Review of Freaksome Tales: Ten Hitherto Uncollected Stories of V.V. Swigferd Gloume by William Rosencrans

There is a popular expression: ‘In order to sing the blues, you need to live the blues.’  The same might perhaps be said of horror writing; in order to write it, you need to live it.  Given the mental condition of his parents, the less-than-standard aspects of his childhood development, and the altogether jaded, insular existence that resulted in him living as a grown man with two aged aunts, it is fair to say H.P. Lovecraft may qualify as one whose thoughts found dark, unintentional corners of the brain most others do not.   

One of the most famous writers of horror and weird, the manner in which his personal life leaked into his fiction would seem to have become source material of its own.  In his 2013 collection of short stories titled Freaksome Tales: Ten Hitherto Uncollected Stories of V.V. Swigferd Gloume, William Rosencrans does precisely this; examine the meta-text of Lovecraft in fictional form using classically styled tales from the genre itself.  The result a mix of entertaining stories with veiled commentary, fans of Lovecraft and horror of the early 20th century in general, should continue reading.  

Presented as a collection of stories uncovered years after the (fictional) writer V.V. Swigferd Gloume’s death, Freaksome Tales is at heart late-Victorian/Edwardian/early modern horror.  Underpinned by biographical entries, photographs, and supporting notes, the tales unearth differing aspects of early horror writing, most focusing on the idiosyncrasies of Lovecraft’s behavior and worldview through the fictional lens of Gloume.  From Anglocentrism to paranormal adventure, racism to one of a disembodied head’s revenge, the pieces included are classic yet often politicized.  

Review of "At the Mountains of Madness and Other Tales of Terror" by H.P. Lovecraft

Fans of Stephen King take note, this work and other tales of H.P. Lovecraft were one of the author’s main inspirations.  Lovecraft bases most of his stories out of his Providence, just as King uses small town Maine so often as a setting.  Likewise, each utilize quirks of rural life and old wives’ tales to spin tales of the macabre that never quite fully explain themselves.  Ghosts, miasmas, fiery pentagrams, voodoo magic, mysterious deaths, and the other typical plot devices used by horror are never intended to fully connect with reality.  Lovecraft himself can be quoted as saying that the major theme underpinning  his stories is the inapproachable nature of fear to reality.  But enough about subject matter and on to the literary merits of this collection.

Unfortunately, they are few and far between.  Lovecraft writes with the sterility of a doctor performing an autopsy.  Guilty of telling rather than showing, dialogue and inner monologue is almost non-existent, the direct description of events and places taking center stage.  And while this overly formal, technical style may be enjoyable to some, I found it tedious and difficult to fully engage with.  Regarding the works in the collection, the eponymous novella is the best.  The story of a team’s scientific mission to the Antarctic to perform research, Lovecraft uses the unknowns of the most southern continent as a setting for an unbelievable experience that may or may not involve aliens and ghosts.  While at first the mission goes smoothly, strange things begin happening, until only two of the scientists remain.   These two go on an exploratory mission of their own to discover the answer to the many questions that have arisen with their discoveries, only to be presented with more mysteries.  The three remaining stories in the collection would now be considered generic.  But taken in context of when they were written (the first half of the 20th century), certainly midnight hauntings, miasmas in the basement, ghosts in the attic, trips to the graveyard, and other such tales would have been original.

Despite having his own voice, it's difficult to get into Lovecraft’s groove.  Unique, readers will either flow easily with it, or run away in annoyance.  I will admit Lovecraft's brand of horror is not as overt as modern slasher films, it's always a hard time reading a book where there is nothing deeper than the inapproachable nature of fear, especially since this theme takes a backseat to the now cliche plot devices mentioned.  I could never get into King, and likewise I’ll probably never read anything else by Lovecraft.  But obviously each have their cult following, so perhaps best to supplement my review with others.  In the end, because Lovecraft was never able to form his ideas into anything longer than a novella (like King, no?), it’s difficult to see his work as more than entertainment.  If horror is your game, then Lovecraft is one of the original voices in the field.  Otherwise, it's a very specific niche that will not be to the majority's liking.

(This review has also been posted at www.fantasyliterature.com)