Mortis takes Horus' siege on Terra to the next level in bombastic fashion. World Eaters, Death Guard, Word Bearers, and Chaos continue their assault on the walls, and now, titans are unleashed from deep storage in the Emperor's palace to battle the Chaos titans Horus drops from space. The fields start to run slick, not only with blood, but also oil, prometheum, and all other manner of chemicals leaking from the damaged and destroyed siege engines. The war antes up.
The first four books in the Malazan series bounced between the continents of Genabackis and Seven Cities. Midnight Tides takes readers to an entirely new region: North Lether. The area is beyond Malazan imperial control. A different set of groups vie for power, meaning the reader gets a (welcome) break from the endless scenes of soldiers' gallows humor. The Tiste Edur and the Letherii take center stage. A savage history between the two, the Letherii antagonize through commerce (legal and illegal) while the Tiste Edur tend to more traditional values by forcing fealty and hierarchy, trying to keep the Letherii to heel. When the Letherii raid a Tiste Edur hunting ground, the king of the Edur decides to take advantage of the opportunity and bring to bear a power none on Lether have seen in millennia.
Magnus is aloof, perhaps the most cerebral primarch among the Traitors. As such, his involvement in the Siege of Terra has been ambiguous to date. He allowed the Shattered Legions carrying the legacy of the Selenar to escape without a fight, yet he appears to be loyal to Horus and the goal of tearing down the Emperor. Inherent to the novella's title, The Fury of Magnus cracks open the primarch to see what is boiling inside.
Alas, Babylon is the story of several people, but none so dominant as Randy Bragg. Korean War veteran now attorney, he lives in Fort Repose, a rural area of inland Florida. Randy's brother Mark calls one day, telling him to start preparing for the big one in secret. Tensions with Russia are about to boil over. The H-bombs fly and Randy's world as he knows it is turned upside down. Miami, Orlando—the majority of the US blown to smithereens, Randy and his small town acquaintances must all take a new tack on life, one increasingly stiff by the day.
Assault after assault, bomb after bomb, death after death. Horus' attack on Terra is starting to have an effect. Endless supplies of munitions becoming finite, Rogal Dorne's storage facilities are starting to run dry. And with The Lion and Guillaume still nowhere to be found, the manpower the Emperor can throw at the traitor legions is starting to come up short. Dorne cannot keep up with Horus' volume of men and materiel. Hard decisions now sit in directly front of Rogal Dorne, no avoiding them. Horus is attacking at four critical junctures, but only three can be defended. Does Dorne have one last trick up his sleeve for his nemesis Peturabo at Saturnine Gate, or is the writing on the wall?
For those paying attention—which can be difficult given the plethora of plotlines and endless-endless strings of characters running through the series—Sha'ik's rebellion in Deadhouse Gates was unresolved. The desert folk found a new Sha'ik in Helisin, but the Whirlwind didn't actually whirl. At the beginning of House of Chains, Adjunct Tavore arrives on the Seven Cities continent with a rebuilt Malazan army to finally put an end to the Whirlwind, and maybe patch ends with her sister, Helisin. Memories of Ice revealed that the Crippled God was looking to take down the system, and in House of Chains he recruits more servants to achieve this goal. Everyone's goals—the Whirlwind's, the Crippled God's, and the Malazan Empire's—come to a crashing, massive head that leaves the series wide open.
For a bit of historical context, the 1950s was the time science fiction made itself respectable in the US. Writers like H.G. Wells, Aldous Huxley, Olaf Stapledon and others had been writing a more literary style of science fiction for decades, but they were based in Europe. (Yes, you Brits, you are European.) To that point America had almost exclusively driven down the road with signposts like: damsels in distress, men in tight jumpsuits, slavering aliens, laser blasters, and Pulp Ahead! A difficult era to take seriously (save for collectors and connoisseurs, natch), the Golden Age of scientifiction in the US is stinky cheese at its worst and fun escapism at its best. It took writers like Ray Bradbury, James Blish, Theodore Sturgeon, Alfred Bester and several others in the 50s to inject the genre with a bit of rigor and raise standards—to comb the genre's hair, brush it's teeth, put on clean clothes, and teach it a little etiquette. In real terms, this meant improving technique, cleaning up syntax and diction, interweaving metaphor and theme with plot, device, and character, etc. They pioneered what most now refer to as the Silver Age of science fiction.
The Iron Hands, Salamanders, and Raven Guard are aboard the ship Sisypheum. But without a primarch to command them, opinions abound as the group decides whether to chase rumors of a resurrected captain or return to Terra to join the fight. While they eventually decide on one of the two options, it is far from their ultimate destination. The third way forcing itself upon the group, what they must do has repercussions far beyond Horus' assault on Terra.
The story of Memories of Ice occurs in parallel to that of Deadhouse Gates. While the Whirlwind rebellion builds in the Seven Cities in Deadhouse, a tyrant of the Pannion Domin threatens the city of Capustan in Memories. The Domin are a massive foe,, heedless of life or civility, who force an unlikely alliance between the Malazan Empire, the warlord Caladran Brood and his army, and the Tiste Andii led by Anomander Rake. An uneasy truce, the band nevertheless know they have no recourse but to take on the tyrant, discover which god is backing him, and stop the takeover of the Genabackis continent.
Fairyland is the story of middle-aged, overweight biohacker Alex Sharkey. At least it begins that way. Author of many popular street drugs, he spends his days in a dim apartment cooking up bioengineered narcotics and his nights trying to repay the debts he owes a local London gangster. Stuck in the cycle, Sharkey finds himself in the unenviable position of having to create a gene splice that goes far beyond the legality of his already illegal drug manufacture. Kick starting an evolutionary leap he knew was likely but couldn't stop, London proves to be only the beginning of Sharkey's story, as soon enough the world will know of his creation.
Having made his way through the solar system, Horus stands at the doorstep of Terra. Below him, the Lion's Gate Spaceport sits as a meaty target. Take it over, and there is a path into the Emperor's fortress. But this is the one thing Rogal Dorne, primarch of the Imperial Fists, knows he cannot let happen. He has set up and organized defenses to repel what he thinks Horus will throw at him. In response, Horus gives Peturabo, his cleverest primarch, the task of taking the Spaceport. Let the battle begin.
Before getting to the review, a note when reading the Malazan series: progression is not linear. Unlike George R.R. Martin, J.R.R. Tolkien, or other famous writers' fantasy series, Malazan is asynchronous. Each of the ten books must be taken individually, and not as a direct continuation of plot book to book. Certainly there are commonalities—characters, sub-plots, places, etc., but one does not feed the next. Deadhouse Gates thus does not pick up specifically where Gardens left off.
In Titan Quest, players take on the role of an ordinary Greek man. They literally begin the game with a club, and slowly work (aka kill) their way across a vast map, collecting better weapons, armor, talismans, etc. along the way. Killing enemies earns experience and skill points, which in turn can be used to turn the ordinary Greek man into a superhuman. And there are dozens of ways this can be done, from warrior tank to nature wizard, clever rogue to summoning master. Players progress through four regions, each of which culminates in a big boss fight that tests the player's skills to that point.
Player Piano is the story of Paul Proteus. An intelligent engineer, Paul is a key leader at Ilium Works, a production facility for electronics and robotics that automate many forms of work. Also a good employee, Paul ruffles no feathers and keeps his nose clean. At least at the beginning of the book. As things develop, Paul has increasing contact with the reeks & wrecks—the skilled men and women who have been displaced from the labor force by machines and are now at loose ends. He finds himself increasingly sympathetic to their plight, something his ambitious wife Anita hopes he will forget in pursuit of a more lucrative position at the company's Pittsburgh location.
Someone to Watch over Me drops the reader, on page one, into the speeding car that is the life of Adrien. And doesn't often take its foot off the gas. Experiencing a medical emergency, Adrien wants the technology in his head, out. The technology lets another person see and experience everything he does. What at first was easy money (people paying money to live vicariously through him) has become a burden, and what's more, it's causing shortness of breath, high blood pressure, and several other things. He needs help. Hailing a taxi on the streets of Zagreb, he begs the driver, a musician named Sabina, for blackmarket pharmaceuticals. And further down the rabbit hole of his own creation Adrien goes.
Right up front, The Pathless is not Journey 2, nor does it ever intend to be. They are different games. But it's possible to see why comparisons are made. In The Pathless, players start as a robed figure only whose eyes are showing. They traverse an open world—in more ways 'open' than one—trying to locate lightstones that can be used to banish the evil brought about by a three-eyed god-man. Once three pillars are lit by the stones, an area is cleared, paving the way to a boss fight. Rinse and repeat—plus a big boss battle with the three-eyed god-man, and you... win? Play to find out. Based on this, The Pathless bears more in common with Shadow of the Colossus than Journey, but hey, I'm just a cellar-dwelling reviewer.
Putting it lightly, the video game medium is not famed for its maturity. Of course every medium has its share of juvenile content, but video games may be the worst offender. Hand-eye coordination and onscreen interactions are what make the medium tick with aarrative almost always taking a back seat. Super Mario Bros features an Italian plumber trying to save a princess who has been kidnapped by a dinosaur protected by turtle ducks... Not quite Pulitzer material. But there are a few games out there that treat the person playing like they have an adult brain who has given thought to the layers of existence. Disco Elysium (2019) is absolutely one of them.
I'll cut to the chase. If you enjoyed Gogmagog, Ludluda will not disappoint. Same quick-pace, same offbeat imagination, same curmudgeonly Cady Meade tackling her yellow-eyed dragon. The book does spend more time on land—or at least different versions of something semi-solid underfoot. There are two excursions (more in a moment) into unexpected territory. And there is an exciting climax. But beyond this, the artistic vision and storytelling are consistent—nice, that.
Aikko's Choice features the same five characters as Blades of the Shogun, all with the same character abilities. But the game is about one-third the length: six total missions, two of which are short. What could be called a “side mission”, the story of Aiko's Choice takes place in the middle of Blades of the Shogun. A certain Lady Chiyo surprises the gang at their hideout, kidnapping Yuki and Togama in the process. Hayato, Mugen, and Aiko give chase, tracking down their friends and make sure Chiyo does not escape to tell Kage-yama of their cabal.
For the first time, my family went on vacation the week prior to Christmas. Typically a time we are preparing for the holidays, we instead went to Egypt for seven days. The goals were local culture—people, food music, etc., pyramids, beach time, and a few day dives in the Red Sea. We accomplished most of that, and got a bit more than we bargained for.
The Lost and the Damned is Horus' opening assault on terra firma. The opening paragraph is a salvo of missiles landing on Himalaysia. Wide-angle, the book rotates through the points-of-view of primarchs on both sides, as well as the ordinary people running the palace's walls who must set aside their daily duties and take up weapons in defense. Their lives turned upside down by the attack, they are slaughtered by the millions. Overall, Haley does a nice job presenting the earth-level battles and the destruction leveled on both sides.
One of the centerpieces, if not the centerpiece of literary fiction is character realism. Readers of said fiction expect emotions, thoughts, actions, dialogue, and the details of human life to cleave to reality. That is the norm of the form. It arises, naturally, that subsequent characters are 'complex'. Real people's lives are, after all, complex. Another way of putting this is: complex characters are default in literary fiction. Nobody need call them out as 'complex', or make a list of literary-minded books with 'complex characters'. That is the logic I tried to apply to Fantasy Review's article about 'complex characters' in fantasy fiction. I failed.
The portions plying the pot of Unseen Academicals are: ten cups of wizard, one stein of goblin, two hurlyhoos of female Unseen University kitchen staff, various dashes and splashes of Ankh-Morpork streetlife, the unpeeled onion of Veterinari, oh, and one, large orange librarian (with banana). The spice setting the stew afire is the discovery of a certain pornographic vase at Unseen University featuring ancient men at play in foot-the-ball. A set of gentlemanly rules discovered inside the vase, Veternari makes the case that foot-the-ball needs to be converted from a pie-eating, tooth-knocking, rough-housing affair on Ankh-Morpork's streets to the next level of respectability; it needs proper goals and a field judge. He asks the wizards to field a new team and stage an exhibition match. Away we go!
We will cover:
Gaining Resources
Spending Resources
Battlefield
Initiative
Color Pie
Art
The (Damned) Dice
Theme
Doing Damage
Deck Construction & Card Draw
Mulligan Rule
Exciting Endings (or Lack Thereof)
Conclusion
Resource systems are the foundation on which expandable card games are built, meaning there is no better place to start than how to earn the in-game money necessary to get those wonderful, fun, beautiful cards on the table.
While dipping in and out of the lives of several characters, Playground mainly revolves around three. “Jacqueline Cousteau”, actually Evelyne Beaulieu, is a woman who has seen the spectrum of underwater research in the course of her long life. She was a tester of early 20th century diving apparatuses, and has spent countless thousands of hours performing biomarine research since. At a loose end in old age, she lives on a remote Polynesian island called Makatea wondering what to do with her life. Todd Keane is a young man with a plan at the birth pangs of the internet. From an upper-middle class family, he goes to university to study IT and there puts his plan of building a social networking platform into action. Becoming a billionaire for it, he must eventually decide what to do with his earnings, something a certain Polynesian island may play a role in. And lastly is Rafi Young. Despite their racial and socio-economic differences, Rafi becomes best friends with Todd at university. The two eventually go their separate ways, but not before they must confront the results of their youthful brainstorming on the future of the internet.
2024 was an average reading year. I can't say great, or even good. Partially this is my own fault. For whatever reason, genre/mainstream books held a larger than normal proportion of consumption, and of those books I read outside the mainstream, few chimed in bells or lifted angelic voices to the heavens for consideration as 'best of the year'. But a book did eventually pop up that is worthy.
Regardless year published, personal rating, number of NY Times bestselling-author quotes on the cover—here are the dozen or so books that stuck out this year. (For books published only in 2024, see here.)
