With thousands of years of recorded
history and a rich and varied literary tradition which draws upon one of the
world’s longest evolving written languages, it is no surprise myth and fantasy
are integral parts of Chinese literature, past and present. From this tradition, four works have been
chosen as the ‘four greatest novels in Chinese history.’ It is interesting to note that of these
epic-length novels, one contains light elements of Daoist fantasy—more mystical
than supernatural—while two others use stronger elements: the motifs of
super-human ability, pre-cognition, and supernatural connection with nature are
present in varying degrees throughout the works. Relatively unknown to the West, the fourth
novel, Journey to the West, is,
however, a ‘full blown fantasy of epic proportions’ in the most literal sense
of the expression. Suffuse with elements
of animal fantasy, ghost fantasy, magic-adventure fantasy, and the strongest of
all, mythopoeic fantasy, it is arguably one of the greatest fantasy novels ever
written.
First recorded on paper in the 16th century, there is much confusion as
to who the real author is, consensus falling upon Wu Chengen for lack of decisive
proof. Based on the true story of a Chinese
monk who was sent by the emperor to India to retrieve Buddhist sutras, Journey to the West is the literary result
of generations of street corner historical recollection, legend building, and tale
swapping—“a string of stories that developed over many hundreds of years,” sparking
the confusion over authorship (Journey
2322). In a country prizing their street
corner raconteurs, artistic license in making each episode more fantastic than
the next became the norm, and the story became a “collective creation by
professional entertainers” (2332). Taels
of silver traded for dexterity of tongue, it is perhaps no surprise the
centuries yielded a story 100 chapters long and more than 2,300 pages (W.J.F.
Jenner’s English translation). Passed on
orally in a predominantly illiterate population, it has since enjoyed immense
popularity by the educated in written form as well. Following the influx of Western technology in
China’s post-Mao years, a lengthy television series was filmed. Adhering closely to the book, it has maintained
its charm and continues to win the hearts of the Chinese, the series in heavy
rotation on several television stations at all times of the year. There is not a person in China who does not
know the name of the main character, Sun Wukong.







