleeping Eye predominantly rotates around two characters. First is Katherine Mortenhoe. What would in modern parlance be called a romance AI prompter, Katherine uses computer algorithms to generate romance fiction, and is one of the most well known and popular for it. At the start of the novel she learns she is terminally ill, with only 4 weeks to live. The other main character is Roddie. He is an NTV television reporter who, unbeknownst to everyone save his producer, has had an invisible camera installed in his eye that records everything he sees. Terminal illness a thing of the past in the book's future, Roddie's producer has the brilliant idea of inserting Roddie into Katherine's life and creating a documentary of her final days—the sadness, grief, drama, and all. Thing is, Katherine is not interested in signing the agreements which would give NTV the rights to film and broadcast, meaning NTV need to find alternate ways of getting the footage.
Speculiction does indeed harp on about the importance of style. As we get closer to AI novels on bookshelves, style is the one thing that humans can cling to as their own. Dear ChapGPT: please write a book in the style of David Mitchell. I'm not sure that (today) it could. But it could 100% write a book in the style of Martha Wells, Adrian Tchaikovsky, and many, many others. I don't discredit these writers' imaginations or success, only that their writing lacks a certain spark, an intimation the writer knows that you know that they know this word is being used because... This is all a long winded way of saying, Jeff Noon and Steve Beard's 2024 novel Gogmagog will likely not show up on bestseller lists, but if mood and style are as important to you as imagination and story, read on.
Gogmagog is the cantankerous tale of cantankerous Cady Mead. A tough old bat, she is an irascible, foul-mouthed, pipe-smoking sloop captain with a mysterious past. Though retired and in her cups, she is one day convinced to help transport two strangers downriver to the city of Ludwich. The river alive with creatures both real and ethereal, Cady knows it's only her knowledge and experience which can get the boat through the toughest spots and avoid the most dangerous hazards. What she doesn't count on, however, is the unexpected appearance of one of her oldest enemies haunting the river.
Land of the Headless is the tale of the poet Jon Cavala. An amorous youth, he forms a tryst with an aristocrat's daughter over the course of a summer. They willingly share a bed outside of marriage, but only to be found out. The daughter and her family betray Cavala, and he is punished for his impatient penis. For in Cavala's draconian society, murder, blasphemy, and in this case “rape”, are cause for capitol punishment. And so the story kicks off with Cavala's beheading. A device attached to the spine prior captures Cavala's mind state—consciousness more or less—so that even after his noggin is lopped off he goes on living. He buys a cheap pair of electronic eyes and ears with what little money he has left and so sets off to live a new life. The headless are shunned and the going is tough. Cavala falls in with a trio of other headless, and together they agree to travel to a nearby city by foot. What Cavala does not tell his comrades is that he goes to meet the daughter who betrayed him.
People much more famous than me have stated that the internet is the democratization of worldviews. What I take this to mean is that popular opinion holds sway. How much? Hard to say. But what can be said with certainty is that the voice of critics with the clout to proclaim acclaim has dwindled in power due to the internet. Anybody with a youtube account or Reddit login can be a critic these days and get as many if not more eyes. I lament that much of this content, if not the majority of it, does not have the background, experience, or objective mindset that being a book critic requires. The bell curve of quality has been flattened.
Where the Baroque Cycle looked into the dawn of the enlightenment, Newtonian physics, early computing, and the birth of the stock market, Polostan digs into primitive nuclear physics, early communism, and global 1930s industrialization. Stephenson happily wallows in this historical period through the bright eyes of a young woman caught between East and West named Dawn/Avrora (depending which hemisphere she is in). Though born Avrora in the wild steppe of Russia in the early 20th century, as a child she ends up as Dawn in the wild west of the US after her mother runs away from Stalin's brand of utopia to start a new life. A rough life, Dawn has many an adventure in Montana, in the labor strikes of Washington D.C., in the Chicago World's Fair, and in the backwoods of the midwest after getting caught by a gang of rednecks who care more for her paycheck than her wellbeing. But it's physics, particularly nuclear physics, which Dawn's life seems to return to time and again. Capitalists pulling her one way and communists the other, Dawn must eventually decide how to best play one side against the other.
The Mercy of Gods begins on Azean. An extra-terrestrial planet, humanity has nevertheless terraformed it by finding ways of conflating local gene structures with the plants and animals that humans require to exist. The story follows the crack team of researchers who accomplished this major gene-splicing feat. A (figurative and literal) alarm goes off when one of the researchers discovers an anomaly in their work that can only be extra-extraterrestrial—truly alien in nature. It isn't long after the Carryx and their slave species invade Azean and take humanity captive. The research team's adaptation, or not, to captivity is the story that follows.
White Light tells the anything-but-mundane story of mathematics professor Felix Rayman. Facing a dead-end job and marriage headed to divorce, Rayman attempts to spice things up by trying lucid dreaming. Though successful, his sense of reality begins to slip. When he should be preparing a lecture, visions appear. While he's trying to research Cantor's continuum hypothesis, gods and devils do, too. Rayman eventually calls upon Jesus for help, and is promptly tasked with taking a ghost named Kathy to Cimon, which is a place/existence permeated with the forms of infinity. Oh, Rayman fulfills Jesus' task. But that is just the tip of the boot that kicks the reader in the ass, sending them into the bizarreness of Cimon. Don't hang on for the ride; spread your wings and soar.
If The Salmon Who Dared to Leap Higher is a book for children, then I can wholeheartedly recommend it. Though it is (awkwardly) framed by an adult trying to deal with feedback to something they have created, it quickly switches into the life cycle story of a salmon. It tells of a young, unnamed silver salmon who is learning about life in the ocean. He meets other salmon in his shoal, falls in love, and eventually makes the freshwater trek upriver to the shoal's spawning grounds. This journey is peppered with metaphors and allegories that link the salmon's circumstances to the basics of human life—growing up, starting a family, making difficult decisions, trying to find your way in a group, etc. It's presented with a strong degree of simplicity so that even the 'birds and the bees' have an aura of innocence. Though the title is a spoiler for the climactic moment, most kids won't connect the dots. <smile> In terms of delivering perennial philosophy on the basic building blocks of human existence, social to biological, this short book covers it in sweet, charming fashion for kids.
Suprise, Kill, Vanish is a combination of content. A historical overview, the book is structured to cover the phases of the CIA's existence. Jacobsen highlights the changes in president, American culture, presidential policy, and world events which directed the moral compass of the CIA, from underhanded to overhanded, justified to quasi-justified, and its growth, development, and evolution as an organization. From its inception in WWII to its iteration under Barrack Obama, that's the period the book covers.
