Console Corner: Review of Horizon: Zero Dawn

While eating breakfast or late in the evening before sleep, I will sometimes watch video game reviews and trailers.  I like to see what’s out there to play, or what’s coming.  But after a while, it all starts to blend together.  Fall Cry, Battle Duty, Destiny Effect, Elder Divinity, Last Walking Dead—there seems an endless progression of scenarios intended to maximize the potential for shooting and stabbing in a world rendered unique by some premise or another.  With more three decades of video games in the rearview, unique has become relative, and coming up with a quality, original IP is very difficult.  But not impossible.  Grounding itself in fundamental gameplay, ensuring the little details are correct, and building off said three decades of wisdom, Guerilla Games’ 2017 Horizon: Zero Dawn delivers a unique world and a quality, enjoyable experience.

But watching the trailers for H:ZD, I initially had doubts.  ‘Fighting robot dinosaurs in a primitive world, how cheesy’ was my first thought.  But after watching some of the gameplay, noticing some of the subtle details and quality of the graphics, learning the storyline was actually post-apocalyptic rather than old-world primitive, and seeing the potential of the combat system, I was intrigued.  When early reviews from across the gaming community all came back positive, I thought why not?  Having now completed the game, why not indeed?

Review of Totalitopia by John Crowley

One of America’s best kept literary secrets (Little, Big may just be the great American novel), John Crowley returns to the printed page in 2017 with what is truly a fan’s collection in Totalitopia.  Reprinting a few shorts stories, two-and-a-half essays (I don’t know whether to call the review of Paul Park’s oeuvre an essay, paper, article, etc.), as well as a new, in-depth author interview, it makes for an excellent sampler platter that includes fiction but likewise goes beyond to offer a behind the scenes look at some of the realities behind said fiction—a fan’s collection.

Looking at the fiction in Totalitopia, “This Is Our Town” is a nostalgic piece, and opens the collection with one man’s reminiscences of his upbringing during America’s Golden Age, particularly his relationship with the Catholic church and how it relates to his present day life.  An open-ended story rather than a definitive view on religion, Crowley uses his subtle powers of prose to ask personal questions that touch upon the larger, social realm.  “Gone” is one Crowley’s most well known and reprinted stories.  A moody, minimalist piece, it is about a woman whose partner has run away with their children on an Earth where a space ship orbits, sending peace-loving Elmer robots do housework and common chores.  A bizarre story for the robot premise, it nevertheless manages to draw strong yet mysterious emotional resonance through the portrayal of the woman’s life.  Proving flash fiction is also in Crowley’s bag of tricks, “In the Tom Mix Museum” is shows the power of excellent writing technique in the process of relaying a vignette of a person’s visit to the museum.  More happening in its three pages than some writers can pack into a story ten times as long, the “story” is interesting as a specimen and as fiction.  What I would call a one-off conceit, “And Go Like This” takes a Buckminster Fuller quote and runs with it.  The entire population of the world migrates to New York City, and answers the question, once there, what to do?

Review of Can You Feel Anything When I Do This? by Robert Sheckley

Stop, stop right here.  Don’t bother with this review.  Just go read a Robert Sheckley novel or collection.  Unless your expectations are so narrow as to want formulaic genre material, the man’s writing cannot disappoint.  The wit, the humor, the wrestling with human nature, all in classic science fictional settings and situations, is inimitable.  Sheckley seeming to forever hover on the fringes of reader awareness, his 1972 collection Can You Feel Anything When I Do This? is as good a place as any to jump right in, wallow in the goodness, and become aware.

Humorous speculation on the nature of machine intelligence, the title story opens the collection.  About an ordinary housewife who one day receives a mail-order robot vacuum cleaner, Sheckley’s keen sense of humor tells a funny ‘romance’ that makes the reader question the possibilities of AI.  An absolutely hilarious story that channels the style of Jack Vance in dialogue but with Sheckley’s cosmopolitan side informing the backstory and plot movement, “Cordle to Onion to Carrot” tells of an easily bullied man who finds his stride among stronger men after imbibing some ‘wine of the gods’.  Just hilarious.  Going from borderline outrageous to quite subdued, “The Petrified World” tells of a man concerned about his dreams.  Visiting a psychologist, his metaphysical questions are unanswerable, save for a procedure that gives him an entirely new perspective on life.

Review of Spindrift by Allen Steele

Allen Steele’s Coyote trilogy was something of a mild surprise for me.  It is not the most literary of science fiction, but that was not Steele’s aim.  Presenting a reasonable scenario wherein humanity colonizes another planet with a cast of characters that hover between 2D and 3D experiencing drama that was not off the charts, it makes for enjoyable enough reading within the hard/soft sf field.  The canvas of the trilogy broad enough to accommodate a variety of spinoffs and even outright continuation of the main storyline, it was likely to no one’s surprise that in 2007 Steele published another novel in the Coyote universe, Spindrift.

A frame story, Spindrift opens with three astronauts, Theodore Harker, Emily Collins, and Jared Ramirez, returning unexpectedly to Earth in a strange space vessel after having disappeared fifty years ago on a space mission nobody knew the fate of.  The mystery of the fifty-year gap explained in the main story, things begin with the USS Galileo, lead by an incompetent but well connected captain, setting off to investigate a strange alien signal eminating from a BDO, nicknamed Spindrift, in a nearby galaxy.  A big secret discovered by Harker, Collins, and Ramirez en route to the BDO—a secret the captain would rather the crew have not known, the open-minded nature of the trip takes a hit, and comes full face upon arrival at Spindrift.  Events spiraling out of control, the mystery of the BDO is answered even as the veil of sentient life in the universe is peeled back.

Review of Heroes & Villains by Lewis Shiner

In the introduction to his 2017 collection Heroes and Villains, Lewis Shiner points out that the best length for purely entertaining fiction, whether it be horror, action, spy thriller, etc., is the novella.  And I have to agree.  If you want to relax after a long day and just escape for an hour or two into a complete story that does not tax the brain, a novella can really hit the spot.  Putting his money where his mouth is, Heroes and Villains (2017, Subterranean Press) features three novellas previously published in Subterranean magazine, as well as one original short story.  Representing the more genre-heavy side of Shiner’s fiction, it is a relaxing, escapist collection.

Like the film Valkyrie but with a Houdini twist, “The Black Sun” tells of a group of stage magicians who hatch a plot to take down Hitler.  Playing with the Fuhrer’s belief in the magical, destructive potential for the Spear of Destiny, the group devise an intricate plan, complete with ‘stage effects’.  Near misses abound setting up their plan, when the big day comes all their cards are on the table.  The time and place of Hitler’s real death a historical fact, from the outset the group’s goal would seem to be a failure—or the set up for an alternate history.  Surprisingly, Shiner takes a third option.  To say more would naturally spoil matters, but at least I can say the build up is resolved in organic fashion.  The story backdrop probably could have been expanded a touch (there is a bit of character and setting detail missing, details that normally give a story that full feeling), but the build up and climax make it worthwhile.

Review of Amatka by Karin Tidbeck

Karin Tidbeck arrived on the English language scene around 2012 with several quality short stories collected in Jagganath.  “Sing”, “Reindeer Mountain” and others received a variety of critical attention, primarily for their ethereal fairy-tale qualities that were far more Weird than princesses, knights in shining armor, or majestic castles.  In 2017 Tidbeck makes her English language debut in novel form with Amatka.  A work of dystopian science fiction that feels like a very bland offshoot of Ursula Le Guin and Clifford Simak, I think it’s fair to say Tidbeck’s strengths lie in Jagganath-type material…

Amatka is the story of Vanja.  Marketing researcher for a personal hygiene company, she is asked by her firm to make a cross-continental trip to the industrial city of Amatka to discover brands the shops stock, gaps in the local market, and what the most popular products are among its people.  Amatka a communal society, after filling out the appropriate forms Vanja is provided a room and given free rein to wander the city.  Meeting her roommates, the librarian, and a rebellious older woman named Ula, Vanja slowly becomes aware of skeletons in Amatka’s closet, and begins to ask questions about the rote and routine of society.  Why do the people need to read and repeat the names of solid objects, like a pen or suitcase, for them to retain their shape?  Why does the commune enforce societal parenting?  And why does the recorded history of the poet Erren not quite fit reality?  Needing to take some bold steps to get answers to these questions, Vanja’s life finds a new road by the end of Amatka.

What Comes Next: Questions & Potential Answers Regarding The No-God Duology

In the wake of reading my review of The Unholy Consult, R. Scott Bakker’s concluding volume to the Aspect-Emperor series, a gentleman from the Second Apocalypse forum (the place for discussion on anything Earwa) contacted me privately, asking what I thought of the conclusion to The Unholy Consult and my opinion what might come next—what the follow up and concluding duology, tentatively titled The No-God series, might hold for readers. The more I thought about answers to these questions, the more I realized I should organize them ‘on paper’, and if going that far, why not post them. It is, indeed, intriguing.  So, if you haven’t read The Unholy Consult, do not read this post as it will contain major spoilers.  Another warning, I am writing this with extremely little knowledge of what's happening in forums and other discussions on the Second Apocalypse, so apologies if the post seems naive to readers who have invested themselves significantly more than than me into the lore of the series.

Before I dive in, a few things I take as basic assumptions: 

1. The ending of The Unholy Consult was planned all along, and as such should be considered as completing the series

2. Bakker’s thematic agenda has been delivered

3. Anything that may come next is therefore likely to be more complementary and confirming than revolutionary or game-changing (i.e. perhaps the series' denouement some readers were hoping for?)

Therefore, the question is: where to go from the rise of the No-God and the dawn of the Second-Apocalypse?  Before getting into the possibilities, we need to establish three key baselines.

Review of The Unholy Consult by R. Scott Bakker

Mao Zedong, Jan Sobieski, George W. Bush—there are innumerable people throughout history who were good at attaining positions of power, and yet seemingly helpless afterwards to maintain that power through good decisions that benefited the society they ruled.  I daresay the same is true for a lot of epic fantasy.  Many authors do a good job building their world and characters, as well as installing dynamics that make the reader want to continue reading.  But the closer they get to the ‘grand climax’, the lower the quality of the overarching story becomes, leading to final volumes that sputter and fizzle rather than explode.  This has not been a problem for R. Scott Bakker.  The Prince of Nothing trilogy started strong and ended with a Bang.  Now, with the publishing of the fourth and final book in The Aspect-Emperor series, The Unholy Consult (2017), Bakker proves no fluke.  The novel and series end with a BANG - a fireworks display that is everything avid readers have been hoping it would be.

Normally I give a brief plot introduction in reviews, but for The Unholy Consult it seems unnecessary.  For those who have read The Great Ordeal, that is the introduction (and if you haven’t read it, you shouldn’t be reading this review).  If it's been a while, Bakker includes a few pages at the beginning of The Unholy Consult, as he has done with all the series’ books thus far, summarizing events in Earwa. 

Review of Daughter of Eden by Chris Beckett

When I was young and believed in the Christian god, a few questions nagged at the back of my mind: every religion seems to have its own holy book, its own cosmology, its own sacred rote and routine, and its own unshakable belief it is the One. True. Religion.  How can they all be right?  And isn’t it a bit funny that the majority of people end up believing the religion they were raised closest too—the easy road?  Thankfully these questions, along with the realization of a lot of other logical fallacies, achieved prominence to the point I gave up on Christianity, and organized religion in general.  I can say I am a happier person for it.  But what about the people for whom such mythologies are necessary—existence unthinkable without some religious framework to explain it?  Chris Beckett’s 2016 Daughter of Eden, third in the Eden series, answers this question, and in the process forms the perfect bookend to the original novel, Dark Eden.

More than 200 years have passed since the events of Dark Eden.  Johnfolk, Davidfolk, and Jefffolk have started spreading themselves over the known parts of Eden and established a variety of villages, even a few bigger towns.  At the outset of the novel a woman names Angela is rowing across World Pool to sell goods at a Davidfolk village.  The trip is cut short, however, when she sees in the distance a small fleet of Johnfolk, armed to the teeth, coming across the water.  Returning to her village to raise the alarm, Angela, her family, and fellow villagers flee into the woods in an attempt to escape.  They run and run, until, encountering the most hoped for and yet seemingly unlikely thing that could ever happen on all of Eden.

Review of 2084: The Anthology ed. by George Sandison

I think it’s fair to say George Orwell’s Nineteen Eighty-four is one of the most enduring novels of the 20th century.  Playing off real and perceived fears regarding communist states, there remain a small number of governments exemplifying the tyranny of Big Brother even in the 21st century.  But brainwashing and oppression are not always a grand political scheme orchestrated from the very top.  It likewise exists in other aspects of life, from race to culture, shopping to beauty.  Feeling the time ripe to discover the breadth of ideas the term Orwellian has come to span, George Sandison, editor at Unsung Stories, decided to commission a bevy of writers to produce short stories offering a contemporary perspective on the quiet ways brainwashing, "brainwashing", and oppression might be used, or are currently being used, among us.  2084: The Anthology the result, it is a surprisingly varied anthology of original material that stands out as one of the year’s best.

Gaining momentum with time, the anthology opens a touch slow.  “Babylon” by Dave Hutchinson attempts to present a future European Union as tyrannical for its immigration policies.  Packing too many large ideas into a small story, it tells of a Somalian refugee being smuggled across the Mediterranean and the racial surprise he has planned upon arrival on European soil.  Seeming to run with far-left opinion (ironically the type of faith in media Orwell sought to expose), it does not recognize the effort the EU (not without resistance, natch) has made bringing in refugees and immigrants.  Worse yet, Hutchinson doesn’t play fair when stacking the deck entirely in his favor: the Somali man is without creed or religion, and possesses a cosmopolitan knowledge of language, culture, and James Bond-style counter intelligence, i.e. not very representative of the average Somalian immigrant, just as a European Union bent on preventing all non-white immigrants from entering the continent is likewise not wholly representative…  In something loosely resembling a morlocks/eloi situation, “Here Comes the Flood” by Desirina Boskovich is a bleak future wherein the current capitalist glut has consumed most of the world’s resources, forcing the affluent to live underground. The people living on the surface under the burning sun fight to join them while the people underground fight to keep them out.  Told from a domestic perspective, this dichotomy comes across as very human.