Abductions
in the middle of lonely fields; crop circles; strange lights hovering in the
sky and disappearing at impossible speeds; beings in society who look just like
us but are not; strange, late night visitations. What does it all mean? Do people who claim such things need
psychiatric help, or are they real experiences, real perceptions? Is it something they are among the chosen few
to be participant to, or is it mere hallucination?
He raced his
bicycle towards the rise.
Resting among the
gorse sat a wingless metal ellipsoid as large as a milk tanker. It no longer
glowed, but seemed to be pulsing as if breathing: a metallic lung, emitting a
bee-like hum. As he watched, it steadied,
firmed. Light streamed from a porthole.
Such is
the intro to Ian Watson’s 1987 Miracle
Visitors. A persistently evolving
novel, what starts as an alien encounter develops into a story of
consciousness, perception, and hints of the collective unconscious. Arabic sufis, anti-gravity Ford Thunderbirds,
and a little green man round out the genre contribution to what is a
kaleidoscope story difficult to pin down—just like claims of alien encounters.
As a boy,
Michael Peacocke had the above alien experience riding his bicycle home late
one afternoon on an empty meadow road.
But he has no memory of it. It’s
when taking part in Prof. John Deacon’s hypnosis studies that the knowledge
escapes. Relaying the details of the
encounter while in a trance, even stranger events conspire around Peacocke,
little to his knowledge. In faraway
North Africa, an unearthly wiseman makes himself known to a local sufi—the
wisdom of the ages spun perennially in the aftermath. A young woman in the US sees a green
goblin. And a former Air Force pilot,
now UFO hunter, sees things he’d never seen before. But it’s when returning to the meadow road
that Peacocke gets the (conscious) experience of his life. Taken on a most amazing ride in a Ford Thunderbird
souped up on alien matter reactors, he learns what’s happening behind the
closed doors of the perceived reality.
Or does he?
Miracle Visitors is a novel that
continually upends expectations. Just
when the reader thinks it’s a First Contact novel, Watson shifts gears. An alien encounter? A series of hallucinations? The influence of a galactic supermind? Manifestations of the collective
unconscious? The novel’s reality shifty
underfoot, Watson moves through several iterations of explanation as each of
the characters tries to make sense of their experiences. The reader simply
cannot predict where the story is headed.
Watson juggling several alien balls, they never know whether it is all a
farce, or if there is something deeper to it until the final pages—and even
then…
Having a
laugh at the practicalities of Freudian psychoanalysis, one aspect of Miracle Visitors is the psychology of
alien encounters. From hypnosis to
psychoanalysis, intergalactic concepts of mind to concepts so esoteric as to
warrant their own spirituality, Watson captures some of the zeitgeist of the
time the novel was published. From one
perspective fully and fallibly human, while from another as speculative as
fiction gets, it’s swirled into a psychedelic milieu. The one-armed alien driving the massive red
Thunderbird to the moon is an image that conjures the idea of parody, while the
men in black (black suits, sunglasses, and memory spray included) who arrive at
Suzie’s front door are completely within the believable realism of
paranoia. Tying together such events as
the Portuguese Miracle of the Sun to alien abductions, Watson ends up making a
broad yet hazy statement regarding the deeper consciousness of what lies behind
mankind’s deepest visions—literally and figuratively.
In the
end, Miracle Visitors is a
disc-changer of a story. What’s coming
uncertain, Watson slips between tunes, trailing a stilted melody of
consciousness, subconsciousness, the haziness of perception, and the human
phenomena of group behavior through the concept of aliens and alien
encounters. A strange novel, it’s
difficult to put your finger on a plot—to know what’s coming next in the mix,
and what it lacks in 3D characters and direction, it makes up for conceptually. All manner of theories and pseudo-theories
are juxtaposed and paralleled as mankind attempts to confront the idea of alien
unknown—for real or not, only the individual knows—without settling on one side
of the fence. Are there aliens, well, read
the book.
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