Review of The Star Diaries by Stanisław Lem

There is genius, and there is Stanislaw Lem. Occupying the highest echelons of imagination and intelligence, nobody writes a story like Lem—regardless science fiction, literature, or anything between. His 1957 collection The Star Diaries, starring the everyday spaceman Ijon Tichy, is a small collection of jewels leading to why Lem is in that echelon.

Part satire, part imaginative play, and part thought experiment, The Star Diaries is a collection of stories—voyages to be precise—telling of the space man Ijon Tichy's adventures and encounters across the universe and through time. Tongue in cheek throughout, it's only a question of how much the cheek bulges in each.

Cardboard Corner: Review of Redline: "Siege"

I do not normally review small expansions for card games. But, in contrast to many heavily corporatized TCG-esque games hitting the market these days, Redline is an indie game worth feeding the buzz. As always, I am not being paid for this review.

A quick re-cap, Redline is a two-player expandable card game in which players build battlemechs (called efreets) to capture missions. First player to capture all five missions on the redline, or raze their opponents HQ (deck) to zero, wins. Chewy fun with a couple layers of depth, it mixes Battletech CCG, Warhammer: Conquest, and X-Wing Miniatures to become its own, satisfying game (no minis required). The core set released in 2021 included two playable 60-card starter decks, along with all the tokens, dials, dice, etc. needed to play. The expansion reviewed here, Redline: Siege, is the first expansion. (Core set required to play.)

“Redline: Siege” is sold in two parts: “Siegecraft” and “Sapper”. Each is a 60-card pre-con deck that adds numerous new efreets and upgrades, as well as a handful of interesting new mechanisms. The core set had a lot of interesting concepts for players to game with, “Siege” almost doubles it.

Review of Catchpenny by Charlie Huston

Reviewers are normal folks, too. We can be turned on or off by cover copy. In fact, in our era of content overload, cover copy is in some strange way one of the more consistent and dependable ways of drawing a bead on a book. The internet may be awash with hacks, but publishers still tend to hire competent people to do what is actually a difficult task: both summarize a premise and entice a reader, all in just a handful of sentences. This is all a long winded way of saying: I was hooked by the blurb for Charlie Huston's Catchpenny (2024).  And I learned a new word.

Catchpenny is the story of one Sid Catchpenny. A former singer turned thief, in the opening pages he is looking for something genuine to do with his pathetic, plastic life; his doppelganger murdered his wife years ago and his career as a performer was traded away in a deal with a devil, meaning he spends his days wallowing in cheap self-pity. That is, until one day when a taxi-driving friend asks Sid to pay a visit to someone and get some information, some character information that will help the driver sort out a little domestic trouble he's having. And down the rabbit hole Sid unwittingly goes. Gangsters, mojo, influencers, mannequins, D&D, cults, and weird video games form a carousel, a carousel that spins ever faster with each new encounter. Trouble is, how to stop the ride?

Review of Tallarn by John French

I enjoyed Angel Exterminatus. While fundamentally the story of Fulgrim's rise to ultimate evil, another primarch played a more nuanced role: Peturabo, leader of the Iron Warriors. An inventor/tinkerer who seems only a half-willing participant in Horus' rebellion, his machinations kept the novel intriguing. I wanted to catch up with Peturabo before getting into the Siege of Terra books, so picked up the forty-fifth book in the Horus Heresy, the collection Tallarn by John French (2017).

Covering the spectrum of story length, Tallarn contains four pieces: one bit of flash fiction, one short story, one novella, and one novel. Presented chronologically, they describe the Iron Warriors surprise attack, the locals' resistance, and Peturabo's ultimate purpose taking the planet. Like Corax, the stories form a chain telling an overarching story. A more interesting mix, however, it proves to be one of the better collections/anthologies in the Horus Heresy.

Review of Gardens of the Moon by Steven Erikson

A decade+ ago, I burned through Steve Erikson's Malazan Book of the Fallen in about 6 months. I was trying to get at the core of why the series was lauded. For anyone who has read the series, they know this is a bad tactic. I did not arrive at the core, or any core. In fact, I was left partially mystified. The world is big and imaginative. There is magic—a bit nebulous, but perhaps magic should be. Plotting is large and complex. The story eschews good vs evil. But beyond these potential reasons for being 'great', the book had challenges. The incredibly broad scope of characters possesses minimal detail—detail needed to make said characters stick and resonate. There is minimal (sometimes average) sense of place and setting—average to good needed for a secondary world to come alive. And story flow is mostly a flat procession of two-three page scenes with occasional, tiny spikes of drama. But like every reader, my interests and awareness evolve, and so I decided to give the series one more try, starting with Gardens of the Moon (1999).

Gardens of the Moon tells of the ambitious empress of the Malazan empire, Laseen, and her ruthless campaign to conquer the continent of Genabackis. The jewel of Genebackis is the neon blue-green city of Darujhistan. After taking the neighboring city of Pale, its there Laseen sets her sights, with the Bridgeburner brigade, and its collection of colorful soldiers, at the vanguard. Opposing the Empress is Anomander Rake, the eternal Tiste Andii lord of Moon's Spawn, a massive rock island that floats above Genabackis. At his beck and call are armies of large ravens and mage-assassins, entities Rake deploys to carry out his own mysterious plans.

Review of The Tusks of Extinction by Ray Nayler

Ernest Hemingway is considered by some a titan of early 20th century fiction. Focused on animal themes, his stories are steeped in nature, from hunting and fishing to the opera of love, loss, and mortality. Africa, Montana, the Caribbean, and other settings are presented as places of beauty, as well as places where humans test themselves in blood sport against trout, lions, sharks, and other animals. But we are now in the 21st century. Social perspective on blood sport has changed (love, loss, and mortality less so). Animals have become, at least more often in Western eyes, something to be protected and/or nurtured. It is an interesting contrast, as witnessed by Ray Nayler's 2024 The Tusks of Extinction.

The Tusks of Extinction is set in a near future in which DNA can be used to bring extinct animals back into existence. Mammoths have been recreated and raised in numbers high enough to re-populate the Russian steppe. In tow have come poachers, men who hunt the massive animals for their tusks, as well as trophy hunters, billionaires looking to take down one of the large males for a wall decoration. Angry at these killings, a group of scientists decide to input the mind of one of their own into a mammoth to give the massive beasts a chance at survival.

Non-fiction: Review of The Anxious Generation by Jonathan Haidt

I am Gen X. I know what it's like to have a land-line telephone in the house. I had thousands of negotiations with my teen sister, who gets to use that phone and when. And nowadays, I know what's it's like to have a smartphone, to be able to connect any time, almost anywhere—not only to a person, but to the collection of human knowledge and advertizement, for better and worse. But my two children, 7 and 9, don't have this perspective. They know only a smartphone world. And they are the first generation to have such a perspective—the guinea pigs of the human race. Jonathan Haidt, in his 2024 book The Anxious Generation, asks us to take a closer look at the experiment.

The trigger for The Anxious Generation were the spikes in teen anxiety and depression Haidt and his team observed post-2009/2010 til now. Looking deeper into the data, Haidt, a social psychologist, was particularly interested in identifying the potential causes. After all, nobody wants the future leaders of the world to enter adulthood with significantly higher chances of depression.

Review of Praetorian of Dorn by John French

Rogal Dorn is a primarch situated on Terra, a planet far from the loyalist vs. traitor battlefields happening across the universe as Horus attempts to take over the Imperium. He and his Imperial Fists are preparing defences, knowing Horus is coming. But as with any large scale assault, Horus knows shaping operations are necessary. Praetorian of Dorn by John French (2016) are precisely those operations.

In military parlance, shaping operations are covert military operations intended to destabilize defenders before a major frontal assault is launched. Typically performed by special ops, it's appropriate the Alpha Legion, led by its enigmatic primarch Alpharius, are the team sent secretly in to Sol to “soften the ground” at the outset of Praetorian of Dorn. Undercover agents appearing in the most unlikely of places with powerful psyker mind games being played internally and externally, the novel quickly escalates, turns on a dozen dimes, and still has room for surprise at the conclusion. The novel is a bit of controlled chaos, exactly as operations shaping Horus's assualt on Terra should be.

Review of Scars by Chris Wraight

I'm almost at the Siege of Terra. But before cracking the first of those ten books, I promised myself I would read at least one Horus Heresy book per Legion. Some Legions have featured prominently in several books—Sons of Horus, Ultramarines, Emperor's Children, Death Angels, Blood Angels, etc. But some make minimal appearances. Legion, for example, is the only novel (to my knowledge) to focus on the Alpha Legion. And here there is Scars (2013), the 28th book book in the series, which focuses on one of the other aloof legions, the White Scars.

Scars centers on the primarch Jagatai Khan's legion and their journey from outliers to participants in the Heresy. Living distantly, far from the events of Isstvan and beyond, their creed has kept them out of the battles engulfing the human species. The events of Prospero, however, prove to be the catalyst bringing the Scars into the picture. With reports of brother attacking brother, Jagatai cautiously boards his ships and heads out to find out precisely what happened between Leman Russ and Magnus the Red, and in the process must do the last thing he expected, or wants to do: choose sides.

Review of Expect Me Tomorrow by Christopher Priest

Most avid readers have their favorite authors, and 2024 has been been merciful to a few of mine. Terry Bisson and Howard Waldrop both passed away, taking with them unique, meaningful voices of speculative fiction. And the year likewise took Christopher Priest, a giant in the field. A book published just two years ago, Expect Me Tomorrow (2022).

Expect Me Tomorrow rotates through three time periods/perspectives, steadily revealing the relationship between them. Told in brief, dry snippets akin to a history book, the first perspective is the story of a Victorian confidence trickster named John Smith who was found guilty of cheating women out of their valuables. The second is told in a warm, first-person perspective with a classic English lilt.  It tells of a pair of Norwegian twins in the mid 19th century, Adolph and Adler. Night and day in terms of career interests, Adler is an academic researcher interested in climate who ends up spending many years in the US pursuing knowledge while his brother Adolph is an opera singer who tours South America. And the third perspective is an alternate take on our modern times, written in Priest's precise prose, in which a police profiler has a piece of network tech installed in his head giving him direct access to the internet. Disparate stories at the outset, Priest slowly weaves these three into a single tale.